"History follows a trail of sputtering desire, often calling upon the delusions of lovers to generate the sparks. If it weren't for us, the world would suffer from a dismal lack of stories." In this brutally candid memoir, writer, translator and journalist Bruce Benderson recounts his unrequited love for an impoverished Romanian whom he meets while on a journalism assignment in Eastern Europe. Rather than retreat, Benderson absorbs everything he can about Romania, its culture and its history and discovers a mirror in it for his own turmoil: the wild affairs of its last king, Carol II. Free of bitterness, nastiness, or any desire to protect himself, he is sustained throughout by little white codeine pills, a poetic self-awareness, a sense of humor, and an unwavering belief in the perfect romance, even as wild dogs chase him down Romanian streets.

A New York City hustler with a special gift for reeling in customers, Apollo, 'a pale skinned mulatto with a mournful mouth' strips at a gay sex theatre in Times Square. He is one of the most seductive and disturbing creations in recent American fiction. Unflinchingly describing the lives of hustlers, pimps, drug-addicts and transsexuals in 1990s Times Square, User speaks with the authentic voice of characters from the edge. This is a world filled with stark, hypnotic eroticism and mined with terrors peculiar to the subterranean city in the hours after midnight.

"Baise-Moi" is one of the most controversial French novels of recent years, a punk fantasy that takes female rage to its outer limits. Now the basis for a hit underground film which was banned in France, " Baise-Moi" is a searing story of two women on a rampage that is part Thelma and Louise, part Viking conquest. Manu and Nadine have had all they can take. Manu has been brutally raped, and determines it's not worth leaving anything precious lying vulnerable -- including her very self. She teams up with Nadine, a nihilist who watches pornography incessantly, and they enact their own version of les vols et les viols (rape and pillage) -- they lure men sexually, use them up, then rob and kill them. Drawing from the spiky cadences of the Sex Pistols and the murderous eroticism of Georges Bataille or Dennis Cooper, "Baise-Moi" is a shocking, accomplished, and truly unforgettable novel.

A breathless (heavily autobiographical) novelistic account of the life of a young woman who sells her body for a living, Whore is a searing look at the world's oldest profession and a confessional in the tradition of Sylvia Plath. "Cynthia," as the nameless narrator calls herself professionally, is a French-Canadian Catholic from the sticks who escapes her strict upbringing and stifling parents to move to Montreal as soon as she is old enough. One day she answers the ad of an escort agency and quickly becomes compelled by her strange new calling. Her visitors include an Orthodox Jew cheating on his piety, a boorish Muslim with a deformed arm, a never-ending parade of businessmen and fathers, and a young man whose youth and fitness disturbs her more than any of the rest of them. Cynthia never glamorizes her life--contempt, anger, and resignation ring out from the pages--but her descriptions are engrossing and her prose incisive. Nelly Arcan delivers an unyielding, poetic, and deeply personal account of one whore's life.

A memoir of a friendship with Michel Foucault that changed the author's life. "I loved Michel as Michel, not as a father. Never did I feel the slightest jealousy or the slightest embitterment or exasperation when it came to him. ... I was intensely close to Michel for a full six years, until his death, and I lived in his apartment for close to a year. Today I see that time as the period that changed my life, my cut-off from a fate leading to the precipice. In no specific way I'm grateful to Michel, without knowing for exactly what, for a better life." -from Learning What Love Means In 1978, Mathieu Lindon met Michel Foucault. Lindon was twenty-three years old, part of a small group of jaded but innocent, brilliant, and sexually ambivalent friends who came to know Foucault. At first the nominal caretakers of Foucault's apartment on rue de Vaugirard when he was away, these young friends eventually shared their time, drugs, ambitions, and writings with the older Foucault. Lindon's friend, the late Herve Guibert, was a key figure within this group. The son of the renowned founder of Editions de Minuit, Lindon grew up with Marguerite Duras, Alain Robbe-Grillet, and Samuel Beckett as family friends. Much was expected of him. But, as he writes in this remarkable spiritual autobiography, it was through his friendship with Foucault-who was neither lover nor father but an older friend-that he found the direction that would influence the rest of his life. As Bruce Benderson writes in his introduction, "The book is a collage of free-associated episodes and interpretatons that together compose for the reader a kind of manual about how to love. ... As he runs from apartment to apartment, job to job, or lover to lover, the book becomes a story of conversion testifying to an author's radical change of viewpoint, which leads to his invitation into the social world through lessons about love." A brilliant meditation on friendship, Learning What Loves Means provides an insight into a part of Foucault's life and work that until now, remained unkown. The book won the prestigious Prix Medicis in 2011 when it was published in French.

Winner of France's 2004 Prix de Flore for his memoir "The Romanian: Story of an Obsession," Bruce Benderson has gained international respect for his controversial opinions and original take on contemporary society. In this collection of essays, Benderson directs his exceptional powers of observation toward some of the most debated, as well as some of the most neglected, issues of our day.
In "Sex and Isolation," readers will encounter eccentric street people, Latin American literary geniuses, a French cabaret owner, a transvestite performer, and many other unusual characters; they'll visit subcultures rarely described in writing and be treated to Benderson's iconoclastic opinions about culture in former and contemporary urban society. Whether proposing new theories about the relationship between art, entertainment, and sex, analyzing the rise of the Internet and the disappearance of public space, or considering how religion and sexual identity interact, each essay demonstrates sharp wit, surprising insight and some startling intellectual positions.
This is the first American volume of Benderson's collected essays, featuring both new work and some of his best-known writings, including his famous essay "Toward the New Degeneracy."

Originally published in France in 2012, Pascal Merigeau's definitive biography of legendary film director Jean Renoir is a landmark work,the winner of a Prix Goncourt, France's top literary achievement. Now available in the English language for the first time, Jean Renoir: A Biography , is the definitive study of one of the most fascinating and creative artistic figures of the twentieth century. The French filmmaker made more than forty films from the silent era to the late '60s and today he is revered by filmmakers and seen by many as one of the greatest of all time. Renoir made acclaimed movies in France, America, India, and Italy and became a writer during the last part of his life. An estimated 75 percent of the book details previously unknown information about the filmmaker, including Renoir's close affiliation with Communism in the '30s (when he was the Party's official director) and his work with the fascist regimes during World War II his previously uncredited Hollywood film, The Amazing Mrs. Holiday and new information on the making of his most famous films. Drawing from unpublished or little known sources, this biography is a completely fresh approach to the maker of Grand Illusion and The Rules of the Game , redefining the very function of the movie director and simultaneously recounting the history of a century.

A scathing view of sex manuals for children and society's hypocrisy of over sex that argues for the rights of children to their own bodies and their own sexuality. Why is pleasure "doubled" when it's "shared"?... Do you really have to cut pleasure in two so that it'll exist? I mean, if it's doubled when there are two of you, then it must be tripled when there are three, quadrupled when there are four, centupled when there are a hundred, right? Is it O.K. for a hundred to share? And if I get used to trying it all alone, why is it that I'll never love anyone again? Is it that good alone and that awful with others? ; from Good Sex Illustrated First published in France in 1973, Good Sex Illustrated gleefully deciphers the subtext of a popular sex education manual for children produced during that period. In so doing, Duvert mounts a scabrous and scathing critique of how deftly the "sex-positive" ethos was harnessed to promote the ideal of the nuclear family. Like Michel Houllebecq, Duvert is highly attuned to all the hypocrisies of late twentieth century western "sexual liberation" mass movements. As Bruce Benderson notes in his introduction, Good Sex Illustrated shows that, "in our sexual order, orgasm follows the patterns of any other kind of capital... 'good sex' is a voracious profit machine." But unlike Houllebecq, Duvert writes from a passionate belief in the integrity of unpoliced sex and of pleasure. Even more controversially now than when the book was first published, Duvert asserts the child's right to his or her own playful, unproductive sexuality. Bruce Benderson's translation will belatedly introduce English-speaking audiences to the most infamous gay French writer since Jean Genet.