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The bilingual InVerse anthologies feature the works of well-known
contemporary poets who already belong to the history of Italian
poetry, in addition to younger and less known poets whom the
editors believe deserve to be recognized. Every anthology collects
the work of the poets who took part in the InVerse Poetry Festival,
held at John Cabot University. At the root of the project is the
desire to introduce English speakers to modern Italian poetry. This
is the eighth edition of the anthology, which gives over time, a
comprehensive and independent overview of the Italian poetic
milieu.
The bilingual InVerse anthologies feature the works of well-known
contemporary poets who already belong to the history of Italian
poetry, in addition to younger and less known poets whom the
editors believe deserve to be recognized. Every anthology collects
the work of the poets who took part in the InVerse Poetry Festival,
held at John Cabot University. At the root of the project is the
desire to introduce English speakers to modern Italian poetry. This
is the seventh edition of the anthology, which gives over time, a
comprehensive and independent overview of the Italian poetic
milieu.
Poetry by: Antonella Anedda Gian Maria Annovi Nadia Agustoni Mario
Benedetti Antonio Bux Biagio Cepollaro Vladimir D'Amora Roberto
Deidier Stelvio Di Spigno Anna Maria Farabbi Paolo Febbraro Silvia
Fiorentino Mariangela Guatteri Andrea Inglese Bianca Madeccia
Giampiero Neri Giulia Niccolai Sandro Olimpi Umberto Piersanti
Elena Buia Rutt Francesco Serrao Giacomo Trinci Ida Travi
Aesthetics in Present Future: The Arts and the Technological
Horizon collects essays by specialized scholars and a few artists,
who focus on the issue of how deeply the arts change when conveyed
by the new media (the web; 3D printers, videos, etc.) or also
simply diffused by them. Every author shows to analyze the topic
without glorifying nor criticizing this strong tendency. Their
analyses proceed as descriptions, stating how both the virtual
production and virtual communication change our attitudes toward
what we call the arts. The scope of the topics goes from
photography to cinema, to painting, from theatre to avant-guarde
art and net art, construction of robots and simulation of brain
functions. The result is an astonishing range of new possibilities
for the arts and new perspectives regarding our knowledge of the
world.
The aim of Thinking through Error: The Moving Target of Knowledge
is to describe knowledge as it works in our everyday attitude and
behavior. Often in life, when making decisions and choices, we do
not need to test the truth of our beliefs, so there must be another
way to guide ourselves. With this in mind, Antomarini presents
'thinking through error' instead of 'excluding error'. That is, we
act through a slow process of guess-work, followed by quick
gestures. By using our own uncertainty and our exploratory
abilities, we face unpredictable situations and at the same time we
acknowledge the constant presence of error in our thinking. Every
decision we make continuously determines and replaces an entire
universe within which that decision is plausible. Our everyday
knowledge is a balance between a feeling of the truth and its
negation.
Poetry by Sebastiano Aglieco Annelisa Alleva Elisa Biagini Elisa
Davoglio Alessandro De Francesco Sonia Gentili Giuliano Mesa Luigi
Nacci Elio Pecora Maria Luisa Spaziani Andrea Zanzotto Federico
Zuliani Edited by Brunella Antomarini Berenice Cocciolillo Rosa
Filardi On the occasion of John Cabot University's fortieth
anniversary, we are proud to present the fifth edition of the
InVerse poetry anthology. In publishing InVerse, the University is
true to its deepest mission and commitment: to bring together
Anglo-American and Italian cultures. Franco Pavoncello President
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