British gangster drama penned by the writers of 'Sexy Beast', featuring an ensemble cast that includes Ray Winstone, John Hurt, Ian McShane, Joanne Whalley and Tom Wilkinson. Ray Winstone stars as Colin Diamond, a London gangster who enlists the help of his friends to kidnap his wife's young French lover (Melvil Poupaud) in the hope of restoring his damaged ego.

Tennessee Williams's evocation of loneliness and lost love, The Glass Menagerie is one of his most powerful and moving plays. This Penguin Modern Classics edition includes a new introduction by Robert Bray. Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, more gracious life in Blue Mountain when she was pursued by 'gentleman callers'. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother's suffocating embrace, while Laura, her shy crippled daughter, has her glass menagerie and her memories. Amanda is desperate to find her daughter a husband, but when the long-awaited gentleman caller does arrive, Laura's romantic illusions are crushed. Tennessee Williams (1911-1983) was born in Columbus, Mississippi. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), A Streetcar Named Desire (1947), The Rose Tattoo (1951), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), The Night of the Iguana (1961), and Small Craft Warnings (1972). If you enjoyed The Glass Menagerie, you might like Cat on a Hot Tin Roof, also available in Penguin Modern Classics. 'Tennessee Williams will live as long as drama itself' Peter Shaffer, author of Equus

George Lucas directs this Oscar-winning sci-fi adventure, the first film of the hugely successful 'Star Wars' franchise. Luke Skywalker (Mark Hamill), a farm boy from a desert planet who dreams of becoming a pilot, is drawn into a rebellion when his family buys two robots that the evil Empire are desperate to get their hands on. An old Jedi knight, Obi-Wan Kenobi (Alec Guinness), and smuggler Han Solo (Harrison Ford) are among his companions as he attempts to save the beautiful Princess Leia (Carrie Fisher) and aide the rebellion.

Episode 1: The Phantom Menace
Anakin Skywalker, a boy with special powers, is unaware that the journey he is beginning will transform him into the evil Darth Vader. Obi-Wan Kenobi, is a determined young apprentice and Palpatine, well know as the evil Emperor, is an ambitious Senator in the Galactic Republic. It is a time when the Jedi Knights are the guardians of Peace in a turbulent galaxy and a young Queen fights to save her people. In the shadows lurks an evil force waiting for the right moment to strike.

Episode 2: Attack Of The Clones
Anakin Skywalker has grown into an accomplished Jedi apprentice, and he faces his most difficult challenge yet as he must choose between his Jedi duty and forbidden love. Relive the adventure the way it was meant to be seen in spectacular digital clarity, including the climatic Clone War battle and Jedi Master Yoda in the ultimate lightsaber duel. Discover how Episode II unlocks the secrets of the entire Star Wars saga...

Episode 3: Revenge Of The Sith
Torn between loyalty to his mentor, Obi-Wan Kenobi, and the seductive powers of the Sith, Anakin Skywalker ultimately turns his back on the Jedi, thus completing his journey to the dark side and his transformation into Darth Vader. Experience the breathtaking scope of the final chapter in spectacular digital clarity and relive all the epic battles including the final climactic lightsaber duel between Anakin and Obi-Wan.

Age-old African beliefs about a body that is not the physical body; an ancient Mesopotamian epic with a hidden message about life and death; old Tibetan and Chinese writings on the importance of nothingness; tales of those who have come back from a death-like experience after a heart attack or accident. These, along with what the major faiths tell us about an existence after death, are the focus of this book. The author's search in often unexpected places provides insights into the nature of consciousness after death, the structure of our being, the meaning of time and space and the inevitability of suffering as well as of goodness. Through this book we will be better equipped to come to terms with the deaths of those dear to us, and also with our own death.

This collection provides a deep engagement with the political implication of Black Lives Matter. This book covers a broad range of topics using a variety of methods and epistemological approaches. In the twenty-first century, the killings of Black Americans have sparked a movement to end the brutality against Black bodies. In 2013, #BlackLivesMatter would become a movement-building project led by Alicia Garza, Patrisse Cullors, and Opal Tometi. This movement began after the acquittal of George Zimmerman, who murdered 17-year-old Trayvon Martin. The movement has continued to fight for racial justice and has experienced a resurgence following the 2020 slayings of Ahmaud Arbery, George Floyd, Breonna Taylor, Sean Reed, Tony McDade, and David McAtee among others. The continued protests raise questions about how we can end this vicious cycle and lead Blacks to a state of normalcy in the United States. In other words, how can we make any advances made by Black Lives Matter stick? The chapters in this book were originally published in the journal Politics, Groups, and Identities.

This highly technical work is at the leading edge of spatial analysis. It covers the Global Monitoring for Environment and Security (GMES) initiative in the international context of access to environmental data. This book identifies the data policy issues, such as intellectual property rights, privacy, licensing and archiving policies, that affect environmental monitoring organisations, statistical institutes, mapping agencies, institutes for natural resources and Earth observation. It recommends courses of action to improve information services in GMES and assesses the impact of data policy on access to and cost-efficient use of information services in GMES.

This title will be essential reading for government institutions such as mapping organisations, space agencies, environmental departments, military and defence departments; it will also be useful to students of environmental policies and industries involved in mapping, cartography, aerial surveys and the space industry.

This collection provides a deep engagement with the political implication of Black Lives Matter. This book covers a broad range of topics using a variety of methods and epistemological approaches. In the twenty-first century, the killings of Black Americans have sparked a movement to end the brutality against Black bodies. In 2013, #BlackLivesMatter would become a movement-building project led by Alicia Garza, Patrisse Cullors, and Opal Tometi. This movement began after the acquittal of George Zimmerman, who murdered 17-year-old Trayvon Martin. The movement has continued to fight for racial justice and has experienced a resurgence following the 2020 slayings of Ahmaud Arbery, George Floyd, Breonna Taylor, Sean Reed, Tony McDade, and David McAtee among others. The continued protests raise questions about how we can end this vicious cycle and lead Blacks to a state of normalcy in the United States. In other words, how can we make any advances made by Black Lives Matter stick? The chapters in this book were originally published in the journal Politics, Groups, and Identities.

This record-breaking global blockbuster was the first new instalment in the Star Wars serial for 16 years, and recounts the events which occured a generation before the original Star Wars film: 'Star Wars Episode IV: A New Hope' (1977). Jedi Knight Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor) have embarked upon a diplomatic mission to the planet Naboo, intending to open discussions between the planet's leaders and the heads of the Trade Federation. But when they are ambushed by Federation robots, they quickly realise that the negotiations are merely a decoy for a hostile invasion organised by the evil Sith master. Joining forces with Jar Jar Binks (Ahmed Best) and the Naboo Queen Amidala (Natalie Portman), the Jedis manage to escape from Naboo and journey to the trade planet of Tatooine, where Qui-Gon meets a young slave boy named Anakin (Jake Lloyd), whom he identifies as a potentially powerful Jedi.

Part of the Babel series, this guide offers 150 original reviews of books available in English by leading Jewish writers. The book includes accessible, informative material on the European Jewish writers - Proust, Kafka, Primo Levi; the Yiddish author Shalom Aleichem; Londoner Israel Zangwill; American Jewish writers like Saul Bellow, Bernard Malamud, Cynthia Ozick and Philip Roth; as well as the Brazilian Clarice Lispector, the Canadian Mordecai Richler, Israelis Amos Oz and nobel-winner S.Y. Agnon and 60 other international authors. Featuring new and old Jewish classics, the text includes an author database and a listing of fiction translated from Yiddish and Hebrew into English

When her husband's ill health forces them to move into an assisted living facility, Anne M. Wyatt-Brown suddenly finds herself surrounded by elderly residents. In this lively and provocative collection, other distinguished gerontologists reflect on Anne's moving account of her transition to becoming a member of a vibrant and sociable community that offers care-giving support, while encouraging her to pursue her own interests, including exercising, reviewing articles for scholarly journals, serving on committees, and singing. By redefining notions of care and community, undoing the stigmas of aging, and valuing the psychological factors involved in accepting assistance, this volume provides a bold new framework for thinking about aging, continuing care, making the big move to a retirement community, and living with vitality in the new environment.

Historically the urban festival served as an occasion for affirming shared convictions and identities in the life of the city. Whether religious or civic in nature, these events provided tangible expressions of social, cultural, political, and religious cohesion, often reaffirming a particular shared ethos within diverse urban landscapes. Architecture has long served as a key aspect of this process exhibiting continuity in the flux of these representations through the parading of elaborate ceremonial floats, the construction of temporary buildings, the 'dressing' of existing urban space, the alternative occupations of the everyday, and the construction of new buildings and spaces which then become a part of the background fabric of the city. This book examines how festivals can be used as a lens to examine the relationship between city and citizen and questions whether this is fixed through time, or has been transformed as a response to changes in the modern urban condition. Architecture, Festival and the City looks at the multilayered nature of a diverse selection of festivals and the way they incorporate both orderly (authoritative) and disorderly (subversive) components. The aim is to reveal how the civic nature of urban space is utilised through festival to represent ideas of belonging and identity. Recent political and social gatherings also raise questions about the relationship of these events to 'ritual' and whether traditional practices can serve as meaningful references in the twenty-first century.

Originally released in the cinema as a portrait of early 1980s Britain, this fictionalized documentary about The Clash was disowned by the band after it was made and declared 'disgusting' by The Daily Mail. It is partly a study of the band and partly a story about a fictional fan, Ray Gange, who attends the band's concerts and becomes involved in the oppositional political culture of the day, joining in political demonstrations and attending the 'Rock Against Racism' tour. Over the course of the film, Ray follow the band to a number of different gigs and sees them perform such songs as 'White Riot', 'Tommy Gun' and 'London's Burning'.

Historically the urban festival served as an occasion for affirming shared convictions and identities in the life of the city. Whether religious or civic in nature, these events provided tangible expressions of social, cultural, political, and religious cohesion, often reaffirming a particular shared ethos within diverse urban landscapes. Architecture has long served as a key aspect of this process exhibiting continuity in the flux of these representations through the parading of elaborate ceremonial floats, the construction of temporary buildings, the 'dressing' of existing urban space, the alternative occupations of the everyday, and the construction of new buildings and spaces which then become a part of the background fabric of the city. This book examines how festivals can be used as a lens to examine the relationship between city and citizen and questions whether this is fixed through time, or has been transformed as a response to changes in the modern urban condition. Architecture, Festival and the City looks at the multilayered nature of a diverse selection of festivals and the way they incorporate both orderly (authoritative) and disorderly (subversive) components. The aim is to reveal how the civic nature of urban space is utilised through festival to represent ideas of belonging and identity. Recent political and social gatherings also raise questions about the relationship of these events to 'ritual' and whether traditional practices can serve as meaningful references in the twenty-first century.

A young adult anthology featuring fictional stories of everyday resistance. You might be the kind of person who stands up to online trolls.Or who marches to protest injustice.Perhaps you are #DisabledAndCute and dancing around your living room, alive and proud.Or perhaps you are the trans mentor that you wish you had when you were younger.Maybe you call out false allies, or stand up to loved ones. Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave.This anthology features fictional stories--in poems, prose, and art--that reflect a slice of the varied and limitless ways that readers like you resist every day. Take the Mic's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger, Keah Brown, Laura Silverman, L.D. Lewis, Sofia Quintero, Ray Stoeve, Yamile Mendez, and Connie Sun, with cover and interior art by Richie Pope.

Originally released in the cinema as a portrait of early 1980s Britain, this fictionalized documentary about The Clash was disowned by the band after it was made and declared 'disgusting' by The Daily Mail. It is partly a study of the band and partly a story about a fictional fan, Ray Gange, who attends the band's concerts and becomes involved in the oppositional political culture of the day, joining in political demonstrations and attending the 'Rock Against Racism' tour. Over the course of the film, Ray follow the band to a number of different gigs and sees them perform such songs as 'White Riot', 'Tommy Gun' and 'London's Burning'.