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Our deluxe matching folio to the album from this DreamWorks
animated film features the music of Bryan Adams and Hans Zimmer,
plus a special section of full-color and black & white art from
the movie, and detailed notes on the production, story, cast and
music. Includes 15 songs: Brothers Under the Sun * Don't Let Go *
Get Off My Back * Here I Am (& End Title) * Homeland (Main
Title) * I Will Always Return (& Finale) * The Long Road Back *
Nothing I've Ever Known * Rain * Run Free * Sound the Bugle * This
Is Where I Belong * You Can't Take Me.
A collection of 18 chart-topping ballads and rock tunes from this
Canadian hit-maker, transcribed note-for-note for guitar - and
edited by Adams himself! Includes: Back to You * The Best of Me *
Can't Stop This Thing We Started * Cuts like a Knife * 18 Til I Die
* (Everything I Do) I Do It for You * Have You Ever Really Loved a
Woman? * Heat of the Night * Heaven * It's Only Love * Kids Wanna
Rock * One Night Love Affair * Please Forgive Me * Run to You *
Somebody * Summer of '69 * This Time * When You're Gone. Includes
tab, photos and a notation legend.
A great collection of 30 top hits from this pop rocker: All for
Love * Back to You * Can't Stop This Thing We Started * Cuts like a
Knife * Don't Give Up * (Everything I Do) I Do It for You * Have
You Ever Really Loved a Woman? * Heaven * I Finally Found Someone *
Kids Wanna Rock * One Night Love Affair * Run to You * Straight
from the Heart * Summer of '69 * This Time * When You Love Someone
* and more. Includes photos.
The 14th studio album from the Canadian rocker - his first since 2015's Get Up.
Shine A Light's 12 tracks include the title track and a duet with Jennifer Lopez called "That's How Strong Our Love Is."
In Fleshly Tabernacles, Bryan Hampton examines John Milton's
imaginative engagement with, and theological passion for, the
Incarnation. As aesthetic symbol, theological event, and narrative
picture of humanity's potential, the Incarnation profoundly governs
the way Milton structures his 1645 Poems, ponders the holy office
of the pulpit, reflects on the ends of speech and language,
interprets sacred scripture or secular texts, and engages in the
radical politics of the Civil War and Interregnum. Richly drawing
upon the disciplines of historical and postmodern theology,
philosophical hermeneutics, theological aesthetics, and literary
theory, Fleshly Tabernacles pursues the wide-ranging implications
of the heterodox, perfectionist strain in Milton's Christology.
Hampton illustrates how vibrant Christologies generated and shaped
particular brands of anticlericalism, theories of reading and
language, and political commitments of English nonconformist sects
during the turbulent decades of the seventeenth century. Ranters
and Seekers, Diggers and Quakers, Fifth monarchists and some
Anabaptists-many of those identified with these radical groups
proclaim that the Incarnation is primarily understood, not as a
singular event of antiquity, but as a present eruption and charged
manifestation within the life of the individual believer, such that
faithful believers become "fleshly tabernacles" housing the Divine.
The perfectionist strain in Milton's theology resonated in the
works of the Independent preacher John Everard, the Digger Gerrard
Winstanley, and the Quaker James Nayler. Fleshly Tabernacles
intriguingly demonstrates how ideas of the incarnated Christ
flourished in the world of revolutionary England, expressed in the
notion that the regenerated human self could repair the ruins of
church and state.
In "Fleshly Tabernacles," Bryan Hampton examines John Milton's
imaginative engagement with, and theological passion for, the
Incarnation. As aesthetic symbol, theological event, and narrative
picture of humanity's potential, the Incarnation profoundly governs
the way Milton structures his 1645 "Poems," ponders the holy office
of the pulpit, reflects on the ends of speech and language,
interprets sacred scripture or secular texts, and engages in the
radical politics of the Civil War and Interregnum. Richly drawing
upon the disciplines of historical and postmodern theology,
philosophical hermeneutics, theological aesthetics, and literary
theory, "Fleshly Tabernacles" pursues the wide-ranging implications
of the heterodox, perfectionist strain in Milton's Christology.
Hampton illustrates how vibrant Christologies generated and shaped
particular brands of anticlericalism, theories of reading and
language, and political commitments of English nonconformist sects
during the turbulent decades of the seventeenth century. Ranters
and Seekers, Diggers and Quakers, Fifth monarchists and some
Anabaptists--many of those identified with these radical groups
proclaim that the Incarnation is primarily understood, not as a
singular event of antiquity, but as a present eruption and charged
manifestation within the life of the individual believer, such that
faithful believers become "fleshly tabernacles" housing the Divine.
The perfectionist strain in Milton's theology resonated in the
works of the Independent preacher John Everard, the Digger Gerrard
Winstanley, and the Quaker James Nayler. "Fleshly Tabernacles"
intriguingly demonstrates how ideas of the incarnated Christ
flourished in the world of revolutionary England, expressed in the
notion that the regenerated human self could repair the ruins of
church and state. "Bryan Hampton's book makes an original and
important contribution to the field of Milton studies, as well as
to the study of seventeenth-century radical English religious
thought. His work has further implications for the study of
comparative hermeneutics, proposing provocative continuities and
correlations between medieval and early modern approaches to
interpretation on the one hand, and contemporary theories of
language and meaning on the other. Exhaustively researched and
meticulously annotated, Hampton's readings of incarnational
epistemologies offer a wealth of insights and suggestive parallels
among early modern writers who are not often taken together."
--Jeffrey Spencer Shoulson, University of Miami
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