This collection of essays offers a pioneering analysis of the political and conceptual complexities of teaching transnational cinema in university classrooms around the world. In their exploration of a wide range of films from different national and regional contexts, contributors reflect on the practical and pedagogical challenges of teaching about immigrant identities, transnational encounters, foreignness, cosmopolitanism and citizenship, terrorism, border politics, legality and race. Probing the value of cinema in interdisciplinary academic study and the changing strategies and philosophies of teaching in the university, this volume positions itself at the cutting edge of transnational film studies.

This collection of essays offers a pioneering analysis of the political and conceptual complexities of teaching transnational cinema in university classrooms around the world. In their exploration of a wide range of films from different national and regional contexts, contributors reflect on the practical and pedagogical challenges of teaching about immigrant identities, transnational encounters, foreignness, cosmopolitanism and citizenship, terrorism, border politics, legality and race. Probing the value of cinema in interdisciplinary academic study and the changing strategies and philosophies of teaching in the university, this volume positions itself at the cutting edge of transnational film studies.

This comprehensive study of prolific British filmmaker Michael Winterbottom explores the thematic, stylistic, and intellectual consistencies running through his eclectic and controversial body of work. This volume undertakes a close analysis of a TV series directed by Winterbottom and sixteen of his films ranging from television dramas to transnational co-productions featuring Hollywood stars, and from documentaries to costume films. The critique is centered on Winterbottom's collaborative working practices, political and cultural contexts, and critical reception. Arguing that his work delineates a 'cinema of borders', this study examines Winterbottom's treatment of sexuality, class, ethnicity, and national and international politics, as well as his quest to adequately narrate inequality, injustice, and violence.

1950s film-noir thriller starring Joan Crawford and Jack Palance. When Myra Hudson (Crawford) refuses to let Lester Blaine (Palance) act in her new play because she thinks he does not resemble a romantic lead, Lester attempts to romance her in a bid to prove her wrong. However, as events unfold it becomes unclear whether or not he has a dark hidden motive.

What are the roles of reason and imagination in secret intelligence? How do apparently normal people get involved? What happens to them? While British, American and Soviet empires have produced plentiful supplies of heroes, villains and stirring tales, Australians have typically averted their gaze from this country's involvement in the 'second oldest profession'. And yet espionage has been a part of Australia's history since the earliest European imaginings of a southern land mass. Australian spies have produced their share of heroes and villains and this book shows how they influenced Australia's diplomatic and military policy, and the personal price some of them paid.

A raw, gritty memoir--part true-life cop thriller, part unputdownable history of a storied time and place--that will grip you by the throat until the explosive end

Alphabet City in 1988 burned with heroin, radicalism, and anti-police sentiment. Working as a plainclothes narcotics cop in the most high-voltage neighborhood in Manhattan, Detective Sergeant Mike Codella earned the nickname "Rambo" from the local dealers, as well as a $50,000 bounty on his head. The son of a cop who grew up in a mob neighborhood in Brooklyn, Codella understood the unwritten laws of the shadowy businesses that ruled the streets. He knew that the further east you got from the relative safety of 5th Avenue, Washington Square Park and NYU, the deeper you entered the sea of human misery, greed, addiction, violence and all the things that come with an illegal retail drug trade run wild. With his partner, Gio, Codella made it his personal mission to put away Davie Blue Eyes--a stone cold murderer and the head of Alphabet City's heroin supply chain. Despite the hell they endured--all the beatings and gunshots, the footchases and close calls--Codella and Gio always saw Alphabet City the same way: worth saving.

"Alphaville," Codella's riveting, no-holds-barred memoir, resurrects the vicious streets that Davie Blue Eyes owned, and tells the story of how Codella bagged the so-called Forty Thieves that surrounded Davie, slowly working his way to the head of the snake one scale at a time. With the blistering narrative spirit of "The French Connection," the insights of a seasoned insider, and a relentless voice that reads like the city's own, "Alphaville "is at once the story of a dedicated New York cop, and of New York City itself.