Settler societies habitually frame Indigenous people as 'a people of the past'-their culture somehow 'frozen' in time, their identities tied to static notions of 'authenticity', and their communities understood as 'in decline'. But this narrative erases the many ways that Indigenous people are actively engaged in future-orientated practice, including through new technologies. Indigenous Digital Life offers a broad, wide-ranging account of how social media has become embedded in the lives of Indigenous Australians. Centring on ten core themes-including identity, community, hate, desire and death-we seek to understand both the practice and broader politics of being Indigenous on social media. Rather than reproducing settler narratives of Indigenous 'deficiency', we approach Indigenous social media as a space of Indigenous action, production, and creativity; we see Indigenous social media users as powerful agents, who interact with and shape their immediate worlds with skill, flair and nous; and instead of being 'a people of the past', we show that Indigenous digital life is often future-orientated, working towards building better relations, communities and worlds. This book offers new ideas, insights and provocations for both students and scholars of Indigenous studies, media and communication studies, and cultural studies.

The Palgrave Handbook on Rethinking Colonial Commemorations explores global efforts, particularly from Indigenous and Bla(c)k communities, to dismantle colonial commemorations, monuments, and memorials. Across the world, many Indigenous and Bla(c)k communities have taken action to remove, rectify and/or re-imagine colonial commemorations. These efforts have had the support of some non-Indigenous and white community members, but very often they have faced fierce opposition. In spite of this, many have succeeded, and this work aims to acknowledge and honour these efforts. As a current and much-debated issue, this book will present fresh findings and analyses of recent and historical events, including #RhodesMustFall, Anzac Day protests, and the transferral of confederate monuments to museums. Comprising of chapters written by Indigenous, Bla(c)k and non-Indigenous authors, from a wide variety of locations, backgrounds and purposes, this topical volume is a timely and important contribution to the fields of memory studies, Indigenous Studies, and cultural heritage.

Global Indigeneity is a term that reflects shared recognition of sovereignty among Indigenous peoples. Terms like global Indigeneity, transnational, and relational are in use to describe both ancient and contemporary connections between Indigenous peoples all over the world. This edited volume brings together a range of Indigenous perspectives, forming a global network of writers, thinkers, and scholars connected by common investment in Indigenous futures. This transnational solidarity results in collective activism and envisioning – a joint investment in futures free of the tyrannies imposed by settler-colonialism. This edited volume assembles collective visions of Indigenous futures, contemplations of the potential of digital technologies, and considerations of Indigenous intimacies, relationalities and manners in which we locate ourselves in an increasingly global, connected world. Together, they present possibilities and the practicalities required to bring them to fruition. -- .

WHY PUBLISH: - Chapters are written solely by Aboriginal and Torres Strait Islander authors. - Issues covered are topical and current, and include themes such as: gender and sexuality, racism, decolonisation practices, digital futures, education and identity. - Compared to competing titles, which tend to frame Indigenous peoples as people of the past, this book looks at Indigenous peoples of the present and speculates their futures. This has never been attempted before in this format, and will be a valuable contribution to the field of Indigenous Studies.

Settler societies habitually frame Indigenous people as 'a people of the past'-their culture somehow 'frozen' in time, their identities tied to static notions of 'authenticity', and their communities understood as 'in decline'. But this narrative erases the many ways that Indigenous people are actively engaged in future-orientated practice, including through new technologies. Indigenous Digital Life offers a broad, wide-ranging account of how social media has become embedded in the lives of Indigenous Australians. Centring on ten core themes-including identity, community, hate, desire and death-we seek to understand both the practice and broader politics of being Indigenous on social media. Rather than reproducing settler narratives of Indigenous 'deficiency', we approach Indigenous social media as a space of Indigenous action, production, and creativity; we see Indigenous social media users as powerful agents, who interact with and shape their immediate worlds with skill, flair and nous; and instead of being 'a people of the past', we show that Indigenous digital life is often future-orientated, working towards building better relations, communities and worlds. This book offers new ideas, insights and provocations for both students and scholars of Indigenous studies, media and communication studies, and cultural studies.