|
Showing 1 - 25 of
504 matches in All Departments
Science fiction is a literary genre based on scientific
speculation. Works of science fiction use the ideas and the
vocabulary of all sciences to create valid narratives that explore
the future effects of science on events and human beings. Science
Fact and Science Fiction examines in one volume how science has
propelled science-fiction and, to a lesser extent, how science
fiction has influenced the sciences. Although coverage will discuss
the science behind the fiction from the Classical Age to the
present, focus is naturally on the 19th century to the present,
when the Industrial Revolution and spectacular progress in science
and technology triggered an influx of science-fiction works
speculating on the future. As scientific developments alter
expectations for the future, the literature absorbs, uses, and
adapts such contextual visions. The goal of the Encyclopedia is not
to present a catalog of sciences and their application in literary
fiction, but rather to study the ongoing flow and counterflow of
influences, including how fictional representations of science
affect how we view its practice and disciplines. Although the main
focus is on literature, other forms of science fiction, including
film and video games, are explored and, because science is an
international matter, works from non-English speaking countries are
discussed as needed.
Science fiction is a literary genre based on scientific
speculation. Works of science fiction use the ideas and the
vocabulary of all sciences to create valid narratives that explore
the future effects of science on events and human beings. "Science
Fact and Science" "Fiction" examines in one volume how science has
propelled science-fiction and, to a lesser extent, how science
fiction has influenced the sciences. Although coverage will discuss
the science behind the fiction from the Classical Age to the
present, focus is naturally on the 19th century to the present,
when the Industrial Revolution and spectacular progress in science
and technology triggered an influx of science-fiction works
speculating on the future. As scientific developments alter
expectations for the future, the literature absorbs, uses, and
adapts such contextual visions. The goal of the "Encyclopedia "is
not to present a catalog of sciences and their application in
literary fiction, but rather to study the ongoing flow
andcounterflow of influences, including how fictional
representations of science affect how we view its practice and
disciplines. Although the main focus is on literature, other forms
of science fiction, including film and video games, are explored
and, because science is an international matter, works from
non-English speaking countries are discussed as needed.
Science Fiction literature, also known as sci fi and sf, is one of
the more recent genres, and also one of the more popular. It only
truly emerged during the 20th century, and has not stopped growing
in terms of authors, titles and readers. It has also evolved into a
variety of subgenres, ranging from hard sf to soft sf, from Utopias
to dystopias, with more than a smattering of horror, detective, war
and feminist titles. Stableford covers all these aspects and more,
taking a close look at what has become a booming industry, with its
specialized writers, publishers, and fan magazines. The compendium
includes not only sf from the United States and United Kingdom, but
also France, Russia, and many others. While the chronology charts
the genre's dazzling growth, and the dictionary section looks at
writers, books, themes, and other specifics, the introduction
provides exceptional insight into what Science Fiction Literature
is all about.
In the far future, Earth is slowing dying, as the Sun has turned
into a red giant that threatens to explode. The last inhabitants of
the planet have no idea why they're still living, and why they seem
to have been made in the image of earliest man--and not the
countless human species that have existed since. But they still
have to time to ponder, and time to kill--and they do so in the
traditional way, by killing each other This isn't an hospitable
Earth, even for magicians--especially a well-meaning one--but
Giraiazal of Natalarch is determined to do the best he can to keep
on cheating Damozel Fate, in spite of her nasty tricks, until the
very end...or at least as close to the very end as he can get. A
sweeping fantasy novel of the end of the world, in the style of
Jack Vance's classic The Dying Earth.
Champavert was the archetypal collection of the French "contes
cruels," and the book still remains among the cruellest of them
all. It is also one of the greatest collections of short stories
ever published; the only reason that it has never been translated
before is that the job was so challenging that only an insane
person would tackle it. Petrus Borel the Lycanthrope (as he called
himself) declared himself dead before the book was published, but
not many people believed him, even though he was the most honest
man in Paris. Here are seven classic tales of horror, fantasy, and
the twistings of fate, including the final story, "Champavert, the
Lycanthrope," translated from the French for the very first time by
the well-known fantastist and critic, Brian Stableford.
It is 1847, and Paris is edging closer to its next revolution, but
something is also astir inside Mont Dragon in the Ardeche. This is
a place of annual pilgrimage for a band of enigmatic nomads, and
also a place of interest to the ambitious Bishop of Viviers. In
spite of his distaste for travel, Auguste Dupin makes the long
southward journey, in the hope that he might be able to help an old
friend, the evolutionist Claude Guerande. Guerande believes that he
has made discoveries in the caves of Mont Dragon that might cast
new light on the origin of humankind, and of life itself. Over the
years, however, not everyone who has gone into the caves has come
out again, and not everyone who has come out has been
unaltered...and 1847 promises to be a critical year, more dangerous
than any before it. And when the bizarre flameflower begins to
bloom, everything changes Another great tale in the Auguste Dupin
series.
During an August heat-wave, the Comte de Saint-Germain seeks the
help of detective Auguste Dupin. Someone--or someTHING--is trying
to kill him! The Comte has inherited a magical cello and a
mysterious sealed box. A psychic vampire (an "egregore") intends to
use the cello and a magical musical composition to steal another
soul. Can Dupin and his faithful companion unravel the puzzle in
time to save the Comte?
In the tradition of the old "Ace Doubles" (flip one book over to
read the second title), here is the tenth Wildside Double:
VALDEMAR'S DAUGHTER: A ROMANCE OF MESMERISM, by Brian
Stableford
Following the sad demise of Ernest Valdemar, as related in the
story by Edgar Allan Poe, his mortal remains are sent to his
daughter in Paris--but go astray--and detective Auguste Dupin must
track them down. The Comte de Saint-Germain seems implicated in the
mystery. Meanwhile, the great writer Balzac lies at death's door,
convinced that only Valdemar's body can save him. Will Dupin thwart
his adversary in the nick of time?
THE MAD TRIST: A ROMANCE OF BIBLIOMANIA, by Brian Stableford
The Comte de Saint-Germain has come into possession of The Mad
Trist, the book from which Edgar Allan Poe and Roderick Usher read
aloud before the collapse recorded in "The Fall of the House of
Usher." He intends it as a gift to detective Auguste Dupin, but
Dupin's friend, Richard Carstairs, cannot deliver the volume
immediately. Richard is unintimidated by the prospect of reading a
supposedly cursed book--after all, Dupin has a whole shelf full of
them A classic tale of horror.
It all begins innocently enough when the corpse of a London boxer
is discovered at sunrise on the Place de la Concorde in Paris. But
the man was reportedly seen in London only a couple of hours
earlier... A great English detective and France's leading
investigative reporter team up to solve a baffling mystery that
will ultimately take them to a network of vast caverns under Paris
inhabited by prehistoric monsters, waiting to be released... Jules
Lermina's Panic in Paris (1910) combines the tradition of utopian
fiction with both the scientific advances of the 19th century and
the pseudoscientific trappings of Edward Bulwer-Lytton's The Coming
Race (1871). It also features some intriguing anticipations of two
key works by Arthur Conan Doyle, prefiguring both The Lost World
(1912) and The Poison Belt (1913).
The deadly Madame Atomos is a brilliant but twisted Japanese
scientist who is out to avenge herself against the United States
for the bombings of Hiroshima and Nagasaki, where she lost her
family. Opposing her are Smith Beffort of the FBI, Dr. Alan Soblen,
and Yosho Akamatsu of the Japanese Secret Police. This classic
French sci-fi thriller series from the 1960s is presented in
English for the first time translated by Brian Stableford. In the
first two novels collected here, Madame Atomos unleashes
radioactive zombies in New York and giant mutated spiders in Texas.
Arthur Conan Doyle's Sherlock Holmes is among the most famous
literary figures of all time. For more than a hundred years, his
adventures have stood as imperishable monuments to the ability of
human reason to penetrate every mystery, solve every puzzle, and
punish every crime.
For nearly as long, the macabre tales of H. P. Lovecraft have
haunted readers with their nightmarish glimpses into realms of
cosmic chaos and undying evil. But what would happen if Conan
Doyle's peerless detective and his allies were to find themselves
faced with mysteries whose solutions lay not only beyond the grasp
of logic, but of sanity itself.
In this collection of all-new, all-original tales, twenty of
today's most cutting edge writers provide their answers to that
burning question.
"A Study in Emerald" by Neil Gaiman: A gruesome murder exposes a
plot against the Crown, a seditious conspiracy so cunningly wrought
that only one man in all London could have planned it-and only one
man can hope to stop it.
"A Case of Royal Blood" by Steven-Elliot Altman: Sherlock Holmes
and H. G. Wells join forces to protect a princess stalked by a
ghost-or perhaps something far worse than a ghost.
"Art in the Blood" by Brian Stableford: One man's horrific
affliction leads Sherlock Holmes to an ancient curse that threatens
to awaken the crawling chaos slumbering in the blood of all
humankind.
"The Curious Case of Miss Violet Stone" by Poppy Z. Brite and David
Ferguson: A girl who has not eaten in more than three years teaches
Holmes and Watson that sometimes the impossible "cannot" be
eliminated.
"The Horror of the Many Faces" by Tim Lebbon: Dr. Watson witnesses
a maniacal murder in London-and recognizes the villain as none
other than his friend, Mr. Sherlock Holmes.
"With these and fourteen other dark tales of madness, horror, and
deduction, a new and terrible game is afoot.
"
The terrifyingly surreal universe of horror master H. P. Lovecraft
bleeds into the logical world of Sherlock Holmes, Sir Arthur Conan
Doyle's champion of rational deduction-in these brand-new stories
by twenty of today's top horror, mystery, fantasy, and science
fiction writers, including:
- Steven-Elliot Altman
- Elizabeth Bear
- Poppy Z. Brite
- Simon Clark
- David Ferguson
- Paul Finch
- Neil Gaiman
- Barbara Hambly
- Caitlin R. Kiernan
- Tim Lebbon
- James Lowder
- Richard A. Lupoff
- F. Gwynplaine McIntyre
- John Pelan
- Steve Perry
- Michael Reaves
- Brian Stableford
- John P. Vourlis
- David Niall Wilson & Patricia Lee Macomber
"From the Hardcover edition."
|
|