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Schermuly's mutable and original oeuvre led him out of an
abstraction governed by visual rules and into the fascination of
reality-inspired colour. The intensity of his gaze explored what
the appearance of the world has to offer to a virtuoso colourist
for a painting. He was interested not in recreation but in
understanding the visible to develop colour phenomena suitable for
painting. Profound knowledge of the history of the art of painting
was for Schermuly a guarantee of his originality. The elaborately
prepared and lavishly produced book presents an artist of rare
distinction to the isms of the second half of the twentieth
century.
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