Between 1580 and 1745, a period that saw Edmund Spenser's journey to an unconquered Ireland and the Jacobite Rebellion, the first British Empire was established. The intervening years saw the cultural and material forces of colonialism pursue a fitful, often fanciful endeavour to secure space for this expansion. With the defeat of the Highland clans, what England in 1580 could only dream about had materialised: a coherent, socio-spatial system known as an empire. Taking the Atlantic world as its context, this ambitious 1999 book argues that England's culture during the seventeenth and early eighteenth centuries was saturated with a geographic imagination fed by the experiences and experiments of colonialism. Using theories of space and its production to ground his readings, Bruce McLeod skilfully explores how works by Edmund Spenser, John Milton, Aphra Behn, Mary Rowlandson, Daniel Defoe and Jonathan Swift imagine, interrogate and narrate the adventure and geography of empire.

The techniques used in the welding of thin sheet metal as used on vehicle bodies are vastly different to those used in welding heavier structures. This book covers the various methods of welding used to make and repair sheet metal body panels. Whereas some forms of welding are straightforward, others require a significant amount of skill. The important thing for anyone wanting to achieve a good finish to body repair work is to start with the correct techniques: skill then comes with practice. When restoring a classic car of some value, it is worth putting the time and effort into becoming skilled in the use of all the techniques covered in this book in order to achieve a professional finish to your work. With nearly 200 colour photographs and illustrations, this book lists the equipment and materials required to achieve a successful outcome. It describes the different methods of welding and how to choose the correct method for the job and provides step-by-step practical guidance to achieve a professional result. Finally, it focuses on the welding of mild steel and aluminium alloy, with some reference to the welding of brass and stainless steel sheet metal.

Between 1580 and 1745, a period that saw Edmund Spenser's journey to an unconquered Ireland and the Jacobite Rebellion, the first British Empire was established. The intervening years saw the cultural and material forces of colonialism pursue a fitful, often fanciful endeavour to secure space for this expansion. With the defeat of the Highland clans, what England in 1580 could only dream about had materialised: a coherent, socio-spatial system known as an empire. Taking the Atlantic world as its context, this ambitious 1999 book argues that England's culture during the seventeenth and early eighteenth centuries was saturated with a geographic imagination fed by the experiences and experiments of colonialism. Using theories of space and its production to ground his readings, Bruce McLeod skilfully explores how works by Edmund Spenser, John Milton, Aphra Behn, Mary Rowlandson, Daniel Defoe and Jonathan Swift imagine, interrogate and narrate the adventure and geography of empire.

Reviews

MacLeod is offering a whole new paradigm that will bring light into the dark corners of how we exchange values on our precious planet and evolve an organic currency equal to the task. -Marilyn Hamilton PhD CGA, Author of Integral City

I fully recommend readers to follow in Mr. MacLeod s footsteps, for the journey is nothing short of groundbreaking. -Alexandre Linhares, PhD, Professor of Management Science, The Brazilian School of Business and Public Administration

As each of our institutions begins to collapse under the weight of materialistic values, a new generation of creative minds emerges offering us alternatives that serve the common good. MacLeod is one of the promising pioneers of a new planetary civilization that takes an in-depth look at the interdependence of our global challenges and offers us innovative ideas for a monetary system that works for all. -Nancy Roof, PhD, Founding Editor, Kosmos Journal

Jordan MacLeod has done an excellent job seeking to understand what new currency might mean in this new age following the collapse of the high finance system. This book will stimulate thought and, hopefully, open up new vistas for further exploration into the new role of currency in the future. -Don Edward Beck, PhD, Co-Author of Spiral Dynamics

This couldn t be more timely. It is a brilliant look at a new approach to thinking about currency from a visionary thinker ... When people realize the evolving impact of consciousness and cultural values on money, it will truly transform the world. -James Bernard Quilligan, Adviser to HRH Prince El Hassan bin Talal

This vital analysis helps us to examine how all humans have designed and used money throughout history. Using psychological and systems analyses from many sources, MacLeod shows how money is a reflection of human states of consciousness-from the purely materialistic to the transcendent. -Hazel Henderson, Author of Ethical Markets: Growing the Green Economy (From the Foreword)

Product Description

NEW CURRENCY is a pioneering study of money's untapped power to change the world. In the midst of a devastating global financial crisis, out of control government spending and grave problems such as terrorism, energy security and climate change, people all over the planet are waking up to the need for profound shifts in the way we think about and respond to these challenges.

This book provides a powerful, fresh context for effectively confronting our global crisis head on. MacLeod demonstrates how a new currency can be integrated into the heart of our financial system to build a more creative, sustainable and inclusive version of capitalism. "By changing how we hold money," says MacLeod, "we literally hold in our hands the power to change the world."

In this groundbreaking work, you will be introduced to an evolutionary perspective of money that accounts for its deep, subjective nature. MacLeod shows how an understanding of these dynamics can help us increasingly place economic activity in the service of qualitative growth and human development. He lays out a grounded vision, based on new economic tools, for redesigning the global economy to satisfy not only material needs but also align individuals and societies with their yearning to actualize their deepest values and purpose in the world.

Young Blood is a collection of plays for young people with the following aims: * to publish some of the most interesting, challenging, contemporary writing for young performers in one volume. * to extend the life of the plays beyond their first production. * to make them available to young people throughout the UK To develop performing skills young people need to work on the best scripts available; to have the opportunity to explore the ideas, form and language of exceptional writers. Young people in schools, youth theatres and colleges need to work on plays that excite, stretch and inspire them. The response from young people to the final selection has been remarkable. Several have been chosen by students to be performed as part of their GCSE practical exams. This collection doesn't include production or teachers' notes. There are no fixed rules about how to use the plays. Produce the whole play to a paying audience or work on scenes. Play about with the casting. Double parts or have six people playing the same character. The most important thing is to have fun with the language, characters and staging so that young people enjoy working on the plays. All of the plays in this collection have a unique theatrical vision. Combine that with the energy, commitment and imagination of a group of young people and the results will definitely be worth watching! Includes the plays The Girl who fell through a hole in her jumper by Naomi Wallace and Bruce Mcleod, The Search for Odysseus by Charles Way, Darker The Berry by J.B.Rose, Geraniums by Sheila Yeger, and, Out of their Heads by Marcus Romer.