The Boomers are the generation that changed everything, from economics to politics to popular culture. This book examines the myriad ways and long-reaching consequences of the now fully "grown up" Baby Boomer generation on America. Once upon a time, the members of the Baby Boomer generation were young, idealistic, and hungry to change the world. And they did create sweeping, irreversible changes throughout American society-but probably not in the ways their younger selves imagined they would. Now that the Boomers are in their late-adult or retirement years, their tremendous legacy can clearly be perceived. In retrospect, the paths the members of this generation took to come to power-and how they came to terms with that power-are also apparent. This single-volume work supplies a broad yet detailed critical guide to the Boomer Generation, containing essays on key people, moments, and phenomena not only during the Boomers' 1960s heyday but also their extensive influences on American culture decades afterward. The contributors address key topics such as the rise of feminism; Civil Rights; the Vietnam War and the anti-war movement; the Beatles, the Grateful Dead, and rock 'n roll; gay rights; idealism, narcissism, and materialism; the influence of television on America, and vice versa; and the transition of Boomers from being "Yippies" to "Yuppies." This work is an ideal text for students in undergraduate or graduate courses in television studies, media studies, cultural studies, and American studies; and is highly appropriate as a supplemental text in literature, history, and philosophy surveys. Supplies comprehensive, critical analysis of the legacy of the Boomer Generation that examines the benefits and drawbacks of the enormous changes this generation of Americans instituted Presents accessible but rigorous, scholarly analysis from a broad range of experts in multiple fields Spotlights the ways in which pop culture at large has responded to the Boomers' influence or example-sometimes in vehement opposition and at other times with imitation or flattery

Audacious, weird, and icily ironic, Community was a kind of geek alt-comedy portal, packed with science fiction references, in-jokes that quickly metastasized into their own alternate universe, dark conspiracy-tinged humor, and a sharp yet loving deconstructions of the sitcom genre. At the same time, it also turned into a thoughtful and heartfelt rumination on loneliness, identity, and purpose. The story of Community is the story of the evolution of American comedy. Its creator, Dan Harmon, was an improv comic with a hyperbolically rapid-fire and angrily geeky style. After getting his shot with Community, Harmon poured everything he had into a visionary series about a group of mismatched friends finding solace in their community-college study group. Community: The Show that Broke Television is an episode-by-episode deep-dive that excavates a central cultural artifact: a six-season show that rewrote the rules for TV sitcoms and presaged the self-aware, metafictional sensibility so common now in the streaming universe. Pop culture experts Chris Barsanti, Jeff Massey, and Brian Cogan explore its influences and the long tail left by its creators and stars, including Donald Glover’s experiments in music (as rapper Childish Gambino) and TV drama (Atlanta); producers-directors Anthony and Joseph Russo’s emergence as pillars of the Marvel universe (Captain America: Civil War, Avengers: Infinity War); and Harmon’s subsequent dramatic success with the anarchic sci-fi cartoon Rick and Morty. Covering everything from the corporate politics that Harmon and his team endured at NBC to the Easter eggs they embedded in countless episodes, Community: The Show that Broke Television is a rich and heartfelt look at a series that rewrote the rules of TV sitcoms.

Whether it's television, radio, concerts, live appearances by comedians, Internet websites, or even the political party conventions themselves, the mixing of politics and popular culture is frequently on display. The "Encyclopedia of Politics, the Media, and Popular Culture" examines the people, major events, media, and controversies in eight thematic chapters and over 150 entries to provide an invaluable resource for any student, scholar, or everyday political junkie needing a comprehensive introduction to the subject.

On a typical weeknight in the United States, millions shun the traditional evening network news broadcasts and, instead, later grab their remotes to turn to Comedy Central to catch up on the political happenings of the day, delivered by the comedian Jon Stewart on the faux news program, "The Daily ShoW." Immediately afterwards, they might stay tuned to "The Colbert Report" for another dosage of hilarious, fake news that, to them, comes across more honestly than the serious version they could watch on CNN. Whether it's television, radio, concerts, live appearances by comedians, Internet websites, or even the political party conventions themselves, the mixing of politics and popular culture is frequently on display. The "Encyclopedia of Politics, the Media, and Popular Culture" provides in-depth coverage of these fascinating, and often surprising intersections in both historical and contemporary culture.

This highly readable and entertaining encyclopedia provides a sweeping survey of the historic and ongoing interplay between politics, the media, and popular culture in eight thought-provoking chapters. The volume is enhanced with the inclusion of over 150 entries to help students and researchers easily locate more in-depth information on topics ranging from political scandals to YouTube.

Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.

Although its origins and definition are hotly debated among scholars and fans alike, punk rock music has an ever-evolving but always loyal fan base. The British punk movement is thought to have begun in the early 1970s with bands such as the Clash and the Sex Pistols, and the American punk movement in the mid-1970s with bands such as the Ramones, Patti Smith, and Television playing at CBGB's in New York City's Lower East Side. The punk subculture continues to evolve today, with new bands, fashions, politics and zines embodying the spirit of its founders while also influencing mainstream culture. This inclusive encyclopedia chronicles the history and development of punk, including sub-movements such as Hardcore, Post-punk, Queercore, and Emo, to provide readers with an extensive overview of the music, fashion, films, and philosophies behind it. Entries for musicians include a discography for those wanting to start, or develop, their music collections. Entries include: Advertising; Anarchy; David Bowie; CBGB's; The Clash; Movement; Drugs; Flyers; Gender and punk; Hardcore; London; The Ramones; Johnny Rotten; Malcom McLaren: The Sex Pistols; Sid Vicious; Straight Edge and Vivienne Westwood.

Negotiating Group Identity in the Research Process: Are You In or Are You Out? focuses on researcher identity and the role it plays in conducting research, whether as a member of the culture being studied (i.e., an insider) or as an outsider to that culture. Contributors address the problems researchers face as insiders and outsiders, the practical strategies used to overcome related obstacles, the implications of insider/outsider status for the design of the study, the value of insider and outsider perspectives, the impact of this on the findings of a study, the implications for advocating on behalf of a group being studied, and other important topics. These scholars are from within and outside the field of communication and include well-known and emerging scholars who have studied a multitude of groups using various methodological strategies.

Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.

.cs676C7CC9{text-align: left;text-indent:0pt;padding:12pt 0pt 0pt 0pt;margin:0pt 0pt 12pt 0pt}.csA62DFD6A{color: #000000;background-color: transparent;font-family: Times New Roman; font-size:12pt; font-weight: normal; font-style: italic; }.cs5EFED22F{color: #000000;background-color: transparent;font-family: Times New Roman; font-size:12pt; font-weight: normal; font-style: normal; }Deconstructing South Park: Critical Examinations of Animated Transgression is an edited collection by Brian Cogan that looks at the long and controversial run of one of the most subversive programs on television. South Park, while denounced by many as simply scatological, is actually one of the most nuanced and thoughtful programs on television. The contributors to South Park reveal that, through the lens of four foul-mouthed nine year olds, Trey Parker and Matt Stone have created one of the most astute forms of social and political commentary in television history.Deconstructing South Park, itself the most ambitious deconstruction of popular culture to date, analyzes how South Park is not only entertainment, but a commentary on American culture that tackles controversial issues far beyond the depth of most television. Specifically, the medium of animated sitcom allows the show's creators to contribute to cultural conversations regarding disability studies, religion, sexuality, celebrity, and more. If South Park deconstructs American culture, then Cogan and his contributors deconstruct the deconstructionists and reveal South Park in all its hilarious and often contradictory complexity.

Deconstructing South Park: Critical Examinations of Animated Transgression is an edited collection by Brian Cogan that looks at the long and controversial run of one of the most subversive programs on television. South Park, while denounced by many as simply scatological, is actually one of the most nuanced and thoughtful programs on television. The contributors to South Park reveal that, through the lens of four foul-mouthed nine year olds, Trey Parker and Matt Stone have created one of the most astute forms of social and political commentary in television history. Deconstructing South Park, itself the most ambitious deconstruction of popular culture to date, analyzes how South Park is not only entertainment, but a commentary on American culture that tackles controversial issues far beyond the depth of most television. Specifically, the medium of animated sitcom allows the show's creators to contribute to cultural conversations regarding disability studies, religion, sexuality, celebrity, and more. If South Park deconstructs American culture, then Cogan and his contributors deconstruct the deconstructionists and reveal South Park in all its hilarious and often contradictory complexity.

This timely, highly readable edited collection undertakes an interdisciplinary analysis of the innovative ways in which both the political process and the entertainment industry appeal to voters under the age of 30 and how the intended audience receives these endeavors. Along the way, contributors shed light on the state of the modern American political system and its relationship to entertainment and popular culture. By integrating academic investigations with a 'real-world' point of view, the essays in this collection present information in an engaging, accessible manner that will show readers how the articulation of youth culture has influenced the political engagement of young voters.

This timely, highly readable edited collection undertakes an interdisciplinary analysis of the innovative ways in which both the political process and the entertainment industry appeal to voters under the age of 30 and how the intended audience receives these endeavors. Along the way, contributors shed light on the state of the modern American political system and its relationship to entertainment and popular culture. By integrating academic investigations with a 'real-world' point of view, the essays in this collection present information in an engaging, accessible manner that will show readers how the articulation of youth culture has influenced the political engagement of young voters.

It has been reviled, dismissed, attacked, and occasionally been the subject of Congressional hearings, but still, the genre of music known as heavy metal maintains not only its market share in the recording and downloading industry, but also as a cultural force that has united millions of young and old fans across the globe. Characterized by blaring distorted guitars, drum solos, and dramatic vibrato, the heavy metal movement headbanged its way to the popular culture landscape with bands like Led Zeppelin and Black Sabbath the 1970s. Motley Crue and Metallica made metal a music phenomenon in the 1980s. Heavy metal continues to evolve today with bands like Mastodon and Lamb of God. Providing an extensive overview of the music, fashion, films, and philosophies behind the movement, this inclusive encyclopedia chronicles the history and development of heavy metal, including sub-movements such as death metal, speed metal, grindcore, and hair metal. Coverage includes: BLheavy metal fashion BLmasculine and feminine images BLsubcultures, including death metal and speed metal BLcross-pollination of metal and other genres, such as hardcore punk BLpolitical themes of rebellion and resistance BLheavy metal and comedy (Spinal Tap, Tenacious D., and Satanicide Essential and highly entertaining reading for high school and undergraduate courses in popular music studies, communications, media studies, and cultural studies, the Encyclopedia of Heavy Metal Music and Culture offers a guide to the ultimate underground music, exploring its rich cultural diversity, resilience, and adaptability. Entries for musicians include a discography for those wanting to start or develop their music collections.

Ni! Peng! Nee-wom! Applause Theatre & Cinema Books revered and august publisher of weighty tomes on all things histrionic is proud to present EMonty Python FAQ: All That's Left to Know About Spam Grails Spam Nudging Bruces and SpamE the only 127% unauthorized guide to the greatest comedy troupe to ever feature Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones and Michael Palin to what is doubtlessly an astute and discerning global audience! Written in Applause's popular FAQ format this behemoth pack a broad range of historical trivia trivial history illicit paraphernalia and sophomoric overeducation into a tastefully apportioned ranged of eminently readable silly-walk-accessible chapters sure to delight Python newcomers and veterans alike.THRather than offering narrow analyses of the quintet's work EMonty Python FAQE ganders at the big picture tracing the Pythons across space time and media format. This noble quest for meaning leaves no turn unstoned from the Pythons' time immersed in the sketch comedy scene they grew out of to their boundary-breaking undefinable anarchic new style from their comedic influences to biographical info on each of the individual Pythons (including an examination of their lives and work post-Python) from the book's front cover to its reverse and from the beginning of this sentence to its mawkish and merciful end. Much like the troupe itself the writers of EMonty Python FAQE stuff their work with allusions to canonical literature and philosophy but never forgot that sometimes it's just as funny to see somebody get slapped in the face with a fish. DUCK!THOther selling points include:THU 60% more fish-slapping than any other Monty Python book on or slightly underneath the market!THU No joke names but plenty of bad Latin!THU In-depth cogent and rapier-witted insights (not to mention naughty limericks and highly questionable assertions)!THU Not one not two but THREE authors: Chris Barsanti Jeff Massey Brian Cogan!THU Candid commentary ... nudge nudge wink wink know what we mean?