Providing theoretical and applied analyses of Michel Henry’s practical philosophy in light of his guiding idea of Life, this is the first sustained exploration of Henry’s practical thought in anglophone literature, reaffirming his centrality to contemporary continental thought. This book ranges from the tension between his methodological insistence on life as non-intentional and worldly activities to Henry’s engagement with the practical philosophy of intellectuals such as Marx, Freud, and Kandisky to topics of application such as labor, abstract art, education, political liberalism, and spiritual life. An international team of leading Henry scholars examine a vital dimension of Henry's thinking that has remained under-explored for too long.

This work offers a radical new interpretation of Augustine and of a central aspect of medieval thought as a whole.Augustine and Roman Virtue seeks to correct what the author sees as a fundamental misapprehension in medieval thought, a misapprehension that fuels further problems and misunderstandings in the historiography of philosophy. This misapprehension is the assumption that the development of certain themes associated with medieval philosophy is due, primarily if not exclusively, to extra-philosophical religious commitments rather than philosophical argumentation, referred to here as the 'sacralization thesis'.Brian Harding explores this problem through a detailed reading of Augustine's "City of God" as understood in a Latin context, that is, in dialogue with Latin writers, such as Cicero, Livy, Sallust and Seneca. The book seeks to revise a common reading of Augustine's critique of ancient virtue by focusing on that dialogue, while showing that his attitude towards those authors is more sympathetic, and more critical, than one might expect. Harding argues that the criticisms rest on sympathy and that Augustine's critique of ancient virtue thinks through and develops certain trends noticeable in the major figures of Latin philosophy.

Taking the term "phenomenologist" in a fairly broad sense, Early Phenomenology focuses on those early exponents of the intellectual discipline, such as Buber, Ortega and Scheler rather than those thinkers that would later eclipse them; indeed the volume precisely means to bring into question what it means to be a phenomenologist, a category that becomes increasingly more fluid the more we distance ourselves from the gravitational pull of philosophical giants Husserl and Heidegger. In focusing on early phenomenology this volume seeks to examine the movement before orthodoxies solidified. More than merely adding to the story of phenomenology by looking closer at thinkers without the same fame as Husserl or Heidegger and the representatives of their legacy, the essays relate to one of the earlier thinkers with figures that are either more contemporary or more widely read, or both. Beyond merely filling in the historical record and reviving names, the chapters of this book will also give contemporary readers reasons to take these figures seriously as phenomenologists, radically reordering of our understanding of the lineage of this major philosophical movement.

First published between 1982 and 1983, this series examines the peculiarly American cultural context out of which the nation's literature has developed. Covering the years from 1830 to 1865, this second volume of American Literature in Context examines twelve major American writers of the three decades before the Civil War, including Edgar Allan Poe, Ralph Waldo Emerson, Henry David Thoreau, Herman Melville and Walt Whitman. The book also analyses the writing of two contemporary historians, an intellectual Journalist and Abraham Lincoln. Among the major themes discussed the religious heritage of New England Transcendentalism, sectional rivalries, tensions between self-culture and social awareness, and the widening gulf between the idea of national destiny and the fact of growing disunity. In addition, the dominant literary forms of the period - sermon, essay, travelogue - are related to the common cultural assumptions of the age. This book will be of interest to those studying American literature and American studies.

The first paperback edition to include full annotations of these twenty Hawthorne tales written between the 1830s and 50s, this volume contains the classic pieces "Young Goodman Brown," "The Maypole of Merry Mount," "The Birthmark," "The Celestial Railroad," and "Earth's Holocaust," as well as tales, such as "My Kinsman, Major Molineux," which represent Hawthorne's interest in the spiritual history of New England.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Augustine and Roman Virtue seeks to correct what the author sees as a fundamental misapprehension in medieval thought, a misapprehension that fuels further problems and misunderstandings in the historiography of philosophy. This misapprehension is the assumption that the development of certain themes associated with medieval philosophy is due, primarily if not exclusively, to extra-philosophical religious commitments rather than philosophical argumentation, referred to here as the 'sacralization thesis'. Brian Harding explores this problem through a detailed reading of Augustine's City of God as understood in a Latin context, that is, in dialogue with Latin writers such as Cicero, Livy, Sallust and Seneca. The book seeks to revise a common reading of Augustine's critique of ancient virtue by focusing on that dialogue, while showing that his attitude towards those authors is more sympathetic, and more critical, than one might expect. Harding argues that the criticisms rest on sympathy and that Augustine's critique of ancient virtue thinks through and develops certain trends noticeable in the major figures of Latin philosophy.

Providing theoretical and applied analyses of Michel Henry's practical philosophy in light of his guiding idea of Life, this is the first sustained exploration of Henry's practical thought in anglophone literature, reaffirming his centrality to contemporary continental thought. This book ranges from the tension between his methodological insistence on life as non-intentional and worldly activities to Henry's engagement with the practical philosophy of intellectuals such as Marx, Freud, and Kandisky to topics of application such as labor, abstract art, education, political liberalism, and spiritual life. An international team of leading Henry scholars examine a vital dimension of Henry's thinking that has remained under-explored for too long.

"Thou and thine, Hester Prynne, belong to me." With these chilling words a husband claims his wife after a two-year absence. But the child she clutches is not his, and Hester wears a scarlet "A" upon her breast, the sign of adultery visible to all. Under an assumed name, her husband begins his vindictive search for her lover, determined to expose what Hester is equally determined to protect. Defiant and proud, Hester witnesses the degradation of two very different men, as moral codes and legal imperatives painfully collide. Set in the Puritan community of seventeenth-century Boston, The Scarlet Letter also sheds light on the nineteenth century in which it was written, as Hawthorne explores his ambivalent relations with his Puritan forebears. The text of this edition is taken from the Centenary Edition of Hawthorne's works, the most authoritative critical edition. It includes a new, wide-ranging introduction that sheds light on the novel's autobiographical, historical, and literary contexts, a comprehensive and up-to-date bibliography, and thorough notes that provide essential information on Puritan and nineteenth-century life.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The interplay between violence, religion, and politics is a central problem for societies and has attracted the attention of important philosophers, including Martin Heidegger, Jacques Derrida, and Rene Girard. Centuries earlier during the Italian Renaissance, these same problems drew the interest of Niccolo Machiavelli. In Not Even a God Can Save Us Now, Brian Harding argues that Machiavelli's work anticipates - and often illuminates - contemporary theories on the place of violence in our lives. While remaining cognizant of the historical and cultural context of Machiavelli's writings, Harding develops Machiavelli's accounts of sacrifice, truth, religion, and violence and places them in conversation with those of more contemporary thinkers. Including in-depth discussions of Machiavelli's works The Prince and Discourses on Livy, as well as his Florentine Histories, The Art of War, and other less widely discussed works, Harding interprets Machiavelli as endorsing sacrificial violence that founds or preserves a state, while censuring other forms of violence. This reading clarifies a number of obscure themes in Machiavelli's writings, and demonstrates how similar themes are at work in the thought of recent phenomenologists. The first book to approach both Machiavellian and contemporary continental thought in this way, Not Even a God Can Save Us Now is a highly original and provocative approach to both the history of philosophy and to contemporary debates about violence, religion, and politics.