The fourth Roxy Music lp, released in 1974 brings another strong effort from this art-rock band. Rockers like, "All I want is you "and "Prairie Rose" are backed by great ballads like "A really good time" and "Out of the Blue". Roxy was reaching the hieght of their career and "Counrty Life" is an important album in theur career. Second release of the U.S. version was minus the girls, but thankfully, they returned the cd's release.

**THE SUNDAY TIMES BESTSELLER** Celebrate the 50th anniversary of Roxy Music's iconic first album with this collection of Bryan Ferry's evocative lyrics of aspiration and romantic longing, introduced by the author. 'Lyrics is a book any Roxy fan would be proud to have on their shelf' The Telegraph Bryan Ferry's work as a singer and songwriter, both as a solo artist and with Roxy Music, is legendary. Lyrics collects the words written for music across seventeen albums, from the first iconic Roxy album of 1972 via the masterpiece of Avalon to 2014's reflective Avonmore, introduced by the author, and with an insightful essay by James Truman. All the classic Roxy anthems are here - 'Virginia Plain', 'Do the Strand', 'Love is the Drug' - songs in which the real and the make-believe blend in a kaleidoscopic mix, shot through with cinematic allure. Also included are the evocative lyrics of romantic longing and lost illusions for which Ferry is rightly revered: 'Slave to Love', 'Mother of Pearl', 'More Than This'. As he writes in his preface, 'The low points in life so often produce the most keenly felt and best-loved songs.' And, it might be added, some of the best poetry. Discover this unforgettable collection of Bryan Ferry's work today; the ultimate Christmas gift for any fan.

Released before Roxy Music became a de facto Bryan Ferry project, but after their Brian Eno-influenced art-rock stage, Siren is a snapshot of a band in flux, and loving it. There's little of the boundary-pushing primitivism that marked their self-titled debut. Still, Ferry's youthful edge and the band's rough-hewn melodicism will shock those expecting to hear the adult-contemporary silkiness found on 1982's massive-selling Avalon. Both camps should nevertheless admire this record for so recklessly and beautifully straddling that massive stylistic gap. Featuring their first modest hit in the U.S., "Love Is the Drug," the record overflows with choruses that reveal their hooks slowly while drawing on sunny, spare instrumentation and Ferry's loopy, still-developing croon. As the band wrestles between glam-pop, sleek dance tunes, and shiny, Moody Blues-esque rock & roll, they don't sound at all like a band running from its past. Ferry and his cohorts are just taking back the reins, revealing the brisk melodies and strong songwriting that were the one constant in Roxy Music's lifespan. --Matthew Cooke