An international group of psychoanalysts and film scholars address the enduring emotional legacy of the Holocaust in Cinematic Reflections on the Legacy of the Holocaust: Psychoanalytic Perspectives. Particular focus is given to how second and third generation survivors have explored and confronted the psychic reverberations of Holocaust trauma in cinema. This book focuses on how film is particularly suited to depict Holocaust experiences with vividness and immediacy. The similarity of moving images and sound to our dream experience allows access to unconscious processing. Film has the potential to reveal the vast panorama of Holocaust history as well as its intrapsychic reverberations. Yet despite the recent prominence of Holocaust films, documentaries, and TV series as well as scholarly books and memoirs, these works lack a psychoanalytic optic that elucidates themes such as the repetition compulsion, survival guilt, disturbances in identity, and disruption of mourning that are underlying leitmotifs. Cinematic Reflections on the Legacy of the Holocaust will be of great interest to psychoanalysts and therapists as well as to scholars in trauma, film, and Jewish studies. It is also of interest to those concerned with the prevention of genocide and mass atrocities and their long-term effects.

As founder and past president of the American Academy of Child and Adolescent Psychiatry and president of the American Association of Children's Residential Centers, Joseph Noshpitz was at the forefront of psychodynamic treatment and research with children and adolescents for more than forty years. He was the editor-in-chief of the six volume Handbook of Child Psychiatry, co-author of the two volume Pathways of Growth: Essentials of Child Psychiatry, and co-editor of Stressors and the Adjustment Disorders. His breadth of knowledge and wisdom ranged well beyond the traditional areas of diagnosis and therapeutic interventions, envisioning the child as an individual within the family and the wider culture. Based on psychoanalytic ideas and without jargon, Noshpitz's innovative ideas are grounded in the developmental theories of Freud, Mahler, and Kernberg. These previously unpublished papers demonstrate Noshpitz's scope and the depth to which he conceived the psychic life of the child. Each paper is introduced by experts who contemporize and contextualize the work for the modern reader. The wide-ranging papers include ethics in child development, narcissism in the grade school years, tomboyism, idealization, negative ego ideals, and self-destructiveness in adolescence. More applied papers delve into the formative appeal of literature for adolescent girls, the developmental lessons of the Ninja Turtles, and the creative early motivations behind art, music, dance, mime, and poetry. The papers present an unyielding advocacy for the progressive development of the child interacting with the society at large, most evidenced in the extraordinarily far-reaching proposal for wider preventive family interventions. As poignant now as the time when they were written, Noshpitz's thoughtful commentaries and analyses repeatedly demonstrate his intrinsic curiosity, joy of learning, generosity and sensitivity to the myriad struggles of youth. His psychodynamic sensibility is a contrast to this era of quick psychopharmalogical fixes, cognitive-behavioral approaches, and managed care. To learn more about the life and work of Joseph Noshpitz, and to access more of his unpublished work, please visit http://josephnoshpitz.com.

As founder and past president of the American Academy of Child and Adolescent Psychiatry and president of the American Association of Children's Residential Centers, Joseph Noshpitz was at the forefront of psychodynamic treatment and research with children and adolescents for more than forty years. He was the editor-in-chief of the six volume Handbook of Child Psychiatry, co-author of the two volume Pathways of Growth: Essentials of Child Psychiatry, and co-editor of Stressors and the Adjustment Disorders. His breadth of knowledge and wisdom ranged well beyond the traditional areas of diagnosis and therapeutic interventions, envisioning the child as an individual within the family and the wider culture. Based on psychoanalytic ideas and without jargon, Noshpitz's innovative ideas are grounded in the developmental theories of Freud, Mahler, and Kernberg. These previously unpublished papers demonstrate Noshpitz's scope and the depth to which he conceived the psychic life of the child. Each paper is introduced by experts who contemporize and contextualize the work for the modern reader. The wide-ranging papers include ethics in child development, narcissism in the grade school years, tomboyism, idealization, negative ego ideals, and self-destructiveness in adolescence. More applied papers delve into the formative appeal of literature for adolescent girls, the developmental lessons of the Ninja Turtles, and the creative early motivations behind art, music, dance, mime, and poetry. The papers present an unyielding advocacy for the progressive development of the child interacting with the society at large, most evidenced in the extraordinarily far-reaching proposal for wider preventive family interventions. As poignant now as the time when they were written, Noshpitz's thoughtful commentaries and analyses repeatedly demonstrate his intrinsic curiosity, joy of learning, generosity and sensitivity to the myriad struggles of youth. His psychodynamic sensibility is a contrast to this era of quick psychopharmalogical fixes, cognitive-behavioral approaches, and managed care. To learn more about the life and work of Joseph Noshpitz, and to access more of his unpublished work, please visit http://josephnoshpitz.com.

An international group of psychoanalysts and film scholars address the enduring emotional legacy of the Holocaust in Cinematic Reflections on the Legacy of the Holocaust: Psychoanalytic Perspectives. Particular focus is given to how second and third generation survivors have explored and confronted the psychic reverberations of Holocaust trauma in cinema. This book focuses on how film is particularly suited to depict Holocaust experiences with vividness and immediacy. The similarity of moving images and sound to our dream experience allows access to unconscious processing. Film has the potential to reveal the vast panorama of Holocaust history as well as its intrapsychic reverberations. Yet despite the recent prominence of Holocaust films, documentaries, and TV series as well as scholarly books and memoirs, these works lack a psychoanalytic optic that elucidates themes such as the repetition compulsion, survival guilt, disturbances in identity, and disruption of mourning that are underlying leitmotifs. Cinematic Reflections on the Legacy of the Holocaust will be of great interest to psychoanalysts and therapists as well as to scholars in trauma, film, and Jewish studies. It is also of interest to those concerned with the prevention of genocide and mass atrocities and their long-term effects.

The horrific events of 9/11 and its sequelae have reinforced what thoughtful analysts have long known: that they have a responsibilty to respond to the complex social and emotional issues arising in their communities - to function, that is, as "community psychoanalysts." "Analysts in the Trenches" vividly illustrates what socially engaged analysts can offer to violent and disturbed communities. Contributors bring analytic expertise to bear on the emotional sequelae to violence, including sexual and physical abuse; to multiple and traumatic losses; and to learning inhibitions. Thay also explore and devise community responses to the scapegoating of classes and groups, to homelessness, and to variations in family structures. This volume provides heartening testimony to the relevance of psychodynamic thinking in the post-9/11 world and will spur professional readers to develop their own programs of community involvement.

Collected here are forty years of the thoughts of one of the most influential filmmakers of our time. Although the winner of nine Academy Awards for his The Last Emperor, Bernardo Bertolucci may ultimately be best remembered for his Last Tango in Paris, which Pauline Kael called the most erotic film ever made.

This volume gives a privileged view of Bertolucci's career from the days of his first radical experiments to the present, when he has become an elder statesman of world cinema. Half of these twenty-three interviews appear in English for the first time. The conversations resonate with themes that run throughout Bertolucci's work and thought from his early experimental films--Before the Revolution, The Spider's Strategem, The Conformist, and Last Tango in Paris--to his more mainstream works--The Last Emperor, The Sheltering Sky, Little Buddha, and Besieged.

These conversations with Bertolucci reveal the significance of psychoanalysis in his films, the relationship between films and dreams, his early fascination with Godard and the "New Wave," his views on extremism and radical politics, and his personal search for cinematic truth. As the interviews progress through four decades of his filmmaking, they show his artistic evolution. In the earliest he is questing for answers to questions about the "fundamental cinema problem." In the latest he has come to recognize the need to please his audience.

As Bertolucci speaks, he provides his autobiography, his psychohistory, a production journal of each of his films, a portrait gallery of his contemporaries, a compendium of film theory, and an ABC of ideas that range from auteur theory, Bazin, the camera, dance, editing, right on to Zen. He speaks of his early poetry, his fiercely revolutionary stances of the 1960s, and his gradual discovery that he always has to be in love with his audiences.

In all, this is a stunning self-portrait of one of cinema's greatest filmmakers. Fabien S. Gerard has been working as Bertolucci's script supervisor for the last ten years and is the author of the shooting diary of The Last Emperor. He currently teaches film history at Brussels University.

Bruce Sklarew, a Washington, D. C., psychoanalyst and physician, is director of the Forum for the Psychoanalytic Study of Film and is a friend of Bertolucci's. T. Jefferson Kline has been a professor of French at Boston University since 1979 and is the author of "Bertolucci's Dream Loom: A Psychoanalytic Study of Cinema" and other books.