Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In Cross Examinations of Law and Literature Brook Thomas uses legal thought and legal practice as a lens through which to read some of the important fictions of antebellum America. The lens reflects both ways, and we learn as much about the literature in the context of contemporary legal concerns as we do about the legal ideologies that the fiction subverts or reveals. Successive chapters deal with Cooper's Pioneers and Hawthorne's The House of Seven Gables (property law and the image of the judiciary), Melville's 'Benito Cereno' and Stowe's Uncle Tom's Cabin (slavery), Melville's White Jacket, Pierre and 'Bartleby' (worker exploitation or wage slavery), The Confidence-Man (contracts), and finally, 'Billy Budd', which examines a number of issues illustrative of the triumph of legal formalism after the Civil War.

Mel Brooks spoofs every sci-fi movie from 'Star Wars' and 'Alien' to 'Planet of the Apes' in this interstellar comedy. When Princess Vespa (Daphne Zuniga) is kidnapped by the evil Dark Helmet (Rick Moranis), space adventurer Lone Star (Bill Pullman) and his doglike companion Barf (John Candy) are hired to rescue her by her father, King Roland. En route the duo encounter the monstrous Pizza the Hutt (voiced by Dom De Luise), cosmic advisor Yogurt (Brooks) and the princess' android handmaiden Dot Matrix (voiced by Joan Rivers), and discover all kinds of opportunities for spin-off merchandising.

Brook Thomas explores the new historicism and the challenges posed to it by a postmodern world that questions the very possibility of newness. He considers new historicism's engagement with poststructuralism and locates the former within a tradition of pragmatic historiography in the United States.

Title: Mr. Morton's Zorinski and Brooke's Gustavus Vasa compared. Also a critique on Zorinski ... With alterations and additions, by Truth.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Brooke, Henry; Morton, Thomas; 1795. 8 . 643.i.13.(8.)

C.H. Spurgeon said, "Those great preachers whose names we remember, were men who counted nothing their own: they were driven out from their benefices, because they could not conform to the Established Church, and they gave up all they had willingly to the Lord. They were hunted from place to place, they wandered here and there to preach the gospel to a few. Those were foul times; but they promised they would walk the road fair or foul, and they did walk it knee-deep in mud; and they would have walked it if it had been kinee-deep in blood too. But now we are all little men, there is scarce a man alive now upon this earth." Iain Murray added, "The atmosphere of that day was electric and charged with emotion; the popular discontent was great and strong guards stood ready in London, but these sermons seem far removed from all that. There is a calmness, and unction and a lack of invective. Great though their sorrow was for their flocks and for their nation, they had a message to preach which was more than equal to the strain of the crisis. An eternal God, an Ever-Living Saviour and a glorious hope of heaven, carried them through this heaviest trial."

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As questions of citizenship generate new debates for this generation of Americans, Brook Thomas argues for revitalizing the role of literature in civic education. Thomas defines civic myths as compelling stories about national origin, membership, and values that are generated by conflicts within the concept of citizenship itself. Selected works of literature, he claims, work on these myths by challenging their terms at the same time that they work with them by relying on the power of narrative to produce compelling new stories. ""Civic Myths"" consists of four case studies: Nathaniel Hawthorne's ""The Scarlet Letter"" and ""the good citizen""; Edward Everett Hale's ""The Man without a Country"" and ""the patriotic citizen""; Mark Twain's ""Adventures of Huckleberry Finn"" and ""the independent citizen""; and Maxine Hong Kingston's ""China Men"" and ""the immigrant citizen."" Thomas also provides analysis of the civic mythology surrounding Abraham Lincoln and the case of Ex parte Milligan. Engaging current debates about civil society, civil liberties, civil rights, and immigration, Thomas draws on the complexities of law and literature to probe the complexities of U.S. citizenship.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in `1997.