The second EMEA edition of Richard L. Daft's popular textbook, Management, has been fully updated to ensure that new European, Middle East and African content provides students with a practical approach to key concepts and theories with regional examples to enrich their learning. A wide range of inspiring real-world features are revealed as the student is guided through and prepared for the various challenges facing a modern manager. This title is available with MindTap, a flexible online learning solution that you can customize to suit your specific course needs, and which provides students with all the tools they need to succeed including an interactive eReader and a wide range of assignments, practice questions, scenarios, and cases to further entrench key concepts, boost confidence, develop critical thinking skills and prepare them for the workplace.

An authoritative volume representing the vast oeuvre of one of the twentieth century's most brilliant and visionary poets.Widely regarded as some of the most important and innovative poetry from postwar Europe, Tomaz Salamun's work offers a singularly thrilling reading experience. Sharp and subtle, Salamun's rhythms intertwine with an incantatory force; his prescient, liberatory politics and poetics pulse like a heartbeat. In Kiss the Eyes of Peace, the histories of Slovenia, the former Yugoslavia, and Europe are broken into kaleidoscopic harmonies of terror and joy: friends and family talk to each other under the sun as snow, apples, and deer mingle with blood and bones, with salt and cabbage, with gold, silk, and wine, and with God and heaven in the sand and grass."Love tore apart all my theories," writes Salamun. His oracular poems, suffused with mystic pronouncements that confound and delight, are as moving as they are eerie. And yet, if "every true poet is a monster," Salamun's profound imagination also offers us peace--grace, even--in the wildness and wilderness of his art: "May everything erupt on a clear day, just as it is, / into sacredness and the beauty of the gift: life."Translated from the Slovenian and curated by esteemed author and translator Brian Henry, this expansive arrangement is the first of its kind to offer a comprehensive English-language retrospective of Salamun's storied career.

Ales Steger was born in 1973 in Ptuj, Slovenia - where he grew up - then part of the former Yugoslavia ruled by Tito, which gained its independence when he was 18. He published his first collection in 1995 at the age of 22, and was immediately recognised as a key voice in the new generation of post-Communist poets not only in Slovenia but throughout central Europe. Notable for its moral engagement, Steger's poetry is acutely precise in its observation and concentration as well as multi-layered and technically versatile, ingenious and inventive, adventurous and playful yet serious in intention. Above all, his poems are incessantly curious in their investigations which the reader is invited to share - and he loves to ambush the reader with the unexpected. His influences are mainly European, including the Serbian master poet Vasko Popa, as well as German and Spanish-language poets he has translated into Slovenian, such as Bachmann, Benn, Huchel, Neruda and Vallejo. He has added his own strand of writing to the distinctively European genre of prose poems in pieces which describe everyday objects in minute terms, only to explode in the imagination through what he perceives in them. He is also known for his prose books and experimental writing including his Written on Site pieces.

Winner of The 2011 Best Translated Book of the Year Award
Winner of The 2011 Award for Best Literary Translation into English from the AATSEL

From his first book of poems, "Chessboards of Hours" (1995), Ales Steger has been one of Slovenia's most promising poets. The philosophical and lyrical sophistication of his poems, along with his work as a leading book editor and festival organizer, quickly spread Steger's reputation beyond the borders of Slovenia. "The Book of Things" is Steger's most widely praised book of poetry and his first American collection. The book consists of fifty poems that look at "things" (i.e. aspirin, chair, cork) which are transformed by Steger's unique poetic alchemy.

Translator Brian Henry is a distinguished poet, translator, editor, and critic.
From Publisher's Weekly:
Steger's efforts sometimes bring to mind such Western European figures as Francis Ponge and Craig Raine, who also sought to make household things look new and strange. Yet Steger brings a melancholy Central European sense of history- his objects tend to remember, or cause, great pain: "It pours, this poisonous, sweet force," Steger writes of "Saliva," "Between teeth, when you spit your own little genocide." (Nov.)
From Guernica, a Magazine of Art and Politics:
It is a rare treat to have an English translation before the ink has dried on the original. By which I mean, a mere five years after the book's Slovenian publication, Brian Henry has brought these poems to life for those of us not lucky enough to read Slovenian. Henry's translations are impressive for sheer acrobatics.

Applied economics is both an art and a science. It requires a sound knowledge of economic theory, statistical techniques and data sources, together with an appreciation that behavioural changes can alter apparently established economic relationships. In this book leading economists illustrate the diversity of the subject, and present a series of studies that demonstrate a range of techniques and their applications to economic policy. It contains chapters which explore approaches to macroeconomic modelling analyses of corporate performance, new estimates of the evolution of incomes in the UK since the eighteenth century and assessments of the role of applied economics in guiding macroeconomic policy. All the chapters were specially commissioned to mark the fiftieth anniversary of the Department of Applied Economics at the University of Cambridge, and the contributions to the book are a fitting tribute to the work instigated by Sir Richard Stone and carried forward by his successors.

In-depth interviews with poets have been a popular feature of "Verse" magazine--and this volume collects many favorites, along with new interviews commissioned for this collection. The poets represent a wide range of aesthetics, ethnicities and politics. Although a particular focus of the book is emerging and innovative American poets, the collection also features interviews with Australian, Scottish, Irish, Czech, Slovenian and Kashmiri poets, as well as established American poets such as Hayden Carruth and Charles Wright. A vital record of contemporary poetry and an engaging read.

Brian Henry's poetry collections include "Graft," "American Incident" and "Astronaut," and he is the editor of "On James Tate."

Andrew Zawacki is the author of "Anabranch" and "By Reason of Breakings," co-translator of Ales Debeljak's "Arrow's Shadow" and an editor of "Verse" since 1995.

The poems in Ales Steger's The Book of Bodies roam across personal experience, human history, and the natural world to unlock intellectual and emotional connections. Ales Steger's The Book of Bodies directly follows-and builds on and veers from-The Book of Things. The 50 poems in The Book of Things focus on such everyday objects as umbrellas, chairs, and candles, and in so doing illuminate the human condition, particularly its propensity for violence, deception, and forgetting. The 50 poems in The Book of Bodies manage to be simultaneously more and less restrictive: half the poems are prose poems (of five paragraphs each) that roam across personal experience, human history (individual and collective), and the natural world to unlock intellectual and emotional connections; the other half are narrow stanzaless poems that focus on a single word. These poems have a sinuous, almost vaporous quality on the page-lines so thin that they serve as a response to the prose that dominates the first half of the book. Both types of poems in The Book of Bodies are essential to Steger's understanding of the world. "Esteemed American readers, Ales Steger is the real thing! He is the poet of inimitable gifts! He is one of the best Eastern European poets of his generation! It is the truth: Steger is a marvelous voice, one that takes some of the playfulness of his Yugoslavian compatriots Vasko Popa and Tomaz Salamun to the whole new level." - Ilya Kaminsky Slovenian writer Ales Steger has published eight books of poetry, three novels, and two books of essays. A Chevalier des Artes et Lettres in France and a member of the Berlin Academy of Arts, he received the 1998 Veronika Prize for the best Slovenian poetry book, the 1999 Petrarch Prize for young European authors, the 2007 Rozanc Award for the best Slovenian book of essays, and the 2016 International Bienek Prize. His work has been translated into over 15 languages, including Chinese, German, Czech, Croatian, Hungarian, and Spanish. Four of his books have been published in English: The Book of Things, which won the 2011 Best Translated Book Award; Berlin; the novel Absolution; and Above the Sky Beneath the Earth. He also has worked in the field of visual arts (most recently with a large scale installation at the International Kochi-Muziris Biennale in India), completed several collaborations with musicians (Godalika, Uros Rojko, Peter N. Gruber), and collaborated with Peter Zach on the film Beyond Boundaries. Brian Henry is the author of eleven books of poetry, most recently Permanent State. He co-edited the international magazine Verse from 1995 to 2018 and established the Tomaz Salamun Prize in 2015. His translation of Ales Steger's The Book of Things appeared from BOA Editions in 2010 and won the Best Translated Book Award. He also has translated Tomaz Salamun's Woods and Chalices (Harcourt, 2008), Ales Debeljak's Smugglers (BOA, 2015), and Ales Steger's Above the Sky Beneath the Earth (White Pine, 2019) and Berlin (Counterpath, 2015). His work has appeared in The New Yorker, The Paris Review, the New York Times, Poetry, The New Republic, American Poetry Review, and many other places. His poetry and translations have received numerous honors, including two NEA fellowships, the Alice Fay di Castagnola Award, a Howard Foundation fellowship, the Carole Weinstein Poetry Prize, the Cecil B. Hemley Memorial Award, the George Bogin Memorial Award, and a Slovenian Academy of Arts and Sciences grant.

The poems in Smugglers move through rapid historical shifts and meditations on personal experience, exploring the depths and limits of comprehension through the people and geography of the Balkans. Ultimately, Ales Debeljak's urban imagination creates a mosaic-intimate and historical-of a vanished people and their country. Every poem in Smugglers is sixteen lines long-four quatrains, a common form for Debeljak. This structural regularity is reinforced by a commitment to visual balance, with each poem working as a kind of grid into which the poet pours memories and associative riffs. From "Bookstore": At least you are blessed. Winter's here. In darkness, awake since yesterday, I came to browse again through the titles of old books, wobbly skyscrapers, writers of my youth and stiffened honey. No opening hours on the door, a minor poet with no woman sits behind files in the front. I know him from when we all shouted in one loyal voice, collected works on sale for a handful of cents, read the holy Kapital like zealots. Well, okay: not exactly all. Some of us took another road ...Ales Debeljak's books have appeared in English, Japanese, German, Croatian, Serbian, Polish, Hungarian, Czech, Spanish, Slovak, Finnish, Lithuanian, and Italian translations. He teaches in the department of Cultural Studies at the University of Ljubljana in Slovenia. Brian Henry is the author of ten books of poetry and won the 2011 Best Translated Book Award. He teaches at University of Virginia in Richmond, Virginia.

House of Prension is the story of Aulic Prension, the fourteen-year-old younger son of Empress Landau. As Aulic faces his Maturity Rituals, he must cope with the resentments of his older brother Bodin, a stickler for decorum. Aulic takes a skeptical attitude to traditional strictures and the brothers? opposed personalities set them up for an inevitable rivalry. Aulic faces his greatest challenge when he ruins a fishing ritual, casting disgrace on himself. Angered, Bodin and his allies set Aulic an even greater challenge: to journey to the land of the hated Frissen and prove his diplomatic worthiness. Accompanied by two advisors and a young friend, Aulic faces a range of obstacles, including encounters with the nonsensically chanting Roundsongs, the beetle-like recalcitrant Jabbs and the perky fungus sprite Mempy Pinpin. His journey brings him to a face off with spiteful Emperor Ogo Prension where Aulic must use the lessons he's learned on his journey to survive.

This title is a family saga, live the life as pioneer in old Wyoming, on the beautiful Green River. Walk the paths of youth, of the young boys and girls. Watch our unbridled spirits. Meet Billy Dove Donner, the hero. Listen to pa tell us boys about brains not yet, good grief. Taste the Civil War and courage of the human mind and body. Be there as Billy is wounded; and comes up short with amnesia. Travel with Billy and his wife Mary as they search for his home and memory. Walk among giants of the westward movement, the builders of Western America. Work alongside the folks of the Union Pacific Railroad and live with workers and camp followers. Revisit with Soapy La Rue, a little older now, however, still with spirit and zest. Live the lusty life and the morality of it all. Climb the High Sierra as the Central Pacific Railroad goes over the top. Stop and witness the camps along the way, Hairy Ann's, Molly's Nipples, and Lotta. Feel the pain and hurt as things go wrong. Then, be happy, as (Bear) your Vizsla dog becomes a national hero. Chase bad guys and witness the silliness of it all. Laugh at the fickle lady and watch Billy squirm. Don't miss Lucky Butterworth and his tall tales. welcome. Come to my wedding and visit with our President, General Grant, and attend Billy Dove.

Poetry. "I honor and admire these poems for their groundwork understanding.Here, oppression is shown forth as a condition of language, a violence of syntax. And here, in resistance to oppression, extraordinariness lifts a beautiful, if harried, affirming sound. With signal integrity, the poet exploits no popular catastrophe but chooses, instead, to enter the mythic heart of catastrophe, there to make new myths"--Donald Revell.