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How do the spaces of the past stay with us through representations-whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century. Examining the intersections of landscape, postmemory, and trauma, Kaplan's text offers a significant contribution to our understanding of the spatial, visual, and literary reach of the Holocaust.
How do the spaces of the past stay with us through representations-whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century. Examining the intersections of landscape, postmemory, and trauma, Kaplan's text offers a significant contribution to our understanding of the spatial, visual, and literary reach of the Holocaust.
Bringing together a diverse array of new and established scholars and creative writers in the rapidly expanding field of memory studies, this collection creatively delves into the multiple aspects of this wide-ranging field. Contributors explore race-ing memory; environmental studies and memory; digital memory; monuments, memorials, and museums; and memory and trauma. Organised around 7 sections, this book examines memory in a global context, from Kashmir and Chile to the US and UK. Featuring contributions on topics such as the Black Lives Matter movement; the AIDS crisis; and memory and the anthropocene, this book traces and consolidates the field while analysing and charting some of the most current and cutting-edge work, as well as new directions that could be taken.
Jewish Anxiety and the Novels of Philip Roth argues that Roth's novels teach us that Jewish anxiety stems not only from fear of victimization but also from fear of perpetration. It is impossible to think about Jewish victimization without thinking about the Holocaust; and it is impossible to think about the taboo question of Jewish perpetration without thinking about Israel. Roth's texts explore the Israel-Palestine question and the Holocaust with varying degrees of intensity but all his novels scrutinize perpetration and victimization through examining racism and sexism in America. Brett Ashley Kaplan uses Roth's novels as springboards to illuminate larger problems of victimization and perpetration; masculinity, femininity, and gender; racism and anti-Semitism. For if, as Kaplan argues, Jewish anxiety is not only about the fear of oppression, and we can begin to see how these anxieties function in terms of fears of perpetration, then perhaps we can begin to unpack the complicated dynamics around the line between the Holocaust and Israel-Palestine.
Jewish Anxiety and the Novels of Philip Roth argues that Roth's novels teach us that Jewish anxiety stems not only from fear of victimization but also from fear of perpetration. It is impossible to think about Jewish victimization without thinking about the Holocaust; and it is impossible to think about the taboo question of Jewish perpetration without thinking about Israel. Roth's texts explore the Israel-Palestine question and the Holocaust with varying degrees of intensity but all his novels scrutinize perpetration and victimization through examining racism and sexism in America. Brett Ashley Kaplan uses Roth's novels as springboards to illuminate larger problems of victimization and perpetration; masculinity, femininity, and gender; racism and anti-Semitism. For if, as Kaplan argues, Jewish anxiety is not only about the fear of oppression, and we can begin to see how these anxieties function in terms of fears of perpetration, then perhaps we can begin to unpack the complicated dynamics around the line between the Holocaust and Israel-Palestine.
Roth and Celebrity is composed of 10 original essays that consider the vexed and ambivalent relationship between Philip Roth and his own celebrity as revealed both in personal interviews as well as in the fiction that spans his publishing history. With its simultaneous interest in American popular culture and the work of the most important living American writer to-date, the collection will hold wide appeal to advanced readers in American studies, literary scholarship, and film.
Roth and Celebrity is composed of 10 original essays that consider the vexed and ambivalent relationship between Philip Roth and his own celebrity as revealed both in personal interviews as well as in the fiction that spans his publishing history. With its simultaneous interest in American popular culture and the work of the most important living American writer to-date, the collection will hold wide appeal to advanced readers in American studies, literary scholarship, and film.
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