Digital technologies have transformed how, where, and when we communicate, love, learn, produce, and consume. Digital Lives in the Global City examines the entanglements of urban life as digital infrastructures connect us across vast distances while also merging work with personal time and space, increasing the power of financial institutions, and enhancing state and corporate surveillance capacities. This nuanced exploration engages with a wide range of issues: the conditions of migrant work in Singapore, the question of digital debt in Toronto, the rise and fall of illegal buildings in Mumbai, and targeted policing in New York. In the process, it reveals the profound connections between digital technologies and the social life of global cities.

From broken-window policing in Detroit to prison-building in Appalachia, exploring the expansion of the carceral state and its oppressive social relations into everyday life Prison Land offers a geographic excavation of the prison as a set of social relations-including property, work, gender, and race-enacted across various landscapes of American life. Prisons, Brett Story shows, are more than just buildings of incarceration bound to cycles of crime and punishment. Instead, she investigates the production of carceral power at a range of sites, from buses to coalfields and from blighted cities to urban financial hubs, to demonstrate how the organization of carceral space is ideologically and materially grounded in racial capitalism. Story's critically acclaimed film The Prison in Twelve Landscapes is based on the same research that informs this book. In both, Story takes an expansive view of what constitutes contemporary carceral space, interrogating the ways in which racial capitalism is reproduced and for which police technologies of containment and control are employed. By framing the prison as a set of social relations, Prison Land forces us to confront the production of new carceral forms that go well beyond the prison system. In doing so, it profoundly undermines both conventional ideas of prisons as logical responses to the problem of crime and attachment to punishment as the relevant measure of a transformed criminal justice system.

From broken-window policing in Detroit to prison-building in Appalachia, exploring the expansion of the carceral state and its oppressive social relations into everyday life Prison Land offers a geographic excavation of the prison as a set of social relations—including property, work, gender, and race—enacted across various landscapes of American life. Prisons, Brett Story shows, are more than just buildings of incarceration bound to cycles of crime and punishment. Instead, she investigates the production of carceral power at a range of sites, from buses to coalfields and from blighted cities to urban financial hubs, to demonstrate how the organization of carceral space is ideologically and materially grounded in racial capitalism. Story’s critically acclaimed film The Prison in Twelve Landscapes is based on the same research that informs this book. In both, Story takes an expansive view of what constitutes contemporary carceral space, interrogating the ways in which racial capitalism is reproduced and for which police technologies of containment and control are employed. By framing the prison as a set of social relations, Prison Land forces us to confront the production of new carceral forms that go well beyond the prison system. In doing so, it profoundly undermines both conventional ideas of prisons as logical responses to the problem of crime and attachment to punishment as the relevant measure of a transformed criminal justice system.