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The Egungun society is one of the least-studied and written-about
aspects of African diasporic spiritual traditions. It is the
society of the ancestors, the society of the dead. Its primary
function is to facilitate all aspects of ancestor veneration.
Though it is fundamental to Yoruba culture and the Ifa?u/Oriss?ua
tradition of the Yoruba, it did not survive intact in Cuba or the
US during the forced migration of the Yoruba in the Middle Passage.
Taking hold only in Brazil, the Egungun cult has thrived since the
early 1800s on the small island of Itaparica, across the Bay of
Saints from Salvador, Bahia. Existing almost exclusively on this
tiny island until the 1970s (migrating to Rio de Janeiro and,
eventually, Recife), this ancient cult was preserved by a handful
of families and flourished in a strict, orthodox manner. Brian
Willson spent ten years in close contact with this lineage at the
Candomble temple Xango Ca Te Espero in Rio de Janeiro and was
eventually initiated as a priest of Egungun. Representing the
culmination of his personal involvement, interviews, research, and
numerous visits to Brazil, this book relates the story of Egungun
from an insider's view. Very little has been written about the cult
of Egungun, and almost exclusively what is written in English is
based on research conducted in Africa and falls into the category
of descriptive and historical observations. Part personal journal,
part metaphysical mystery, part scholarly work, part field
research, and part reportage, In Search of Ancient Kings
illuminates the nature of Egungun as it is practiced in Brazil.
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Lydia (Paperback)
Brian Willson
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R568
R483
Discovery Miles 4 830
Save R85 (15%)
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Ships in 10 - 15 working days
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Type designer Ed Austin is on a losing streak. Divorced, and with
his daughter studying abroad, he has only an old dog for a
companion. His world has contracted into something simple,
solitary-and safe. But after acquiring a dozen handwritten letters
forgotten in the barn of an old Maine farmhouse, Ed finds himself
haunted by thoughts of a nineteenth-century woman named Lydia
Starbird. At first he's enchanted by her penmanship, and then the
life she describes in her letters-each addressed to a cruel husband
who cannot read. When finally he encounters Lydia herself, he
starts to question everything. Is she a ghost? A time traveler? Or
the invention of a yearning soul? With precise attention to the
subtleties of human emotion and vivid description of the natural
world, Lydia tells a haunting tale of carrying on in the face of
loss.
The Egungun society is one of the least-studied and written-about
aspects of African diasporic spiritual traditions. It is the
society of the ancestors, the society of the dead. Its primary
function is to facilitate all aspects of ancestor veneration.
Though it is fundamental to Yoruba culture and the Ifa?u/Oriss?ua
tradition of the Yoruba, it did not survive intact in Cuba or the
US during the forced migration of the Yoruba in the Middle Passage.
Taking hold only in Brazil, the Egungun cult has thrived since the
early 1800s on the small island of Itaparica, across the Bay of
Saints from Salvador, Bahia. Existing almost exclusively on this
tiny island until the 1970s (migrating to Rio de Janeiro and,
eventually, Recife), this ancient cult was preserved by a handful
of families and flourished in a strict, orthodox manner. Brian
Willson spent ten years in close contact with this lineage at the
Candomble temple Xango Ca Te Espero in Rio de Janeiro and was
eventually initiated as a priest of Egungun. Representing the
culmination of his personal involvement, interviews, research, and
numerous visits to Brazil, this book relates the story of Egungun
from an insider's view. Very little has been written about the cult
of Egungun, and almost exclusively what is written in English is
based on research conducted in Africa and falls into the category
of descriptive and historical observations. Part personal journal,
part metaphysical mystery, part scholarly work, part field
research, and part reportage, In Search of Ancient Kings
illuminates the nature of Egungun as it is practiced in Brazil.
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