William A. Graham is an influential and pioneering scholar of Islamic Studies at Harvard University. This volume brings together 17 contributions to the study of the Qur'an and Islam, all influenced by his work. Contributions to this collection, by his colleagues and students, treat many different aspects of Islamic scripture, from textual interpretation and hermeneutics to recitation and parallels with the Bible. Other chapters tackle in diverse ways the question of what it means to be "Islamic" and how such an identity may be constituted and maintained in history, thought, and learning. A final section reflects on the career of William Graham and the relation of scholarship to the undervalued tasks of academic administration, especially where the study of religion is concerned. This book will be of interest to readers of Islamic Studies, Qur'anic Studies, Islamic history, Religious Studies, scripture, exegesis, and history of the book. Given Graham's role at the Harvard Divinity School, and the discussions of how he has shaped the study of religion, the volume should be of interest to readership across the study of religion as a whole. Chapters 2 and 15 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

The work of the twelfth-century Shi'ite scholar al-Tabrisi, Majma' al-bayan, is one of the most important works of medieval commentary on the Qur'an, and is still in use today. This work is an in-depth case study of Islamic exegetical methods and an exploration of the nature of scriptural interpretation in Islam. Drawing on a wide variety of sources including unpublished manuscripts, the author examines how exegesis serves to construct, maintain and defend the status of the Qur'an as scripture and to uphold certain ideological agendas, among them the notion of the literary and rhetorical supremacy of God's revelation in Arabic. Focusing on the genre and process of Qur'anic exegesis itself, he treats Qur'an interpretation as part of a category of religious practice recognizable from the history and comparative study of religion. Written in clear and accessible style, Qur'anic Hermeneutics makes Qur'anic exegesis intelligible to specialists in Islam as well as those interested in scripture and its interpretation in general. As such, it will be a valuable reference to scholars of Islamic studies, religion and scripture.

The work of the twelfth-century Shi ite scholar al-Tabrisi, Majma al-bayan, is one of the most important works of medieval commentary on the Qur an, and is still in use today. This work is an in-depth case study of Islamic exegetical methods and an exploration of the nature of scriptural interpretation in Islam.

Drawing on a wide variety of sources including unpublished manuscripts, the author examines how exegesis serves to construct, maintain and defend the status of the Qur an as scripture and to uphold certain ideological agendas, among them the notion of the literary and rhetorical supremacy of God 's revelation in Arabic. Focusing on the genre and process of Qur anic exegesis itself, he treats Qur an interpretation as part of a category of religious practice recognizable from the history and comparative study of religion.

Written in clear and accessible style, Qur anic Hermeneutics makes Qur anic exegesis intelligible to specialists in Islam as well as those interested in scripture and its interpretation in general. As such, it will be a valuable reference to scholars of Islamic studies, religion and scripture.

A novel of the invasion and occupation of Egypt by Napoleonic France as seen through the eyes of a young Egyptian. The Napoleonic-era French invasion and occupation of Egypt are often seen as the Arab world's first encounter with the military and technological prowess of the West-and it came as a terrible shock. The Turban and the Hat tells the story of those three tumultuous years from the perspective of a young Egyptian living in late-eighteenth-century Cairo. Knowing some French, he works as a translator for the occupiers. He meets their scientists and artists, has an affair with Bonaparte's mistress, and accompanies the disastrous campaign to take Syria, where he witnesses the ravages of the plague and the horrific barbarism of war. He is astonished by the invaders' lies and propaganda, but he finds that much of what he thought he knew about his fellow Egyptians was also an illusion. Convincing in its history but rich in themes that resonate today, The Turban and the Hat is a story of resistance, but also of collaboration, cooperation, and corruption. Sonallah Ibrahim, one of Egypt's foremost novelists, gives us a marvelous account of the Western occupation of an Arab land, one that will resonate with contemporary readers. His portrayal of this tragic-and at times comic-"clash of civilizations" is never didactic, even as it reminds us that so many lessons of history go unlearned.

A luminous translation of Arabic tales of enchantment and wonder Known to us only through North African manuscripts, and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier's daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate. Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder. A bilingual Arabic-English edition.

A luminous translation of Arabic tales of enchantment and wonder Known to us only through North African manuscripts, and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier's daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate. Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder. A bilingual Arabic-English edition.