The authorised biography of Shirley Hazzard, one of the greatest writers in the English language, author of The Transit of Venus and winner of the National Book Award 'Lambent, discerning, deeply intelligent and empathetic' Lucy Scholes, Financial Times 'Impeccably researched and deeply incisive' Lily King, New York Times 'A refined, deeply insightful perspective' Chloe Schama, Vogue 'Absorbing, well-crafted... scrupulously researched' Kirkus Born and raised in Sydney Australia, Hazzard lived around the world: in Hong Kong; Wellington, New Zealand; New York; Naples and Capri and her writing -- cosmopolitan, richly intelligent, beautiful, questing -- reflects her life. Her body of work is small but the acclaim it attracts is immeasurable, from among others, Michael Cunningham, Zoe Heller, Ann Patchett, Anne Tyler, Lauren Goff, Hermione Lee, Joan Didion, Richard Ford, Colm Toibin. At sixteen, she was living in Hong Kong with her family and working for the British Combined Services. She later worked, another desk job, for the United Nations in New York and, briefly, in Naples. Italy -- Capri and Naples -- claimed her heart and after she was married -- she was introduced to the biographer, Francis Steegmuller by Muriel Spark -- they divided their time between Italy and America. Drawing on diaries, letters, interviews alongside a close reading of Hazzard's fiction -- Brigitta Olubas, herself Australian -- tells the story of a girl from the suburbs 'with a head full of poetry' who fell early under the spell of words and sought out first books and then people who loved books as her companions. In the process she transformed and indeed created her life. She became a woman of the world who felt injustice keenly, a deep and original thinker, who wrote some of the most beautiful fiction about love and longing, always with an eye to the ways we reveal ourselves to another. This, the definitive biography uncovers the truths and myths and about Shirley Hazzard's life and work, which come together at the point, as Brigitta Olubas observes: 'where the writer lives'.

Spanning the 1960s to the 2000s, these nonfiction writings showcase Shirley Hazzard's extensive thinking on global politics, international relations, the history and fraught present of Western literary culture, and postwar life in Europe and Asia. They add essential clarity to the themes that dominate her award-winning fiction and expand the intellectual registers in which her writings work. Hazzard writes about her employment at the United Nations and the institution's manifold failings. She shares her personal experience with the aftermath of the Hiroshima atomic bombing and the nature of life in late-1940s Hong Kong. She speaks to the decline of the hero as a public figure in Western literature and affirms the ongoing power of fiction to console, inspire, and direct human life, despite-or maybe because of-the world's disheartening realities. Cementing Hazzard's place as one of the twentieth century's sharpest and most versatile thinkers, this collection also encapsulates for readers the critical events defining postwar letters, thought, and politics.

This is the first collection of scholarly essays on the work of the acclaimed Australian-born, New York-based author. In the course of the last half century, Hazzard's writing has crossed and re-crossed the terrain of love, war, beauty, politics and ethics. Hazzard's oeuvre effortlessly reflects and represents the author's life and times, encapsulating the prominent feelings, anxieties and questions of the second half of the 20th century. It is these qualities, along with Hazzard's lyrical style that place her among the most noteworthy Australian writers of the 20th century. Hazzard's work has been duly praised and admired by many including the critic Bryan Appleyard who describes her as 'the greatest living writer on goodness and love'. In 2011, novelist Richard Ford observed: 'If there has to be one best writer working in English today it's Shirley Hazzard'.

'Hazzard's marvellous, luminous writing I discovered only recently; now I don't know how I ever managed to get along without it' Sarah Waters Born and raised in Sydney Australia, Hazzard lived around the world: in Hong Kong; Wellington, New Zealand; New York; Naples and Capri and her writing -- cosmopolitan, richly intelligent, beautiful, questing -- reflects her life. Her body of work is small but the acclaim it attracts is immeasurable, from among others, Michael Cunningham, Zoe Heller, Ann Patchett, Anne Tyler, Lauren Goff, Hermione Lee, Joan Didion, Richard Ford, Colm Toibin. At sixteen, she was living in Hong Kong with her family and working for the British Combined Services. She later worked, another desk job, for the United Nations in New York and, briefly, in Naples. Italy -- Capri and Naples -- claimed her heart and after she was married -- she was introduced to the biographer, Francis Steegmuller by Muriel Spark -- they divided their time between Italy and America. Drawing on diaries, letters, interviews alongside a close reading of Hazzard's fiction -- Brigitta Olubas, herself Australian -- tells the story of a girl from the suburbs 'with a head full of poetry' who fell early under the spell of words and sought out first books and then people who loved books as her companions. In the process she transformed and indeed created her life. She became a woman of the world who felt injustice keenly, a deep and original thinker, who wrote some of the most beautiful fiction about love and longing, always with an eye to the ways we reveal ourselves to another. This, the definitive biography uncovers the truths and myths and about Shirley Hazzard's life and work, which come together at the point, as Brigitta Olubas observes: 'where the writer lives'.

Spanning the 1960s to the 2000s, these nonfiction writings showcase Shirley Hazzard's extensive thinking on global politics, international relations, the history and fraught present of Western literary culture, and postwar life in Europe and Asia. They add essential clarity to the themes that dominate her award-winning fiction and expand the intellectual registers in which her writings work. Hazzard writes about her employment at the United Nations and the institution's manifold failings. She shares her personal experience with the aftermath of the Hiroshima atomic bombing and the nature of life in late-1940s Hong Kong. She speaks to the decline of the hero as a public figure in Western literature and affirms the ongoing power of fiction to console, inspire, and direct human life, despite-or maybe because of-the world's disheartening realities. Cementing Hazzard's place as one of the twentieth century's sharpest and most versatile thinkers, this collection also encapsulates for readers the critical events defining postwar letters, thought, and politics.

Elizabeth Harrower: Critical Essays is the first sustained study of this acclaimed Australian author. It brings together two celebrated novelists and ten noted critics of Australian literature to consider the legacy and continuing importance of this major literary figure. The essays examine all of Harrower's published fiction, from her first short story to the long-delayed publication of In Certain Circles in 2014. Together they provide an wide ranging introduction to the extraordinary imaginative and intellectual project of her work. They explore her engagement with 20th-century history and post-war society, with modernism and modernity, and with the personal impacts of mass media, technology and industry. They demonstrate her grasp of the ethical and philosophical challenges confronting her readers and characters in late modernity as seen from a number of distinctive vantage points, including the harbourside mansions and commercial centres of post-war Sydney, the suburbs of industrial Newcastle and the bed-sitters of expatriate London in the 1960s. Together the essays offer new insights into an Australian writer at the crossroads of modernism and postmodernism, inviting readers to read and re-engage with Harrower's work in a new light.

Shirley Hazzard is one of Australia's most significant expatriate authors, and a major international literary figure by any measure. Her work has been extensively and extravagantly praised by writers and reviewers, such as Pulitzer Prize-winning novelist Richard Ford: 'If there has to be one best writer working in English today it's Shirley Hazzard.' Similarly, novelist Michael Cunningham: 'One of the greatest writers working in English today, and London Times critic Brian Appleyard 'For me, the greatest living writer on goodness and love'. She has received major literary awards including the 2003 US National Book Award, the 2004 Miles Franklin Award, the 2005 William Dean Howells Medal for best American novel, the 1981 US National Book Critics Circle Fiction Award, the 1977 O. Henry Short Story Award; and has been shortlisted for the Orange Prize and the ('Lost') Man Booker prize. She is a Fellow of the American Academy and Institute of Arts and Letters and an Honorary Fellow of the Australian Academy of the Humanities. Despite the critical acclaim for Hazzard's work, there has not yet been a full critical study, and only a handful of scholarly articles have been published since the early 1990s. This scholarly neglect is in part a consequence of Hazzard's complicated location outside the limits of national literary canons. In particular, Hazzard's highly significant writing about the United Nations has never before been considered by critics, and it is not widely known today that she was the first writer to publish an account of the US State Department McCarthyist involvement in UN hiring of staff from its earliest years, and the first person to air claims that UN Secretary-general Kurt Waldheim had concealed details of his World War II activities. This public writing stands in a fascinating relation to her highly wrought literary fiction, presenting particular challenges to her critics and readers. This study brings together Hazzard's highly regarded literary fiction and her impassioned, polemical critiques of the United Nations through the rubrics of her humanist thought and her deep commitment to internationalist, cosmopolitan principles.This is an important book for all literature, Australian literature, women writers and contemporary fiction collections.