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The Enlightenment, an eighteenth-century philosophical and cultural
movement that swept through Western Europe, has often been
characterized as a mostly secular phenomenon that ultimately
undermined religious authority and belief, and eventually gave way
to the secularization of Western society and to modernity. To
whatever extent the Enlightenment can be credited with giving birth
to modern Western culture, historians in more recent years have
aptly demonstrated that the Enlightenment hardly singled the death
knell of religion. Not only did religion continue to occupy a
central pace in political, social, and private life throughout the
eighteenth century, but it shaped the Enlightenment project itself
in significant and meaningful ways. The thinkers and philosophers
normally associated with the Enlightenment, to be sure, challenged
state-sponsored church authority and what they perceived as
superstitious forms of belief and practice, but they did not mount
a campaign to undermine religion generally. A more productive
approach to understanding religion in the age of Enlightenment,
then, is to examine the ways the Enlightenment informed religious
belief and practice during the period as well as the ways religion
influenced the Enlightenment and to do so from a range of
disciplinary perspectives, which is the goal of this collection.
The chapters document the intersections of religious and
Enlightenment ideas in such areas as theology, the natural
sciences, politics, the law, art, philosophy, and literature.
During his forty-two years as president of AMS Press, Gabriel
Hornstein quietly sponsored and stimulated the revival of 'long'
eighteenth-century studies. Whether by reanimating long-running
research publications; by creating scholarly journals; or by
converting daring ideas into lauded books, 'Gabe' initiated a
golden age of Enlightenment scholarship. This understated
publishing magnate created a global audience for a research
specialty that many scholars dismissed as antiquarianism. Paper,
Ink, and Achievement finds in the career of this impresario a
vantage point on the modern study of the Enlightenment. An
introduction discusses Hornstein's life and achievements, revealing
the breadth of his influence on our understanding of the early days
of modernity. Three sets of essays open perspectives on the
business of long-eighteenth-century studies: on the role of
publishers, printers, and bibliophiles in manufacturing cultural
legacies; on authors whose standing has been made or eclipsed by
the book culture; and on literary modes that have defined,
delimited, or directed Enlightenment studies.
Textual Warfare and the Making of Methodism argues that the
eighteenth-century Methodist revival participated in and was
produced by a rich textual culture that includes both pro- and
anti-Methodist texts; and that Methodism be understood and
approached as a rhetorical problem-as a point of contestation and
debate resolved through discourse. Methodist belief and practice
attracted its share of negative press, and Methodists eagerly (and
publically) responded to their critics; and the controversy
generated by the revival ensured that Methodism would be
conditioned by textual and rhetorical processes, whether in
published polemic and apologia, or in private diaries and letters
as Methodists navigated the complexities of their spiritual lives
and anti-Methodist efforts to undermine their faith. While it may
seem obvious to conclude that a controversial movement would be
shaped by controversy, Textual Warfare examines the specific ways
Methodist belief, practice, and self-understanding were filtered
through the anti-Methodist critique; the particular historic and
cultural conditions that informed this process; and the
overwhelming extent to which Methodism in the eighteenth century
was mediated by texts and rhetorical exchange. The proliferation of
print media and the relative freedom of the press in the eighteenth
century; the extent to which society generally and Methodism
specifically promoted literacy; and a cultural sensibility
predisposed to open debate on matters of public interest, ensured
the development of a public sphere in which individuals came
together to deliberate, in conversation and in print, on a range of
issues relevant to the larger community. It was within this sphere
that Methodist religiosity, including the intensely private nature
of spiritual conversion, became matters of civic concern on an
unprecedented scale and that Methodism ultimately took its form.
During his forty-two years as president of AMS Press, Gabriel
Hornstein quietly sponsored and stimulated the revival of
“long” eighteenth-century studies. Whether by reanimating
long-running research publications; by creating scholarly journals;
or by converting daring ideas into lauded books, “Gabe”
initiated a golden age of Enlightenment scholarship. This
understated publishing magnate created a global audience for a
research specialty that many scholars dismissed as antiquarianism.
Paper, Ink, and Achievement finds in the career of this impresario
a vantage point on the modern study of the Enlightenment. An
introduction discusses Hornstein’s life and achievements,
revealing the breadth of his influence on our understanding of the
early days of modernity. Three sets of essays open perspectives on
the business of long-eighteenth-century studies: on the role of
publishers, printers, and bibliophiles in manufacturing cultural
legacies; on authors whose standing has been made or eclipsed by
the book culture; and on literary modes that have defined,
delimited, or directed Enlightenment studies. Published by Bucknell
University Press. Distributed worldwide by Rutgers University
Press.
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