All three parts in one volume! From the author of New York Times bestseller Little Girl Lost, this unforgettable and moving thriller is perfect for fans of Tana French and Dennis Lehane. (Released in the UK as Hurt.) Just before Christmas, the body of a sixteen-year-old girl is found along the train tracks on the outskirts of a small town. As Detective Lucy Black investigates the teenager's tragic last hours in search of clues to her death, she realizes that some of the victim's friends may have been her most dangerous enemies--and that whoever killed her is ready to kill again. Haunted by the memory of a case gone wrong, and taunted by a killer on the loose, Lucy finds herself pitted against a lethal opponent hiding in plain sight. From an author described by John Connolly as "a major force" in suspense literature, Someone You Know is one of the most atmospheric, powerful thrillers you'll read all year.

'A compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today' Ann Cleeves 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing. Brian McGilloway is, quite simply, a master of his art. Bravo' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood __________________ How can a dead woman avenge herself on her killer twenty years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts. __________________ Praise for Brian McGilloway 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph

What do you do when your child disappears? 'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly 'The tension and heartbreak kept me turning the pages' Patricia Gibney 'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris Whitaker Pandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party. The day Ellie disappears, Dora is alone as her husband Eamon has already left for the day in his job as a long-distance lorry driver. So Dora does the usual things: rings around Ellie's friends... but no one knows where she is. Her panic growing, Dora tries the local hospitals and art college where Ellie is a student - but then the police arrive on her doorstep with the news her daughter's handbag has been discovered dumped in a layby. So begins Dora's ordeal of waiting and not knowing what has become of her girl. Eamon's lack of empathy and concern, Dora realises, is indicative of the state of their marriage, and left on her own, Dora begins to reassess everything she thought she knew about her family and her life. Increasingly isolated and disillusioned with the police investigation, Dora feels her grip on reality slipping as she takes it upon herself to find her daughter - even if it means tearing apart everything and everybody she had ever loved, and taking justice into her own hands. Praise for The Empty Room 'Superb' Natasha Cooper, Literary Review 'A finely calibrated account of loss, grief and simmering rage' Irish Times 'A powerful portrayal of one mother's desperate ordeal... perceptive' Sunday Independent 'The Empty Room has all the elements of great drama - murder, revenge, sacrifice - along with complex moral questions that will keep you engaged long after the final thrilling page' Martina Murphy 'A compulsive, addictive, heart rending read, The Empty Room is a tale of grief and loss, and ultimately redemption, that puts Brian McGilloway at the very top of the game. I could not put it down' Sam Blake 'Masterful, humane, compelling, beautifully written, utterly convincing - and without a wasted word' Catherine Kirwan 'The Empty Room is a tense, and at times claustrophic, slow-burner which builds to a devastating conclusion' Claire Allan 'A tense thriller' Irish Daily Mail 'The Empty Room surely secures Brian's place as one of the best writers out there. . . a thoughtful exploration of a mother struggling with a changed world. . . exceptional' Chris MacDonald 'High tension and high emotion make this story a page turner' Roisin Meaney 'An utterly gripping and propulsive read, as one would expect from one of Ireland's finest thriller writers' Irish Independent 'A terrific thriller. I couldn't turn the pages fast enough, and the final act is going to haunt me for a long time to come' B P Walter Praise for Brian McGilloway 'A compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today' Ann Cleeves 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing. Brian McGilloway is, quite simply, a master of his art. Bravo' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph

'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood ________ Lucy Black must protect the young and vulnerable ...but can she protect herself? Late December. A sixteen-year-old girl is found dead on a train line. Detective Sergeant Lucy Black is called to identify the body. The only clues to the dead teenager's last movements are stored in her mobile phone and on social media - and it soon becomes clear that her 'friends' were not as trustworthy as she thought. Lucy is no stranger to death: she is still haunted by the memory of the child she failed to save, and the killer she failed to put behind bars. And with a new boss scrutinizing her every move, she is determined that - this time - she will leave no margin for error. _______ Hurt is a tense crime thriller about how, in the hands of a predator, trust can turn into terror... Praise for Hurt 'Give Black a try; this could be the start of a beautiful friendship' Daily Telegraph

'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood ____________ When Garda Inspector Benedict Devlin is summoned to a burning barn, he finds inside the charred remains of a man who is quickly identified as a local drug dealer, Martin Kielty. It soon becomes clear that Kielty's death was no accident, and suspicion falls on a local vigilante group. Former paramilitaries, the men call themselves The Rising. Meanwhile, a former colleague's teenage son has gone missing during a seaside camping trip. Devlin is relieved when the boy's mother, Caroline Williams, receives a text message from her son's phone, and so when a body is reported, washed up on a nearby beach, the inspector is baffled. When another drug dealer is killed, Devlin realises that the spate of deaths is more complex than mere vigilantism. But just as it seems he is close to understanding the case, a personal crisis will strike at the heart of Ben's own family, and he will be forced to confront the compromises his career has forced upon him. ______________ With his fourth novel, McGilloway announces himself as one of the most exciting crime novelists around: gripping, heartbreaking and always surprising, The Rising is a tour de force - McGilloway's most personal novel so far. Praise for The Rising: 'This book should carry a health warning for insomniacs - once taken up it is impossible to put down.' Irish Independent

'Blood Ties is a compulsive read: thought-provoking, compassionate, and beautifully written. McGilloway is one of the finest crime writers working today.' ANN CLEEVES 'A clever web of intrigue that deepens and darkens as it twists' PETER JAMES on Gallows Lane 'Some of the very best crime fiction being written today' LEE CHILD on Bad Blood __________________ How can a dead woman avenge herself on her killer twelve years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts. __________________ Praise for Brian McGilloway 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph 'One of the most original voices in the notably expanding field of Irish crime fiction and this reviewer, for one, would like to read more of DS Lucy Black.' Irish Independent 'Gallows Lane shows just how mature the Irish crime thriller has become... A cracking thriller and an interesting social document... not just because of the twisting storyline, well drawn characters and fluid dialogue, but also because of the authenticity of the themes.' Sunday Business Post 'Sure to cement his position as one of the top crime writers around... McGilloway has been described as the new Ian Rankin and with very good reason.An accomplished dramatic, well-paced novel that will have you gripped from the very start.' Peterborough Evening Telegraph 'McGilloway manages to keep you interested and guessing until the very last page. What also sets this apart is the way he manages to instill even some of the most minor characters with a humanity and interest not always apparent in the crime thriller genre.' Newham Recorder 'Among the very accomplished group of new Irish crime writers, McGilloway ranks very high in his ability to evoke a particular milieu, to populate it with interesting and believable characters and to structure his stories around meaningful (if sometimes horrifying) metaphors.' International Noir Fiction 'A seductive, compelling combination: impeccable characterisation, beautiful writing and a first class narrative. Borderlands is a terrific book, Gallows Lane an even stronger sequel.' Material Witness 'Driven by real human motivations, doubts and desires, Gallows Lane is a very rewarding read.' The Irish Mail on Sunday 'McGilloway has followed up his acclaimed crime fiction debut with another masterly thriller.' Irish News 'A stunning second novel... taut and fast paced. McGilloway has written another compelling book here with no cliches or easy answers.' Verbal Magazine 'A ripping yarn that scorches its way through an early summer heatwave... McGilloway is carving out a thrilling crime fiction franchise... and this second offering does not disappoint.' Tyrone Herald 'McGilloway's second Devlin mystery gathers pace and tension.. as [Devlin] struggles to bring his flawed police work to a just conclusion.' Financial Times 'A wildly underrated author, his books are absolutely fantastic... [Preserve the Dead] is a brilliant exploration of modern Ireland.' RTE Radio1 'Preserve the Dead is storytelling of the highest order from one of Irish crime writing's most unassuming masters.' Irish Independent 'Like a snapshot of modern society... Engrossing.' Sunday Independent 'McGilloway's novels are enjoyable police procedurals, displaying his understanding of the evolving nature of criminal enterprises in a world of porous national boundaries.' Sunday Times 'Lucy Black. Oh, how I love you!...I absolutely adore this book series... The writing was excellent, the storyline was fast paced and exciting. The character development is exceptional.' Tales of a Book Addict 'Atmospheric, intriguing and sinister' Big Issue in the North

What do you do when your child disappears? 'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly 'The tension and heartbreak kept me turning the pages' Patricia Gibney 'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris Whitaker Pandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party. The day Ellie disappears, Dora is alone as her husband Eamon has already left for the day in his job as a long-distance lorry driver. So Dora does the usual things: rings around Ellie's friends... but no one knows where she is. Her panic growing, Dora tries the local hospitals and art college where Ellie is a student - but then the police arrive on her doorstep with the news her daughter's handbag has been discovered dumped in a layby. So begins Dora's ordeal of waiting and not knowing what has become of her girl. Eamon's lack of empathy and concern, Dora realises, is indicative of the state of their marriage, and left on her own, Dora begins to reassess everything she thought she knew about her family and her life. Increasingly isolated and disillusioned with the police investigation, Dora feels her grip on reality slipping as she takes it upon herself to find her daughter - even if it means tearing apart everything and everybody she had ever loved, and taking justice into her own hands. Praise for The Empty Room 'The Empty Room has all the elements of great drama - murder, revenge, sacrifice - along with complex moral questions that will keep you engaged long after the final thrilling page' Martina Murphy 'A compulsive, addictive, heart rending read, The Empty Room is a tale of grief and loss, and ultimately redemption, that puts Brian McGilloway at the very top of the game. I could not put it down' Sam Blake 'Masterful, humane, compelling, beautifully written, utterly convincing - and without a wasted word' Catherine Kirwan 'The Empty Room is a tense, and at times claustrophic, slow-burner which builds to a devastating conclusion' Claire Allan 'A tense thriller' Irish Daily Mail 'The Empty Room surely secures Brian's place as one of the best writers out there. . . a thoughtful exploration of a mother struggling with a changed world. . . exceptional' Chris MacDonald 'High tension and high emotion make this story a page turner' Roisin Meaney Praise for Brian McGilloway 'A compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today' Ann Cleeves 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing. Brian McGilloway is, quite simply, a master of his art. Bravo' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph

A NEW YORK TIMES BESTSELLER 'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood Midwinter. A child is found wandering in an ancient woodland, her hands covered in blood. But it is not her own. Unwilling - or unable - to speak, the only person she seems to trust is the young officer who rescued her, Detective Sergeant Lucy Black. Soon afterwards, DS Black is baffled to find herself suddenly moved from a high-profile case involving a kidnapping of another girl, a prominent businessman's teenage daughter. At home, Black is struggling with caring for her increasingly unstable father, and trying to avoid conflict with her frosty mother - who also happens to be the Assistant Chief Constable. As she tries to identify the unclaimed child, Black begins to realize that her case and the kidnapping may be linked by events from the grimmest days of the country's recent history - events that also defined her own troubled childhood. _____________ The first in Brian McGilloway's thrilling DS Lucy Black series, Little Girl Lost is an addictive crime thriller set in Northern Ireland about corruption, greed and vengeance, and a father's love for his daughter. Praise for Little Girl Lost 'An assured and grittily realistic tale from an author who is being compared to Ian Rankin and James Lee Burke' Sunday Business Post

'Brian McGilloway's command of plot and assurance of language make it difficult to believe that Borderlands is his debut' The Times 'A mystery of labyrinthine complexity' Sunday Telegraph 'Dazzling' The Guardian _______________ The corpse of local teenager Angela Cashell is found on the Tyrone- Donegal border, between the North and South of Ireland, in an area known as the borderlands. Garda Inspector Benedict Devlin heads the investigation: the only clues are a gold ring placed on the girl's finger and an old photograph, left where she died. Then another teenager is murdered, and things become further complicated when Devlin unearths a link between the recent killings and the disappearance of a prostitute twenty-five years earlier - a case in which he believes one of his own colleagues is implicated. As a thickening snow storm blurs the border between North and South, Devlin finds the distinction between right and wrong, vengeance and justice, and even police-officer and criminal becoming equally unclear. ________________ A dazzling and lyrical debut crime novel, Borderlands marks the beginning of a compelling new series featuring Inspector Benedict Devlin. Praise for Brian McGilloway: 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood

'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood _________ When a young woman is found beaten to death on a building site in what appears to be a sexually-motivated killing, Devlin is distracted from his assignment of keeping tabs on Kerr. Enquiries into the murder soon point to a local bodybuilder and steroid addict. But days later, the born-again ex-con Kerr is found nailed to a tree?crucified. Increasingly torn between his young family and his job, Devlin is determined to apprehend those responsible for the murders before they strike again, even as the carnage begins to jeopardize those he cares about most. Taking its title from the name of the road down which condemned Donegal criminals were once led,Gallows Lane is a sharp, modern thriller; a stunning second installment in what John Connolly says is set to become one of the great series in modern crime fiction. ________ In his critically acclaimed debut, Borderlands, Brian McGilloway opened a window onto modern Ireland through the eyes of Garda Inspector Benedict Devlin, drawing comparisons to John Connolly and Ian Rankin for his tight, fast-paced plotting. Praise for Gallows Lane 'Outstanding' Publisher's Weekly Praise for Borderlands 'Brian McGilloway's command of plot and assurance of language make it difficult to believe that Borderlands is his debut.' The Times 'A mystery of labyrinthine complexity' Sunday Telegraph

*LONGLISTED FOR THE THEAKSTON OLD PECULER CRIME NOVEL OF THE YEAR 2021* 'Poetic, human and gripping... reminded me of Bernard MacLaverty's early work. Yes, it's that good' Ian Rankin 'Moving and powerful, this is an important book, which everyone should read' Ann Cleeves 'The Last Crossing is not only a riveting story about loss and guilt in a fractured society, it is also an important work. Beautifully written and lingers long in the memory' Steve Cavanagh Tony, Hugh and Karen thought they'd seen the last of each other thirty years ago. Half a lifetime has passed and memories have been buried. But when they are asked to reunite - to lay ghosts to rest for the good of the future - they all have their own reasons to agree. As they take the ferry from Northern Ireland to Scotland the past is brought into terrible focus - some things are impossible to leave behind. In The Last Crossing memory is unreliable, truth shifts and slips and the lingering legacy of the Troubles threatens the present once again. Praise for Brian McGilloway: '... McGilloway brings a forensic and compassionate eye to bear on the post-Troubles settlement in this thoughtful, moving, morally complex book' Irish Times 'McGilloway's grasp of characterisation is of the first rank, and more than compensates for the familiarity of the scenario here. The author continues to be one of Ireland's most accomplished crime writers' CrimeTime '[A] superb book... thoughtful and insightful, wrenching and utterly compelling. It says something truly profound and universal about love, loyalty and revenge... If you want to understand Northern Ireland, or any society that has experienced conflict, put it on your list. And the writing is exquisite' Jane Casey 'Unearths individuals truths, unreliable memories and personal mythologies with a complex character-driven story that will leave you breathless until the final page' Gerard Brennan 'As heart-stopping and thrilling as it is exquisitely written and prescient' Claire Allan 'Another extraordinary novel from one of Ireland's crime fiction masters' Adrian McKinty 'A remarkably timely thriller' Irish World

'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood _______________ When a controversial US diplomat is attacked during the opening of a Donegal gold mine, Garda Inspector Benedict Devlin is disciplined for the lapse in security. The gunman turns out to be a young environmentalist - related to an old friend of Devlin's. Within days, the killing of an illegal immigrant near the Irish border leads Devlin to a vicious people-smuggling ring. Then Bradley himself is found dead near the mine and Devlin begins to suspect that the business is a front for something far more sinister than mere mining. Bleed a River Deep is the new novel from one of the most acclaimed young crime-writers around, a labyrinthine tale of big business, the new Europe, and the dispossessed. _______________ World politics, industry and organised crime collide in McGilloway's most accomplished, most gripping, and most powerful novel yet. Praise for Bleed a River Deep: 'Set to become one of the great series in modern crime fiction' John Connolly

'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood ________ Detective Sergeant Lucy Black is visiting her father, a patient in a secure unit in Gransha Hospital on the banks of the River Foyle. He's been hurt badly in an altercation with another patient, and Lucy is shocked to discover him chained to the bed for safety. But she barely has time to take it all in, before an orderly raises the alarm - a body has been spotted floating in the river below... The body of an elderly man in a grey suit is hauled ashore: he is cold dead. He has been dead for several days. In fact a closer examination reveals that he has already been embalmed. A full scale investigation is launched - could this really be the suicide they at first assumed, or is this some kind of sick joke? Troubled and exhausted, Lucy goes back to her father's shell of a house to get some sleep; but there'll be no rest for her tonight. She's barely in the front door when a neighbour knocks, in total distress - his wife's sister has turned up badly beaten. Can she help? ___________ In Preserve The Dead, Brian McGilloway weaves a pacy, intricate plot, full of tension to the very last page. DS Lucy Black's third outing since the bestselling Little Girl Lost confirms her as one of the decade's most original female detectives: strong, sensitive and ever determined. Praise for Preserve the Dead: 'Storytelling of the highest order from one of Irish crime writing's most unassuming masters' Irish Independent

'Some of the very best crime fiction being written today' Lee Child 'A tense and beautifully-written crime novel that takes the reader into lives that aren't seen often enough' Ann Cleeves _________ A young man is found in a riverside park, his head bashed in with a rock. The only clue to his identity is an admission stamp for the local gay club. DS Lucy Black is called in to investigate. As Lucy delves into the community, tensions begin to rise as the man's death draws the attention of the local gay rights group to a hate-speech Pastor who, days earlier, had advocated the stoning of gay people and who refuses to retract his statement. Things become more complicated with the emergence of a far right group targeting immigrants in a local working-class estate. As their attacks escalate, Lucy and her boss, Tom Fleming, must also deal with the building power struggle between an old paramilitary commander and his deputy that threatens to further enflame an already volatile situation. ____________ Hatred and complicity abound in the days leading up to the Brexit vote in McGilloway's new Lucy Black thriller. Compelling and current, Bad Blood is an expertly crafted and acutely observed page-turner. Praise for Brian McGilloway: 'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane

'Moving, beautifully written' The Times 'Heart-breaking. The Nameless Dead is as good a novel of modern Ireland as you're likely to read this year, crime or otherwise' Irish Times ________ 'You can't investigate the baby, Inspector. It's the law.' Declan Cleary's body has never been found, but everyone believes he was killed for informing on a friend over thirty years ago. Now the Commission for Location of Victims' Remains is following a tip-off that he was buried on the small isle of Islandmore, in the middle of the River Foyle. Instead, the dig uncovers a baby's skeleton, and it doesn't look like death by natural causes. But evidence revealed by the Commission's activities cannot lead to prosecution. Inspector Devlin is torn. He has no desire to resurrect the violent divisions of the recent past. Neither can he let a suspected murderer go unpunished. Now the secret is out, more deaths follow. Devlin must follow his conscience - even when that puts those closest to him at terrible risk . . . ________ Praise for Brian McGilloway: 'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood

She opened a Pandora's box of betrayal and deceit Pandora - Dora - Condren wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party. The day Ellie disappears, Dora is alone as her husband Eamon has already left for the day in his job as a long-distance lorry driver. So Dora does the usual things: rings around Ellie's friends... but no one knows where she is. Her panic growing, Dora tries the local hospitals and art college where Ellie is a student - but then the police arrive on her doorstep with the news her daughter's handbag has been discovered dumped in a layby. So begins Dora's ordeal of waiting and not knowing what has become of her girl. Eamon's lack of empathy and concern, Dora realises, is indicative of the state of their marriage, and left on her own, Dora begins to reassess everything she thought she knew about her family and her life. Increasingly isolated and disillusioned with the police investigation, Dora feels her grip on reality slipping as she takes it upon herself to find her daughter - even if it means tearing apart everything and everybody she had ever loved, and taking justice into her own hands. AN IRISH TIMES CRIME BOOK OF THE YEAR 2022 Praise for Brian McGilloway 'A compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today' Ann Cleeves 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing. Brian McGilloway is, quite simply, a master of his art. Bravo' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph

'An enthralling, powerful and incredibly moving novel' Irish Times 'Blood Ties is a compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today.' Ann Cleeves 'Written in elegantly simple prose... this novel is full of compassion' Literary Review 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing.' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood __________________ How can a dead woman avenge herself on her killer twenty years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts. __________________ Praise for Brian McGilloway 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'Poetic, human and gripping... reminded me of Bernard MacLaverty's early work. Yes, it's that good' Ian Rankin 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph 'Well-written, subtly characterised and intriguingly plotted' Morning Star

'Brian McGilloway blends timeless values with ripped-from-the-headlines issues to produce some of the very best crime fiction being written today' Lee Child A young man is found in a riverside park, his head bashed in with a rock. The only clue to his identity is an admission stamp for the local gay club. DS Lucy Black is called in to investigate. As Lucy delves into the community, tensions begin to rise as the man's death draws the attention of the local gay rights group to a hate-speech Pastor who, days earlier, had advocated the stoning of gay people and who refuses to retract his statement. Things become more complicated with the emergence of a far right group targeting immigrants in a local working-class estate. As their attacks escalate, Lucy and her boss, Tom Fleming, must also deal with the building power struggle between an old paramilitary commander and his deputy that threatens to further enflame an already volatile situation. Hatred and complicity abound in the days leading up to the Brexit vote in McGilloway's new Lucy Black thriller. Compelling and current, Bad Blood is an expertly crafted and acutely observed page-turner. 'Set just before the Brexit vote, this book explores important questions of community and identity. McGilloway shies away from easy answers; instead he gives us a tense and beautifully-written crime novel that takes the reader into lives that aren't seen often enough' Ann Cleeves