Exam board: SQA Level: National 5 Subject: English First teaching: September 2017 First exam: Summer 2018 Practice makes permanent. Feel confident and prepared for the SQA National 5 English exam with this two-in-one book, containing practice questions for every question type, plus two full practice papers. - Choose which question types you want to revise: A simple grid enables you to pick particular question styles that you want to focus on, with answers provided at the back of the book - Understand what the examiner is looking for: Clear guidance on how to answer each question type is followed by plenty of questions so you can put the advice into practice, building essential exam skills - Remember more in your exam: Repeated and extended practice will give you a secure knowledge of the key areas of the course (Reading for Understanding, Analysis and Evaluation and Critical Reading) - Familiarise yourself with the exam papers: Both practice papers mirror the language and layout of the real SQA papers; complete them in timed, exam-style conditions to increase your confidence before the exams - Find out how to achieve a better grade: Answers to the practice papers have commentaries for each question, with tips on writing successful answers and avoiding common mistakes Fully up to date with SQA's requirements The questions, mark schemes and guidance in this practice book match the requirements of the revised SQA National 5 English specification for examination from 2018 onwards.

U2's ongoing popular appeal is constructed in the spaces between band and fan, commercialism and community, spirituality and nihilism; finding meaning in a surface-oriented popular culture and contradiction in the depths of political and faith-based institutions. The band's long-term success and continued relevance is a result of their ability to hold these energies in tension without one subsuming the other-to live in the liminal space that such contradictions invite. U2's mythic trajectory was born from a bygone electronic era, realized in our current digital era but with an eye on the forthcoming virtual era; it is a new myth for the whole world, found in the most unlikely of places, popular culture. This book approaches the band's mythic trajectory through a combination of rhetorical analysis and autoethnographic explorations that unveil the more personal experiences most of us have with media. Drawing heavily upon the works of Marshal McLuhan, Joseph Campbell, Thomas S. Frentz, and Janice Hocker Rushing, Myth, Fan Culture, and the Popular Appeal of Liminality in the Music of U2 unpacks U2's popular appeal through the lenses of Agape (spiritual, communal love), Amor (romantic love), and Eros (erotic love). Check out the book's official website for additional information: https//:www.u2mythos.com

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U2's ongoing popular appeal is constructed in the spaces between band and fan, commercialism and community, spirituality and nihilism; finding meaning in a surface-oriented popular culture and contradiction in the depths of political and faith-based institutions. The band's long-term success and continued relevance is a result of their ability to hold these energies in tension without one subsuming the other-to live in the liminal space that such contradictions invite. U2's mythic trajectory was born from a bygone electronic era, realized in our current digital era but with an eye on the forthcoming virtual era; it is a new myth for the whole world, found in the most unlikely of places, popular culture. This book approaches the band's mythic trajectory through a combination of rhetorical analysis and autoethnographic explorations that unveil the more personal experiences most of us have with media. Drawing heavily upon the works of Marshal McLuhan, Joseph Campbell, Thomas S. Frentz, and Janice Hocker Rushing, Myth, Fan Culture, and the Popular Appeal of Liminality in the Music of U2 unpacks U2's popular appeal through the lenses of Agape (spiritual, communal love), Amor (romantic love), and Eros (erotic love).

A grounded yet playful collection from an assured poet, flexing his muscles into newer territory. As well as the deep lineage of rural landscapes that populated previous collections, here Johnstone treats us to an extended trip to the circus, where the glitz and thrill of the big top and its stunts are peeled back to allow us into physical and emotional rigour that forms the show's scaffold. Elsewhere poems transport you more literally through film and TV history, around Europe and into the past, again balancing between illusion and the tension that supports it in the more mundane real world. And throughout, the tone and language also plays an ingenious balancing act between the structured, rhyming and informal. This is a personal and expansive collection, honest and exploratory.

The Norton Critical Edition includes five major plays spanning Ibsen's long career in recent translations by Brian Johnston (Peer Gynt, The Wild Duck, and The Master Builder) and Brian Johnston and Rick Davis (A Doll House and Hedda Gabler). The translation of Peer Gynt appears for the first time in this Norton Critical Edition. "Backgrounds" gives students an understanding of Ibsen's creative process with selections from his correspondence and other writings. Twenty-seven documents have been collected and arranged by play, with a section of autobiographical writings at the end. Ibsen's plays continue to provoke diverse commentary. "Criticism" includes nineteen of the most important responses to Ibsen's work, among them essays by Bernard Shaw, Sandra Saari, E. M. Forster, Hugh Kenner, and Joan Templeton. A Chronology and Selected Bibliography are also included.