This set reproduces seminal writings by three exceptional nineteenth-century women. Georgina Weldon, Louisa Lowe and Susan Willis Fletcher were certified as insane by the Victorian medical establishment and were threatened with incarceration for their eccentric and transgressive behaviour. All three were remarkably resourceful and very successfully manipulated the sensationalist press to expose the 'lunacy laws' to the late-Victorian public. In doing this, they contributed to the emerging feminist critique of medicine and science. Each volume is devoted to the work of one of these exceptional women.
New introductions by the editors and the late Roy Porter provide context and discussion of the pieces included, pointing to the themes and issues that they raise. With an extensive index, this collection provides an invaluable resource for those studying the role of feminism in the history of medicine and the power of the medical profession in the Victorian era.

New approaches to women writers and attitudes to women in the Romantic period, principally focused on North America. Focusing on the period from 1770 to 1830, this collection deploys recent thinking on women in the romantic period to define an agenda which will shape studies in this area into the next century. Investigating issues of class and gender, imperalism and gender identity, and gender and genre, the essays range widely over women and women's affairs during the period, and include pieces on such important writers as Emily Dickinson, Letitia Landon, and Anna Letitia Barbauld. Recent developments in the theory and practice of feminist literary criticism are used to reassess the literature of the period, and to interrogate the notion of romanticism, both as a conceptual model and as a periodbounded by dates and geographical restrictions. As a whole, the volume raises questions about gendered romanticism in America, about the surge of romantic poetics in mid-century, and about the appropriation of gendered romanticism by fin-de-siecle writers. Dr ANNE JANOWITZteaches in the Department of English and Comparative Literary Studies at the University of Warwick. Contributors: GARY KELLY, MARY FAVRET, WILLIAM KEACH, JOSEPHINE MCDONAGH, SONIA HOFKOSH, EMMA FRANCIS, DARIA DONNELLY, BRIDGET BENNETT, IRA LIVINGSTON

Set in rural Nebraska, Willa Cather’s My Ántonia is both the intricate story of a powerful friendship and a brilliant portrayal of the lives of rural pioneers in the late-nineteenth century.

Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an afterword by Bridget Bennett and original illustrations by W. T. Benda.

Ántonia and her family are from Bohemia and they must endure real hardship and loss to establish a new home in America. But Ántonia is never broken by adversity, and her strength and love of life stays with her childhood friend Jim for years to come, even as he leaves home to study and pursue his career. Told through Jim’s eyes, My Ántonia is a rich and beautiful novel about childhood and growing up, different cultures and the lure of home.

Leaves of Grass is Walt Whitman’s glorious poetry collection, first published in 1855, which he revised and expanded throughout his lifetime. It was ground-breaking in its subject matter and in its direct, unembellished style.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by Professor Bridget Bennett.

Whitman wrote about the United States and its people, its revolutionary spirit and about democracy. He wrote openly about the body and about desire in a way that completely broke with convention and which paved the way for a completely new kind of poetry. This new collection is taken from the final version, the Deathbed edition, and it includes his most famous poems such as ‘Song of Myself’ and ‘I Sing the Body Electric’.

An examination of the dual life of Harold Frederic (1856-1898) as well as of his writing, which includes The Damnation of Theron Ware. The complexity of his life as an American living in London echoes his ambivalence about his double career in journalism and fiction writing.

Literary criticism has been called a story of reading. In what conditions have the best critical stories been told? From Jenny Uglow's account of literary journalism in the world of Henry Fielding to Marjorie Perloff's praise for the impact of the Internet on poetry publishing and reviewing, Grub Street and the Ivory Tower gives lively case-histories of the commercial and institutional contexts of writing about writing, with an emphasis on the vexed but at best mutually beneficial relationship between journalism and literary scholarship. Topics include the traffic between universities and the wider literary world in the `long' nineteenth century; the role of Blackwood's Magazine in the First World War; Virginia Woolf's work as a literary journalist; the early days of the London Review of Books; and the contested terrain of book reviewing in contemporary Ireland. Most of the contributors are scholars who also command a non-academic readership, as reviewers and otherwise: among them Valentine Cunningham, Hermione Lee, Karl Miller, Lorna Sage, and John Sutherland.