The relationship between history and psychoanalysis has long been contentious, starting with Freud’s ambivalence toward history, with some declaring the two fields to be largely incommensurable. The contributors to this special issue rethink this complicated dynamic, demonstrating both the uses of psychoanalysis for interrogating historical narratives and the importance of history for psychoanalytic analysis. Essays address how psychoanalysis reframes the ways historians have represented the Holocaust and the bombings of Hiroshima and Nagasaki, investigate neoliberal group psychology by studying the emergence of QAnon, trace the political trajectories of psychoanalysis in the mid-twentieth century, and find previously unexplored links between Freud and the US plantation economy. Together, the essays testify to the importance of considering the unconscious dimensions of thought when attempting to understand the workings of politics and representations of the past. Contributors. Max Cavitch, Zahid R. Chaudhary, Alex Colston, Brian Connolly, Elizabeth Maddock Dillon, David L. Eng, Joan Wallach Scott, Carolyn Shapiro, Michelle Stephens

Although it is commonly thought that incest has been taboo throughout history, nineteenth-century Americans evinced a great cultural anxiety that the prohibition was failing. Theologians debated the meaning and limits of biblical proscription, while jurists abandoned such injunctions and invented a new prohibition organized around the nuclear family. Novelists crafted fictional tales of accidental incest resulting from the severed ties between public and private life, while antislavery writers lamented the ramifications of breaking apart enslaved families. Phrenologists and physiologists established reproduction as the primary motivation of the incest prohibition while naturalizing the incestuous eroticism of sentimental family affection. Ethnographers imagined incest as the norm in so-called primitive societies in contrast to modern civilization. In the absence of clear biological or religious limitations, the young republic developed numerous, varied, and contradictory incest prohibitions. Domestic Intimacies offers a wide-ranging, critical history of incest and its various prohibitions as they were defined throughout the nineteenth century. Historian Brian Connolly argues that at the center of these convergent anxieties and debates lay the idea of the liberal subject: an autonomous individual who acted on his own desires yet was tempered by reason, who enjoyed a life in public yet was expected to find his greatest satisfaction in family and home. Always lurking was the need to exercise personal freedom with restraint; indeed, the valorization of the affectionate family was rooted in its capacity to act as a bulwark against licentiousness. However it was defined, incest was thus not only perceived as a threat to social stability; it also functioned to regulate social relations-within families and between classes as well as among women and men, slaves and free citizens, strangers and friends. Domestic Intimacies overturns conventional histories of American liberalism by placing the fear of incest at the heart of nineteenth-century conflicts over public life and privacy, kinship and individualism, social contracts and personal freedom.

This study guide is the academic companion to Brian Connolly's "Wolf Journal." Set in the Allegheny Mountains of northern Pennsylvania, farm boy Jimmy Warren finds wolf tracks in the snow - even though no wolves have been in these woods for a hundred years. The tracks lead him deeper into his passion for nature guided by Hawk, an old Susquehannock storyteller. Along the way, Jimmy falls in love with the beautiful Sherry Woolman who shares his love of the wild. As a school project, Jimmy keeps a journal on wolves. In order to protect the wolf he discovered, Jimmy writes about him as if he is fiction. The Tanner brothers, a derelict pair of would-be bounty hunters, threaten to destroy the perfect balance of nature that Jimmy has found. "Wolf Journal" is a journey into the natural world where intricate details, like the imprint of a wing in snow, tell a larger story - one of endangered species, an endangered planet, and the human spirit that strives to understand and protect.

Connexions investigates the ways in which race and sex intersect, overlap, and inform each other in United States history. An expert team of editors curates thought-provoking articles that explore how to view the American past through the lens of race and sexuality studies. Chapters range from the prerevolutionary era to today to grapple with an array of captivating issues: how descriptions of bodies shaped colonial Americans' understandings of race and sex; same-sex sexual desire and violence within slavery; whiteness in gay and lesbian history; college women's agitation against heterosexual norms in the 1940s and 1950s; the ways society used sexualized bodies to sculpt ideas of race and racial beauty; how Mexican silent film icon Ramon Navarro masked his homosexuality with his racial identity; and sexual representation in mid-twentieth-century black print pop culture. The result is both an enlightening foray into ignored areas and an elucidation of new perspectives that challenge us to reevaluate what we "know" of our own history. Contributors: Sharon Block, Susan K. Cahn, Stephanie M. H. Camp, J. B. Carter, Ernesto Chavez, Brian Connolly, Jim Downs, Marisa J. Fuentes, Leisa D. Meyer, Wanda S. Pillow, Marc Stein, and Deborah Gray White.

Connexions investigates the ways in which race and sex intersect, overlap, and inform each other in United States history. An expert team of editors curates thought-provoking articles that explore how to view the American past through the lens of race and sexuality studies. Chapters range from the prerevolutionary era to today to grapple with an array of captivating issues: how descriptions of bodies shaped colonial Americans' understandings of race and sex; same-sex sexual desire and violence within slavery; whiteness in gay and lesbian history; college women's agitation against heterosexual norms in the 1940s and 1950s; the ways society used sexualized bodies to sculpt ideas of race and racial beauty; how Mexican silent film icon Ramon Navarro masked his homosexuality with his racial identity; and sexual representation in mid-twentieth-century black print pop culture. The result is both an enlightening foray into ignored areas and an elucidation of new perspectives that challenge us to reevaluate what we "know" of our own history. Contributors: Sharon Block, Susan K. Cahn, Stephanie M. H. Camp, J. B. Carter, Ernesto Chavez, Brian Connolly, Jim Downs, Marisa J. Fuentes, Leisa D. Meyer, Wanda S. Pillow, Marc Stein, and Deborah Gray White.