The Oxford Handbook of the Economics of Networks represents the frontier of research into how and why networks form, how they influence behavior, how they help govern outcomes in an interactive world, and how they shape collective decision making, opinion formation, and diffusion dynamics. From a methodological perspective, the contributors to this volume devote attention to theory, field experiments, laboratory experiments, and econometrics. Theoretical work in network formation, games played on networks, repeated games, and the interaction between linking and behavior is synthesized. A number of chapters are devoted to studying social process mediated by networks. Topics here include opinion formation, diffusion of information and disease, and learning. There are also chapters devoted to financial contagion and systemic risk, motivated in part by the recent financial crises. Another section discusses communities, with applications including social trust, favor exchange, and social collateral; the importance of communities for migration patterns; and the role that networks and communities play in the labor market. A prominent role of networks, from an economic perspective, is that they mediate trade. Several chapters cover bilateral trade in networks, strategic intermediation, and the role of networks in international trade. Contributions discuss as well the role of networks for organizations. On the one hand, one chapter discusses the role of networks for the performance of organizations, while two other chapters discuss managing networks of consumers and pricing in the presence of network-based spillovers. Finally, the authors discuss the internet as a network with attention to the issue of net neutrality.

This edition of G. E. Moore's notes taken at Wittgenstein's seminal Cambridge lectures in the early 1930s provides, for the first time, an almost verbatim record of those classes. The presentation of the notes is both accessible and faithful to their original manuscripts, and a comprehensive introduction and synoptic table of contents provide the reader with essential contextual information and summaries of the topics in each lecture. The lectures form an excellent introduction to Wittgenstein's middle-period thought, covering a broad range of philosophical topics, ranging from core questions in the philosophy of language, mind, logic, and mathematics, to illuminating discussions of subjects on which Wittgenstein says very little elsewhere, including ethics, religion, aesthetics, psychoanalysis, and anthropology. The volume also includes a 1932 essay by Moore critiquing Wittgenstein's conception of grammar, together with Wittgenstein's response. A companion website offers access to images of the entire set of source manuscripts.

This edition of G. E. Moore's notes taken at Wittgenstein's seminal Cambridge lectures in the early 1930s provides, for the first time, an almost verbatim record of those classes. The presentation of the notes is both accessible and faithful to their original manuscripts, and a comprehensive introduction and synoptic table of contents provide the reader with essential contextual information and summaries of the topics in each lecture. The lectures form an excellent introduction to Wittgenstein's middle-period thought, covering a broad range of philosophical topics, ranging from core questions in the philosophy of language, mind, logic, and mathematics, to illuminating discussions of subjects on which Wittgenstein says very little elsewhere, including ethics, religion, aesthetics, psychoanalysis, and anthropology. The volume also includes a 1932 essay by Moore critiquing Wittgenstein's conception of grammar, together with Wittgenstein's response. A companion website offers access to images of the entire set of source manuscripts.

Perception is one of the oldest and most deeply investigated topics in the field of psychology, and it is also raises some profound philosophical questions. It is concerned with how we use the information reaching our senses to guide and control our behaviour as well as to create our particular, subjective experiences of the surrounding world. In this Very Short Introduction, Brian J. Rogers discusses the philosophical question of what it means to perceive, as well as describing how we are able to perceive the particular characteristics of objects and scenes such as their lightness, colour, form, depth, and motion. What we perceive, however, does not always correspond to what exists in the world and, as Rogers shows, the study of illusions can be useful in telling us something about the nature and limitations of our perceptual processes. Rogers also explores perception from an evolutionary perspective, explaining how evolutionary pressures have shaped the perceptual systems of humans and other animals. He shows that perception is not necessarily a separate and independent process but rather part of a 'perceptual system', involving both the extraction of perceptual information and the control of action. Rogers goes on to cover the significant progress made recently in the understanding of perception through the use of precise and controlled psychophysical methods, single cell recordings, and imaging techniques. There have also been many insights from attempts to model perceptual processes in artificial systems. As Rogers shows, these attempts have revealed how difficult it is to programme machines to perform even the most simple of perceptual tasks that we take for granted. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Phenomenology and the Arts develops the interplay between phenomenology as a historical movement and a descriptive method within Continental philosophy and the arts. Divided into five themes, the book explores first how the phenomenological method itself is a kind of artistic endeavor that mirrors what it approaches when it turns to describe paintings, dramas, literature, and music. From there, the book turns to an analysis and commentary on specific works of art within the visual arts, literature, music, and sculpture. Contributors analyze important historical figures in phenomenology-Kant, Hegel, Husserl, Heidegger, and Merleau-Ponty. But there is also a good deal of work on art itself-Warhol, Klee, jazz, and contemporary and renaissance artists and artworks. Edited by Peter R. Costello and Licia Carlson, this book will be of interest to students in philosophy, the arts, and the humanities in general, and scholars of phenomenology will notice incredibly rich, groundbreaking research that helps to resituate canonical figures in phenomenology with respect to what their works can be used to describe.

Phenomenology and the Arts develops the interplay between phenomenology as a historical movement and a descriptive method within Continental philosophy and the arts. Divided into five themes, the book explores first how the phenomenological method itself is a kind of artistic endeavor that mirrors what it approaches when it turns to describe paintings, dramas, literature, and music. From there, the book turns to an analysis and commentary on specific works of art within the visual arts, literature, music, and sculpture. Contributors analyze important historical figures in phenomenology-Kant, Hegel, Husserl, Heidegger, and Merleau-Ponty. But there is also a good deal of work on art itself-Warhol, Klee, jazz, and contemporary and renaissance artists and artworks. Edited by Peter R. Costello and Licia Carlson, this book will be of interest to students in philosophy, the arts, and the humanities in general, and scholars of phenomenology will notice incredibly rich, groundbreaking research that helps to resituate canonical figures in phenomenology with respect to what their works can be used to describe.

Bryan Cranston, Ken Watanabe, Aaron Taylor-Johnson and Sally Hawkins star in this reimagining of the 1954 Japanese film about the destruction caused by a giant monster.

When a devastating event is covered up as a natural disaster, nuclear physicist Joe Brody realises something much more sinister is to blame. Scientists Dr. Ichiro Serizawa and Dr. Vivienne Graham reveal that in 1954 a powerful monster was awakened and though 'nuclear tests' were carried out in the Pacific Ocean to destroy it, the creature has now returned.

With the US Armed Forces, including Joe's son Navy Lieutenant Ford Brody, called into action, humanity fights for its survival.

A career as a lawyer is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a lawyer. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one

A career as a Teacher is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a Teacher. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one

This book, just for kids, looks at 10 different careers: Firefighter, Navy Seal, Astronaut, Police Officer, Veterinarian, Pilot, Lawyer, Actor, Doctor, and a Teacher. The book looks at how much they make, what education is involved, what the future holds, and more Each topic may also be purchased as an individual book.

A career as a Pilot is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a Pilot. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one

A career as an Actor is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a Actor. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one

A career as a Astronaut is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a Astronaut. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one

A career as a Doctor is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a Doctor. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one

A career as a Police Officer is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a Police Officer. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one

A career as a firefighter is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a firefighter. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one

A career as a firefighter is an exciting one But do you really know what it takes to become one? This book takes you inside the career and shows you the day and the life of a firefighter. Inside you'll learn what they do, what training is required, what the future holds, and how you can become one