It was a commonplace that Italy offers little of interest to military historians after the full flower of the Renaissance, and that it had been deservedly forgotten. Italian Risorgimento desperately wanted to repudiate the values of the previous centuries. In place of a politically fragmented and militarily weak collection of small states, in the thrall of Counter-Reformation Catholicism, the 19th century historians dreamed of a united, secular, industrial and well armed country that could withstand comparison to France, England and Germany. The lack of interest on this period increased even more under the fascist regime, which preferred to elude a period in which Italian states appeared as political entities dominated by foreign interference, and focusing on the unreal Imperial myth reworked from the vestiges of the monuments of ancient Rome. However, in the 17th century Italy was the third-largest country by population in Europe, after France and Germany, passing into second position for a century after 1700. Northern as well as southern Italy constituted a key place in the strategic duel between Spain and France, and the Peninsula lied on the front line in the struggle against the Ottoman Empire. Moreover, Italian states constituted good examples of fairly efficient governance machines, which developed many matters, included the 'Military'. Some of these states experienced long periods of wars, to the point that the claim regarding social elites progressively demilitarized to an unequalled extent anywhere else in Europe should be considered no longer valid.

Prolific Italian artist and author, Bruno Mugnai introduces the Dutch Army of the third quarter of the 17th century in the first of a new 8 volume series that covers the armies of early years of Louis XIV reign. France and the United Provinces represented opposite models of state government during the 17th century. The contrary nature of their political structure led to conflict on several occasions during this period. Military Historians have focused research onto the final phase of the conflicts such as the Wars of the Grand Alliance and the Spanish Succession, which coincides with the beginning of the long decline for both countries. Mugnai examines the evolution of the Dutch Army, its equipment, weapons and tactics, along with its uniforms and flags and ensigns. The book is lavishly illustrated and contains 8 specially commissioned colour plates that depicts the Army of United Provinces during the nation's 'Golden Age'.

During the 17th century, Europe experienced only four years of general peace: 1610 and 1680-82. This scenario of almost continuous strife provided the terrain for the rise of the standing professional armies. The states were eager to avoid a repetition of the chaos and destruction that had plagued Europe during the Thirty Years' War, and therefore invested in these larger, more powerful armies to reduce the risks and costs of war. Some historians considered this act to be one of the most important institutional developments of the early modern world. The permanent armies became an organic feature of the Old Regime, a symbol of its power and strength, the means by which the prince could defend his interest and play an active role in the International policy. In the opinion of many contemporaries, it offered an opportunity to exploit strategic knowledge, to examine the effectiveness of military tactics and become aware of the increasing importance of the overall organization of the army. It would allow the military classes to occupy a significant place alongside the major European powers. In this scenario, the Imperial Army represents an interesting laboratory, which involved the multicultural Habsburg's domains and the Holy Roman-Germanic Empire in the birth of one of the major standing army of Europe. The history, organization, uniforms and ensigns of the Imperial army and the 'Reichsarmee' are here presented for the first time in a single book, with a lot of unpublished iconography and data.

It has been a commonly held historical belief that in the second half of the 17th century, the Spanish army suffered such catastrophic defeats that it effectively brought about the collapse of the state as a major player on the European stage. The wars, fought out in Catalonia, Franche Comte, Flanders and Italy, resulted in a series of substantial defeats for Spain. The forces of Louis XIV carried all before them. Spain's ability to fend off the French monarch's assault was not eased by the fact that, at the same time, Spain had faced the Portuguese in the Iberian Peninsula, the English in the Caribbean, the Algerians in Melilla, as well as further insidious French assault in southern Italy and in the colonies. In this regard, it would be more correct to consider this age as a period of resilience, rather than military defeats. Equally superficially, the Portuguese War of Independence too was considered as a peripheral conflict of minor interest, while it also involved France and England in addition to the countries directly concerned. The story, organisation, uniforms and equipment of the Spanish and Portuguese armies of this age are dealt for the first time in a single book, after archive's sources and unpublished iconography.

A considerable part of the military history of the 17th century is dominated by the conflict between the Christian powers and the Ottoman Empire. Much has been written about the politics and the campaigns that led to the siege of Vienna in 1683 and the defeat suffered by the Sultan's armies, while, until today, there are relatively few studies on the long war that opposed Venice to the Ottoman Empire. The importance of the event in the context of politics not only of the Mediterranean, but of all Europe, is easily found in the number of chancelleries involved in the war, both directly on the battlefield or in diplomatic negotiations. The strategic duel involved the belligerents in the control of the supply routes, and the metropolitan territory of both sides remained almost excluded from military operations. It was a conflict where the logistics organization and the ability to supply the armies made the difference, similar in many ways to the campaigns in the south-western Pacific during the Second World War. It could be said that the Cretan War was the first conflict of contemporary age, but fought with the means of the 17thcentury. Other aspects make this conflict a topic of great interest. Just remember that in the last years of war, men from almost all the countries of Europe were concentrated in Crete - and for the Ottomans also from Asia and Africa. Even with regard to the reconstruction of military clothing and equipment, this work finally opens a window on a period not very frequented by researchers, although these are years in which great transformation took place both in the armaments and in the development of new combat tactics. The different types of soldiers involved in the conflict have been illustrated with care in colour plates, based on the most significant coeval examples and employing several unpublished sources.

Austria was one of the five major players of the Napoleonic Wars. In early 19th century, the Austrian army (Kaiserliche-KoeniglicheHeer) was the third largest and one of the best-trained armies in the world.The individual regimentsperformed well and were considered solid. However, hampered by the inherent conservatism of the hierarchy, the Austrians had to face the most modern army in Europe. Despite the many defeats suffered, the Austrian soldiers performed with discipline and played a central role in the coalitions against France, from the campaigns in 1790s, to the Austerlitz campaign of 1805, the closely-balanced battles of 1809, and the final victorious campaigns of 1813-1814. Austrian cavalry, in particular, was considered one of the best in Europe by allies as well as enemies. For the first time, this topic is introduced starting from the first campaign against France. The book includesthe regimental histories of each unit after the original sources, unpublished iconography, and is completed by detailed illustrations depicting uniforms and equipment of the mounted 'kaiserlich' white coats.