Translated by Constance Garnett, with an Introduction by A. D. P. Briggs. As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writhings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships. At the same time he shows - from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil - that his dramatic skills have lost nothing of their edge. The Karamazov Brothers, completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise. It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.

Scott Adkins and Dolph Lundgren star in this action thriller directed by Eric Styles. When a mysterious river monster in China attacks and kills several people, scientist Travis Preston (Adkins) travels out to investigate. When he arrives in the small fishing village he discovers, to his dismay, notorious hunter Harker (Lundgren) is also searching for the creature but with very different methods. If Travis can find the monster first he intends to capture it and study its existence; if Harker finds it he intends to kill it. Who will get there first?

Three classic films starring comedy duo Stan Laurel and Oliver Hardy. In 'The Dancing Masters' (1943), Stan (Laurel) and Ollie (Hardy) are owners of a dance school, but are evicted for non-payment of rent. To raise money, Ollie tries an insurance scam which involves inflicting injuries on Stan, but the inept pair soon find themselves mixed up with local gangsters. Watch out for appearances by long-running Marx Brothers' foil Margaret Dumont and a youthful Robert Mitchum. In 'A-haunting We Will Go' (1942), Laurel and Hardy unknowingly offer to help a bunch of crooks smuggle a wanted man past the police in a coffin. Unfortunately, the casket gets mixed up with one used by a stage musician, leading to a comic chase. Finally, in 'The Bullfighters' (1945), Stan and Ollie are two detectives looking for a female criminal in Mexico. Stan gets mistaken for a famous matador and is forced to show his prowess in the bullring.

Translated by Constance Garnett with an introduction by Anthony Briggs. Dostoevsky's fascination for mental breakdown and violence (20 murders in his four main novels) was based on his own life, and these two unmistakably autobiographical works bear this out. The House of the Dead is fiction, but based on his four years in a Siberian prison. An educated upper-class man is condemned to live among criminals and brutal guards, with arbitrary punishments, lousy food, disgusting living conditions, hard toil and many floggings. Somehow he avoids bitterness and recrimination; faith in humanity survives. With its breadth of characterisation, acute sense of detail and strong narrative interest, this work can still shock, entertain and inspire. In The Gambler we see the Russian community in a German spa town. Drawn to the casino, Alexey becomes obsessed with roulette. In a gripping story, full of psychological interest, his growing mania eclipses even his interest in Polina, a heroine of demonic and vibrant sexuality. Dostoevsky himself was rescued from a similar gambling obsession by the young stenographer who took down this work at his dictation and married him soon afterwards.

A Legend Reborn The world's most infamous hunter, Nikolas Rokoff, is sent into the jungle to steal a rare prize from Tarzan's camp. But Tarzan and his friends Jane and Robbie will stop at nothing to track him down-crossing the wild rainforest and hostile African savannah on a daring rescue mission. At the same time, Jane tries to learn more about Tarzan's past, and must decide whether reuniting him with his lost family is the right thing to do. And Robbie is torn by a plan that would keep the secrets of his own past safe, but might get rid of Tarzan for good. Lured to the city, Tarzan is forced to confront his greatest enemy. But time is running out-and no one can be trusted. "I fell in love with Edgar Rice Burroughs' Tarzan when I was 11 years old, and was jealous when he married that silly Jane. I would have been even more jealous of the Jane in Tarzan: The Greystoke Legacy. She is not silly at all And what a stroke of brilliance to transform Tarzan into an eco-warrior. The Lord of the Jungle is with us still." -Jane Goodall PhD, DBE "Not only has Andy Briggs produced another thrilling adventure story that young readers will adore, it is also possibly even better than its predecessor." -The Book Zone (for Boys) Andy Briggs is a screenwriter, graphic novelist, and author. He has written for movie projects such as Judge Dredd, Freddy vs. Jason, and Aquaman. He also collaborated with Spider-Man creator Stan Lee and legendary producer Robert Evans on the screenplay for Foreverman. Briggs struck an eight-book deal with Oxford University Press for two series: Hero.com and Villain.net. His graphic novels include Kong: King of Skull Island, Ritual, and Dinocorps. He has recently rebooted the classic character Tarzan with his novels Tarzan: The Greystoke Legacy and Tarzan: The Jungle Warrior. Edgar Rice Burroughs (September 1, 1875-March 19, 1950) was an American author best known for creating the jungle hero Tarzan and the Mars adventurer John Carter. Tarzan first appeared in the story Tarzan of the Apes, published in the pulp classic All-Story Magazine in October 1912. The character returned in twenty-five sequels by Burroughs, a handful of authorized works, and innumerable works in other media. One of the world's best-known literary characters, Tarzan has been portrayed in more than eighty movies and television shows, by more than twenty-seven actors. The first film, Tarzan of the Apes (1918), was one of the first movies to earn one million dollars.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.