A rich, vibrantly illustrated account of the history and sources of manga As contemporary as this graphic art form may appear to readers outside of Japan, manga has, in fact, deep roots in Japanese culture, drawing on centuries-old artistic traditions: traces can be found in seventh century temple paintings, folding screens decorated with comic characters, and painted medieval Emakimono scrolls. The more familiar manga comics of today echo similar themes, both light and serious, and draw on narrative forms present in the sagas and skits from Japan's rich cultural heritage. This book spans the history of manga in all its splendour and diversity: from Hokusai's seminal Manga in 1814 to the onset of the gekiga in the 1950s; from the landmark Astro Boy of Tezuka Ozamu to Lady Oscar, Riyoko Ikedan's shojo manga aimed at young girls; from samurai sagas to the more alternative productions of the review Garo; and from the demons that populate the works of Mizuki Shigeru to the latest creations from Jiro Taniguchi, each period is covered in detail. One Thousand Years of Manga is both a rich documentary account and a visual delight with over 400 illustrations, many never before seen outside of Japan. A thorough exploration of the sources of manga, this book makes it possible to understand how this mass-produced cultural artifact - aimed at adults as much as at children - has developed into an essential facet of Japanese culture that is now enjoyed across the globe.

This is the final collection of the series of facsimile reprints of French Japonism novels published during in the nineteenth and early twentieth centuries. There is a growing interest in the French Japonism movement of the late nineteenth century, and academic research in the subject is developing in both quantity and quality. However, much of this scholarly activity is confined to the area of art history and, apart from some work on leading authors like Pierre Loti or Judith Gautier, very little scholarship has emerged from the field of French literature. Indeed, many works produced by popular French authors during this period have long been forgotten, even in France. Addressing the absence of source material for those studying such Japonism literature in France, the reprint series was created and is the fourth and the final collection. It includes five French popular novels published in the early twentieth century with Japan or Japanese as their main topic. The books include interesting illustrations and plates, many reproduced in full colour as they appeared in the original first editions.

Published by Edition Synapse, Tokyo, and distributed outside Japan by Routledge.

There is a growing interest in the French Japonism movement of the late nineteenth century, and academic research in the subject is developing in both quantity and quality. However, much of this scholarly activity is confined to the area of art history and, apart from some work on leading authors like Pierre Loti or Judith Gautier, very little scholarship has emerged from the field of French literature. Indeed, many works produced by popular French authors during this period have long been forgotten, even in France.

Addressing the absence of source material for those studying such Japonism literature in France, the reprint series was created and this is the third collection. It includes five French popular novels published in the early twentieth century with Japan or Japanese as their main topic. The books include interesting illustrations and plates, many reproduced in full colour as they appeared in the original first editions.

There is a growing interest in the French Japonism movement of the late nineteenth century, and academic research in the subject is developing in both quantity and quality. However, much of this scholarly activity is confined to the area of art history and, apart from some work on leading authors like Pierre Loti or Judith Gautier, very little scholarship has emerged from the field of French literature. Indeed, many works produced by popular French authors during this period have long been forgotten, even in France.

Addressing the absence of source material for those studying such Japonism literature in France, this is the second part of the series to reprint in facsimile format the French popular novels with Japan or Japanese as their main topic during the epoque of Japonism from the end of the nineteenth century to early twentieth century. The second set reprints five works published in the first decade of the twentieth century. Many illustrations and plates including some in colour are reproduced as in the original first editions.