Here is the story of young Jeremiah Goldberg, a 10-year-old in the burg of Stillwater, California in 1880, a boomtown with mystery, murder, and intrigue at its core. For Jeremiah and his trusty pals, Rachel Burgoyne and Fong Lee, there's adventure to be mined, and Red Gold delivers the mother lode with aplomb. Like the dime novels featuring the setting-the-world-to-rights avenger McAlester, so beloved of our pint-sized hero, Red Gold tells the tale of a Jewish boy becoming a man when events threaten to turn Jeremiah's actual life into a story torn from the pages of pulp fiction.

Adriana Hofstetter is back and still marching to the beat of her own sixteen-year-old band. When Hollywood High School puts on a production of The Music Man, Adriana is there doing a story for the school paper. But when Bethany Miller, a student and cast member who has an unhealthy addiction to Instagram, doesn't come home from school and remains missing, Adriana goes on the hunt to find out what happened. Talking to irritating students, baffled teachers, and doubting detectives, Adriana is having no luck piecing anything together. With each passing day looking worse for Bethany Miller, Adriana must use all her wiles in trying to solve what happened. And then she receives a note, a one-word note: Stop. And then another threatening note is left on her apartment door. Can Adriana find the culprit before the culprit comes after her? Of course, best friend Billy Feldman is there to lend his support while playing one of the leads in The Music Man, mother Margaret is there to keep her eye on Adriana while listening to her loud, classic rock-and-roll, and Detectives Ramirez and Coyne are there to listen to and question what Adriana discovers. With colorful depictions of Hollywood, Adriana's trademark sense of humor, and a crime to be solved, Murder at The Music Man is funny, suspenseful, and a cautionary tale of addiction to social media.

Jonathan Goldman has a problem. He's just been ousted from the company he created. A one hit wonder singer/songwriter and now successful record producer, his life is suddenly thrown into complete and utter turmoil. His former business partners have only one goal - to ruin his life and do him as much harm as possible. At sixty, no other label will hire him. Alone, with only his handful of friends to rally around him, Jonathan Goldman is on a downward spiral from which he may never recover. And then... people begin to die. Written in vivid detail and a unique style, Rewind is a taut, suspenseful, chilling, and often funny look at how a decent person can be dragged through the mud by people who enjoy that particular pastime. It's also a colorful peek inside the music business, and the day-to-day process of how albums are actually produced.

Advance praise for "Murder at The Grove" Fans of mysteries, especially West Coast-centric mysteries, rejoice The irrepressible and irresistible teenage sleuth Adriana Hofstetter is back, with funny-snarky attitude, 40s wardrobe, hippy-dip but caring mom and BFF Billy Feldman intact, and a puzzling new murder to occupy her summer vacation. This time the scene is L.A.'s super mall, The Grove, with Adriana forced to deal with such alien (to her) contemporary concepts as iPods, YouTube and FaceBook to catch the killer of an Apple Store employee. Put away that new iPhone and enjoy. -Dick Lochte, author of Sleeping Dog and Croaked In Murder at the Grove, occasional teenage gumshoe and always odd duck, Adrianna Hofstetter, is at it again, sticking her quirky nose where it doesn't belong; worrying her mother, fretting her friends (make that friend...just one), irritating the police, and persistently interrogating an array of annoyed suspects about a murder case which everyone insists doesn't exist. But the determined and indefatigable Ms. Hofstetter's skewed sleuthing ferrets out the facts faster than she can wolf down onion rings at a local Hollywood bistro. The clues, characters, and locale are all explored with the same eccentric but affectionate Kimmel whimsey displayed in Murder at Hollywood High and the Benjamin Kritzer trilogy. -Charles Edward Pogue, screenwriter of The Fly and Dragonheart

Just as Frank Sinatra had an additional and invaluable career as the great preservationist and evangelist of the American popular song (with particular focus on the Lost and Found), so author-actor-singer-director Bruce Kimmel has additionally served the cause of Broadway and Hollywood beyond measure, producing some of the most memorable vocalists of our time in recordings that give new life to music that might otherwise be forgotten, while renewing and revitalizing the theatrical canon with his impeccable taste and unerring musicality. In his usual engaging and endearing style, he at last gives us a first-hand view of his process. For this terrific chronicle, and for his immeasurable contribution to musical theatre, we can only give our most inadequate thanks. -Rupert Holmes, Tony and Edgar award-winning playwright and novelist Bruce Kimmel's rollicking memoir, There's Mel, There's Woody, and There's You, left his fans begging for more. Thankfully, the theatre gods are kind and answered our prayers. Actor, director, composer, playwright, novelist, film-maker...and good at all of them, Kimmel has reinvented himself more times than Madonna and had more lives than a cat. In Album Produced by..., he now shape-shifts into what may be his greatest theatrical incarnation-as the foremost album producer of theatre music in the last twenty-five years. Through time and labels, his amazing career fluctuates with more highs and lows than the sliding dials on a soundboard and is sweetened with the usual Kimmel witlaced raconteurism.Whether working with the greats (Carol Channing, Lauren Bacall, Dorothy Louden, Ann-Margret, to name a few) or promoting and often discovering the next big musical stars of Broadway, our intrepid hero battles lessthan- visionary bosses, broken promises, harried orchestrators, enraged engineers, the occasional disgruntled diva, and the mysterious crooner, Guy Haines. But he manages to defeat all obstacles and egos in his way, emerging triumphant to dance in divine syncopation with the glorious music he creates. To know the stories behind all those wonderful albums is to listen to them with fresh ears and a new appreciation of the talent, tears, and genius that went into them. -Charles Edward Pogue, screenwriter of Dragonheart, DOA, & The Fly

They say that trying out a new musical can be murder. It doesn't help that the show has a terrible second act, that the author has writer's block, that most of the company can't stand the composer/lyricist, that the show's bombastic producer is threatening to close it, that two key people on the creative team are having an affair with the same person, and that the personalities of everyone involved are short-fused and volatile. In other words, it's business as usual in the world of musical theater. But when someone vital to the show turns up dead, apparently of accidental causes, it's time for one member of the production team to become an amateur Broadway sleuth in search of the truth - was the death an accident or was it murder? Set in the world of Broadway musical theater in 1969, Writer's Block is a funny, bitchy, suspenseful tale of the creation of a new musical - from the start of rehearsals, through the tryouts in New Haven and Boston, to opening night and after. The arguments, the fights, the tensions, the betrayals - yes, there's no business like show business.

Just when you thought it was safe to enjoy Christmas Vacation, fifteen-year-old Adriana Hofstetter is back with another case to solve. She and her mother are volunteers at the Hollywood Historical Society, a group of Hollywood old-timers and preservationists dedicated to saving what's left of classic Hollywood iconography. When one of their key players kills himself, Adriana begins to wonder if the suicide isn't really murder. Using her journalistic skills, she begins a mission to uncover the truth. Along the way, she meets an incredibly colorful cast of characters, and learns all about Hollywood when it was not only a place but also a state of mind. It's a sometimes dangerous, sometimes treacherous journey, but Adriana Hofstetter cannot-and will not-stop until she reaches the journey's end. Her mother Margaret is back (and listening to her classic rock-and-roll as loud as ever), as are Adriana's best friend, musical theater-loving Billy Feldman, and her cat, Furball. And Detectives Ramirez and Coyne are back, too, as skeptical as ever. Murder At The Hollywood Historical Society is fast, funny, and filled with wonderful portraits of Hollywood, then and now. And, of course, a mystery to be solved.

How To Write A Dirty Book and Other Stories is Bruce Kimmel's first collection of short fiction. In these wonderful and evocative tales you'll find the warmth, humor, and emotion of his acclaimed Benjamin Kritzer trilogy (Benjamin Kritzer, Kritzerland, and Kritzer Time), the biting, acerbic wit of his two mysteries (Writer's Block and Rewind), and a new element-the world of fantasy. All but one of the stories takes place in Mr. Kimmel's favorite world-Los Angeles, both then and now. In I'll See You In My Dreams, a depressed, miserable man longs to escape to the world of a recurring dream, where the perfect woman is waiting for him. In How To Write A Dirty Book, a down-on-his-luck screenwriter in 1959 Hollywood takes on the challenge of writing a naughty novel as a way to supplement his meager income-with surprising results In Opening Out of Town, a bickering vacationing couple lose their way and stumble onto an all-singing, all-dancing small town. In Your Worst Nightmare, a seventy-two-year-old man seeks revenge against an Internet tormentor. With these and other stories, Mr. Kimmel takes you on a wild ride, a ride filled with nostalgia, longing, laugh-out-loud humor, fear, retribution, and love.

Teenager Adriana Hofstetter is quite possibly one of a kind. She hates all things "now"-including MySpace, cell phones, and anything trendy-and she has no use for partying, getting wasted or being stupid. She dresses in clothes from her favorite decades-the 40s, 50s, 60s, and 70s-much to the derision of her fellow students at Hollywood High, who think she is a joke. She's on her way to becoming the star of her journalism class. Her teachers adore her, just as much as her fellow students abhor her. She has one loyal and true friend, Billy Feldman, who is as much of an outsider as she is. She has a mother who listens to Pink Floyd, Cream, and Isaac Hayes at ear splitting levels, a peculiar cat named Furball, and an ancient, ineffectual computer that crashes if she happens to glance in its direction. Then, one day, someone from Hollywood High is found murdered. A suspect is arrested and charged. And Adriana Hofstetter finds herself forced to become a pint-sized amateur sleuth, who, in the guise of doing a story for the school newspaper, must put all her journalism lessons to use in order to solve a murder she knows the accused didn't commit. Murder at Hollywood High is a very funny, suspenseful mystery, replete with colorful Los Angeles locales, disbelieving detectives, suspects lurking around every locker, and a fifteen-year-old heroine who is off-the-wall, endearing and not to be messed with.

Bruce Kimmel has managed to eke out a career in one form of show business or another for over forty years. A successful Grammy-nominated record producer, Kimmel began his show business journey as an actor, in a time when being a young up-and-coming thespian was fun, thrilling, and when anything seemed possible. It was a different world for a young actor in the 1970s, and Kimmel's journey is paved with laughs, tears, success, and an amazing cast of players. At twenty-seven, he wrote, co-directed, and starred in a film that would become a major cult success, The First Nudie Musical. He did TV pilots, guest shots, series, plays. He met and worked with incredible people. It was the kind of time we will never see again. And then things changed. The nature of the business changed. And the path to dealing with those changes-getting older, trying to survive in an ever increasingly negative and cutthroat world-becomes a story of reinvention and rebirth. Through it all, Kimmel tells his tale with wit, candor, affection, and self-effacing honesty. Enjoy being the fly on the wall as Kimmel hangs out with Elsa Lanchester, Christopher Isherwood and Don Bachardy; goes to Groucho's house and plays the piano for him; works with Shirley Jones, David Cassidy, Susan Dey on The Partridge Family. We observe his long friendship with Cindy Williams, watch as he works with screen legends Patricia Neal, Jean Simmons, Leslie Nielsen, Patrick Macnee, Bud Cort, and Geraldine Fitzgerald, and as he hangs out with Hugh Hefner at the Playboy mansion., Bruce Kimmel's showbiz tales are loaded with laughs, wide-eyed wonder, and heart.

Adriana Hofstetter is back She has just turned sixteen. To celebrate that occasion, she is writing a story for her journalism class on the unsolved 1966 murder of a highly-thought-of-but-vicious acting teacher. Said teacher is found quite dead after class one night, stabbed over sixty times. All of the nine suspects (all students) have airtight alibis, and the police at the time chalk it up to a random killing; case closed. But that was then, because after reading up on the case Adriana Hofstetter becomes convinced that one of them is the killer. She begins a journey that leads her back to a different world and time. She methodically finds and meets the seven surviving suspects/students, as well as the teacher's widow. If she's right and one of them is the killer, she might just find herself in harm's way. Of course, her mother Margaret is back, listening to her beloved oldies, as are Adriana's best friend Billy Feldman and her cat Furball. And Detectives Ramirez and Coyne are back, too, as skeptical as ever. She still hates Facebook, doesn't want to know what Twitter is, and marches to the very loud beat of her own drummer. A cook's tour of current and old Hollywood, Murder at the Masquers is funny, fast-paced, suspenseful, and a valentine to out-of-step teens. And, as usual, Adriana Hofstetter will not stop until she figures out who the killer is.