Science Fiction literature, also known as sci fi and sf, is one of the more recent genres, and also one of the more popular. It only truly emerged during the 20th century, and has not stopped growing in terms of authors, titles and readers. It has also evolved into a variety of subgenres, ranging from hard sf to soft sf, from Utopias to dystopias, with more than a smattering of horror, detective, war and feminist titles. Stableford covers all these aspects and more, taking a close look at what has become a booming industry, with its specialized writers, publishers, and fan magazines. The compendium includes not only sf from the United States and United Kingdom, but also France, Russia, and many others. While the chronology charts the genre's dazzling growth, and the dictionary section looks at writers, books, themes, and other specifics, the introduction provides exceptional insight into what Science Fiction Literature is all about.

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. "Science Fact and Science" "Fiction" examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the "Encyclopedia "is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow andcounterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

In the far future, Earth is slowing dying, as the Sun has turned into a red giant that threatens to explode. The last inhabitants of the planet have no idea why they're still living, and why they seem to have been made in the image of earliest man--and not the countless human species that have existed since. But they still have to time to ponder, and time to kill--and they do so in the traditional way, by killing each other This isn't an hospitable Earth, even for magicians--especially a well-meaning one--but Giraiazal of Natalarch is determined to do the best he can to keep on cheating Damozel Fate, in spite of her nasty tricks, until the very end...or at least as close to the very end as he can get. A sweeping fantasy novel of the end of the world, in the style of Jack Vance's classic The Dying Earth.

This is a new collection of 12 French proto-science fiction tales penned between 1757 and 1924, translated and annotated by renowned science fiction writer and scholar Brian Stableford. From a pioneering venture on the exploration of "inner space" by renowned Swiss philosopher Emerich de Vattel to visions of Paris in ruins being explored by future antiquarians; from interplanetary communication with the planet Mars to the discovery of a spaceship from Mercury, which crashed in the Antarctic, and the moving saga of the Earthmen who tried to save its alien pilot, this fifth collection provides an unparalleled view of the evolution of French scientific romances. In the title piece, Quebec helped to make up for France's lack of female genre writers with Emma-Adele Lacerte's 1917 sequel to Jules Verne's classic tale, Twenty Thousands Leagues Under the Sea.

Although the problems of writing fantasy and science fiction include all those pertaining to the writing of any kind of fiction, particular problems arise in stories in which unprecedented things can and do happen, as well as stories that often involve unhuman characters of various sorts, and that might require the elaborate design of entire imaginary worlds. This book provides an elementary introduction to problems of those kinds, and the ways in which they modify the general problems of writing fiction. It also suggests strategies that might enable the problems to be handled constructively and productively. The author has published more than seventy novels in the field, more than twenty short story collections, and more than twenty related works of non-fiction; he has, as the saying goes, been there, done that, and chewed his t-shirt in relevant frustration.

Robert Reginald says: "An absolutely first-rate guide to writing fantastic literature. Stableford has much to say that potential writers of ALL fiction might find valuable, interesting, and highly illuminating. His reasonable discussion and dissection of the basic issues facing authors of creative fiction--and the solutions to be found to each problem--are dollops of solid gold advice, in this editor's humble opinion. Every would-be author should read this book--and more than once "

Published the same year as Jules Verne's classic From the Earth to the Moon and Henri de Parville's An Inhabitant of the Planet Mars, Achille Eyraud's Voyage to Venus (1865) was the first novel to describe an interplanetary rocket-powered spaceship. Eyraud supports his design with an elaborate (but ultimately flawed) pseudo-scientific argument and describes its cosmic voyage in a logical manner. Once on Venus, his protagonists discover a utopian society in which the sexes are equal and solar-powered robots toil in the fields. Voyage to Venus has often been mentioned in many histories of space travel and science fiction, although the difficulty of obtaining the original text until now meant that few have read it. This ground-breaking work is at last available in English in its first annotated translation by award-winning author Brian Stableford.