This is the golf book anyone who plays the game must read. It will declutter your mind and free you to develop your own potential at whatever level you play, weekend amateur through to young aspiring tour player. Brian Sparks, a British PGA Pro since 1967, helps you to demystify all of the standard golfing jargon and show you how easily you can swing a golf club and hit a ball. This book is the natural antidote to the over-complex, mechanical way that most golf teachers now think you need to be able to improve. Scientific research now proves that this is not the way we learn. After showing you the power of traditional misconceptions about the golf swing Brian goes on to give you simple advice about how to cope with the bad shots this game will always throw your way. It is easy to understand and will prove to be the best purchase you ever made for your game. Although essential reading for all golfers it is particularly valid for women and for any man in the senior division. For you, it will take a lot of the unnecessary effort away from your game and leave you able to play 18 holes and go on to play another 9 with a smile on your face

This survey, which centres mainly on Greek sculpture and vase-painting from 600 to 300 BC, examines research over the past twenty years. Organised chronologically in terms of media (free-standing sculpture, architectural sculpture, luxury items, ceramics), the chapters discuss polychromy, the ethics of collecting and the relationship between scenes of myth and everyday life. Attention is also paid to new approaches that question the concept of 'art' in Classical Greece (what is known as the 'paradigm shift') in which the purposes, contexts and effect of material culture are given greater prominence. To summarise recent research, the author adopts a balance between a broad treatment and detailed description. The text and images (fifty in number and largely in colour) will be particularly useful to students and teachers but will have a wider appeal.

The Edinburgh Companion, newly available in paperback, is a gateway to the fascinating worlds of ancient Greece and Rome. Wide-ranging in its approach, it demonstrates the multifaceted nature of classical civilisation and enables readers to gain guidance in drawing together the perspectives and methods of different disciplines, from philosophy to history, from poetry to archaeology, from art history to numismatics, and many more. Key features *written by experts in the field *contains basic and essential information clearly and concisely presented *gives an up-to-date overview of the classical world *guides readers to sources of current reference and further reading material *over 100 illustrations, maps and plans

Athenian art of the sixth and fifth centuries BC offers the yardstick by which we judge the artistic achievement of the rest of the Greek world, and provides the models on which the later history of Greco-Roman art and much of the art of the later western world are based. The evidence is rich: some long known, like the Parthenon marbles, some fresh from the ground. These six essays, by prominent classical art-historians, British, German and American, explore some of the subjects and problems in the art of Archaic and Classical Athens which have exercised scholars in recent years. The essays are dedicated to Martin Robertson, formerly Lincoln Professor of Classical Archaeology and Art in the University of Oxford, himself a leading scholar of Classical art, and author of the magisterial A History of Greek Art (Cambridge University Press 1976) and of A Shorter History of Greek Art (Cambridge University Press 1981).