The Vorrh is a vast unmapped and very mysterious jungle in Africa. No-one comes out of it in one piece. Survivors report strange, mind-bending phenomena and horrific monsters. It is rumoured that the Garden of Eden still exists somewhere in the middle of it. In The Erstwhile it transpires that some angels have escaped Eden and the Vorrh and are living in hiding in London, some in disguise as lunatics in Bedlam. It's also revealed that William Blake, a character in these novels, is interacting with these angels. Good and evil angels and humans, including William Blake, are heading towards a final, Miltonic apocalyptic battle for the soul of humanity. The Erstwhile is the second book in the Vorrh trilogy.

'A benchmark not just for imaginative writing but for the human imagination in itself...Read this book, and marvel.' Alan Moore 'A work of genius.' Iain Sinclair 'Brian Catling is simply a genius. His writing is so extraordinary it hurts.' Terry Gilliam In the tradition of China Mieville, Michael Moorcock and Alasdair Gray, B. Catling's The Vorrh is literary dark fantasy which wilfully ignores boundaries, crossing over into surrealism, magic-realism, horror and steampunk. In B. Catling's twisting, poetic narrative, Bakelite robots lie broken - their hard shells cracked by human desire - and an inquisitive Cyclops waits for his keeper and guardian, growing in all directions. Beyond the colonial city of Essenwald lies the Vorrh, the forest which sucks souls and wipes minds. There, a writer heads out on a giddy mission to experience otherness, fallen angels observe humanity from afar, and two hunters - one carrying a bow carved from his lover, the other a charmed Lee-Enfield rifle - fight to the end. Thousands of miles away, famed photographer Eadweard Muybridge attempts to capture the ultimate truth, as rifle heiress Sarah Winchester erects a house to protect her from the spirits of her gun's victims.

___________________________________________________________________________________ "Brilliantly wrought... Wonderful... Catling's expertise, imagination and linguistic flair are well matched by his wit and enthusiasm. Hollow is never less than tremendous fun... Catling is a great and wild talent... a raucous novel that thrills and unsettles in equal measure." - TLS "Prose that's sprinkled with neologisms and archaisms, and as crunchy and bitter-cold as snow... it's a nigh unclassifiable work, and all the better for that." - Financial Times "As with all the best fiction, there is a terrifying inevitability about Hollow ... Let it devour you." Iain Sinclair, author of Ghost Milk "Unsettling and delightful... very clever fun...a sheer, shuddering delight... both frightening and hilarious. Catling is a rare kind of writer.'" Scotland on Sunday ____________________________________________________________________________ From the author of the Vorrh Trilogy comes an epic odyssey following a group of mercenaries hired to deliver a church's ultimate power-a sacred oracle-as the decadence of carnival gives way to the gravity of lent and the mystic landscape grows ravenous - all set within a Bosch painting. The history of art contains no more imaginative or mysterious paintings that the landscapes of Hieronymus Bosch. Art historians ask where the weird creatures depicted there came from, and so too do the central characters of Hollow as they fight their way across these landscapes and encounter these creatures. Author B Catling is the first novelist to engage fully with Bosch's vision and climb imaginatively into it. In this novel it emerges that Bosch gave colour and form to monsters, 'letting them in' to the real world, and that they were still infesting the landscape when it was painted by Bosch's follower Pieter Bruegel. Now a wild bunch of mercenaries with a mission to deliver an oracle made of cloth, bones and a loud voice take a dangerous journey to the monastery at the base of the Tower of Babel, where the most terrifying secret in the world is kept. As they travel through a country painted first by Bosch and then by Bruegel, they are confronted and seduced by monsters and see scenes painted by them. These include the devil playing dice, a lewd mock wedding with a dirty bride, an unholy being living inside a hollow tree and riding a giant rat, and creatures indulging in inter-species sexual play as depicted in The Garden of Earthly Delights. A local marauding woman called Mad Meg with a small army of looting women from Breugel's Dull Gret is one of this novel's stranger characters. Perhaps it is because B. Catling is himself an artist that he has been able to create a modern narrative masterpiece which brings the painterly genius of Bosch and Breugel alive on the page.

Slender like as stiletto... a book full of sadness, madness and badness - The Spectator ___________________________________________________________________________________ A standalone novel by iconic artist and author of cult bestseller, The Vorrh Not since Edgar Allan Poe and Bulgakov's The Master and Margarita has there been such a masterly tale of feline evil. Earwig got his nickname from his grandfather. At the start of this story he is employed to look after a strange little girl in a flat in Liege. He spies on her, listens to her by holding a glass up to the wall. But he never touches her except when, as part of his duties, he is required to is to make teeth of ice and insert them in her gums. Earwig takes a rare day off, which he spends drinking by himself in Au Metro, a seedy bar full of drunks, dancers and eccentrics. It is St Martin's day and in the evening as crowds parade through the street carrying lanterns through the snow, he is drawn reluctantly into a conversation with a sinister stranger called Tyre. As a result Earwig accidentally maims a waitress with a broken bottle. He understands that on some level Tyre meant this to happen. Shortly afterwards a black cat is delivered to the flat, unasked for. The girl forms an immediate bond with it, but Earwig identifies it as the enemy. Travelling across country by train, transporting the girl and her black cat, Earwig is increasingly caught up in a web of unfortunate and increasingly violent coincidences.

The Cloven is the epic climax to B. Catling's beloved genre-busting Vorrh Trilogy. In the stunning conclusion to Brian Catling's Vorrh trilogy, the colonial city of Essenwald gives up all its secrets, as the ancient forest seeks to reclaim what has been taken from it. Those who have been enslaved shall be no longer, and two heroes once thought dead shall reemerge stronger than ever. A man will be split in two, and a young woman will rise to the height of her powers. Meanwhile, the threat of war looms over London. Germany is gearing up to begin the Blitz, and only Nicolas the Erstwhile senses the danger to come. Will he be able to save the man who saved him? The Cloven is a book of battles and betrayals, in which Catling's incredible creations all fulfill their destinies and lead us to an epic conflagration with the fate of mankind hanging in the balance as the Vorrh attacks the one thing humankind can't live without.

This major international anthology provides students and the general reader with an invaluable introduction to contemporary modernist poetry. Containing over thirty poets from Australia, Canada, New Zealand, the UK and USA, this selection offers a powerful vision of late-Twentieth-century poetic achievement: international, politically- and socially-engaged, and radical in imaginative vision and practice. It celebrates risk, resistance, protest and diversity within poetry, reaching across national and cultural boundaries. Vanishing Points provides students of Creative Writing, Cultural Studies, English and American Studies, as well as the general reader, with an important survey of modernist poetry at the start of the new millennium. * A unique introduction to the wide range of modernist experiment in contemporary poetry * Ideal study aid for students of poetry and poetics * Broad, international selection of acclaimed modernist poets * Substantial contributions offer important insights into the range of each poet's work From the Introduction: The vanishing point lies beyond the horizon established by ruling conventions, it is where the imagination takes over from the understanding. Most anthologies of contemporary verse are filled with poems that do not cross that dividing-line, but our contention is that many poems in this volume are situated on the threshold of conventional sense-making. They go beyond the perspective of accepted canons of taste and judgement and ask questions about where they belong, and who they are meant for, often combining the pathos of estrangement with the irascibility of the refusenik. All anthologies enter the world fully aware of their genealogy, of where they fit in, of how they relate to certain traditions of writing by affiliation or rejection. This combination of dependent and independent gestures is inevitable, particularly in the case of selections of work aligned with national or regional versions of literary history. The present anthology does not fall into that category; its international reach does not, however, bring exemption from the dilemma of wanting to stand apart from conditions of rivalry while also needing to claim a special value in comparison with publications already available.