"An eloquent work. Somer Brodribb not only gives us a feminist critique of postmodernism with its masculinist predeterminants in existentialism, its Freudian footholdings and its Sadean values, but in the very form and texture of the critique, she literally creates new discourse in feminist theory. Brodribb has transcended not only postmodernism but its requirement that we speak in its voice even when criticizing it. She creates a language that is at once poetic and powerfully analytical. Her insistent and compelling radical critique refuses essentialism--from both masculinist thinkers and their women followers. She demystifies postmodernism to reveal that it and its antecedents represent yet another mundane version of patriarchal politics. Ultimately Brodribb returns us to feminist theory with the message that we must refuse to be derivative and continue to originate theory and politics from the condition of women under male domination."
--Kathleen Barry, author of "Female Sexual Slavery"

An iconoclastic work brilliantly undertaken . . . "Nothing Mat(T)ers" magnificently shows that postmodernism is the cultural capital of late patriarchy. It is the art of self- display, the conceit of masculine self and the science of reproductive and genetic engineering in an ecstatic Nietzschean cycle of statis."
--Andre Michel

"Nothing Mat(T)ers" encapsulates in its title the valuelessness of the current academic fad of postmodernism. Somer Brodribb has written a brave and witty book demolishing the gods and goddesses of postmodernism by deconstructing their method and de-centering their subjects and, in the process, has deconstructed deconstructionism and decentered decentering! Thisis a long-awaited and much-needed book from a tough- minded, embodied, and unflinching scholar."
--Janice Raymond

This brand new Past & Present Companion title is being published to mark the 150th Anniversary of the lines opening! Today's South Devon Railway originally ran for nine miles from Totnes to the ancient stannary town of Ashburton, via Staverton and Buckfastleigh. It was opened on 1st May 1872. The line never made a profit and had a quiet life, mainly being used for goods traffic, such as coal, wool, cider and agricultural goods, and serving the local population. In November 1958, the line closed to passengers, freight continuing until 1962. A group of businessmen announced their intention to run the line, to be named the Dart Valley Railway, as a tourist line and in 1965 the first rolling stock arrived. Services between Buckfastleigh and Totnes started in 1969. In 1971, the line from Buckfastleigh to Ashburton was lost to the widening of the A38. In 1991, the line was taken over by a registered charity, the South Devon Railway Trust and renamed the South Devon Railway, , the name of the first company to run trains over the line. The volunteer supporting body was similarly renamed the South Devon Railway Association. The first train under SDR operation ran on 29th March 1991 with BR(W) pannier tank locomotive 1638 and a rake of former BR coaches, all hired from the Dart Valley company. Since then the line has expanded enormously, building a loop at Staverton to enable two train running, completing the station buildings at Totnes, expanding facilities at Buckfastleigh, carrying out major civil engineering works on the line, undertaking major resignalling, including the re-erection of two historic GWR signal boxes, developing, rebuilding and maintaining a fleet of historic rolling stock, establishing a flourishing engineering business, launching a share issue to purchase the line and, importantly, attracting more and more visitors to come and visit. In 2007, the line carried over 100,000 passengers for the first time under SDR operation and was named Heritage Railway of the Year

Lé vi-Strauss tried to convince women that we are spoken, exchanged like words; Lacan tried to teach women we can’ t speak, because the phallus is the original signifier; and then Derrida says that it doesn’ t matter, it’ s just talk.Foucault, Derrida, Lacan, Nietzsche: the chant resonates through universities around the world. Have you ever tried to untangle the words of postmodernist theorists? How to find your way through the labyrinth to sense and clarity? If so, this is the book for you.