Surveying the relationship between American politics and the twentieth-century novel, this volume analyzes how political movements, ideas, and events shaped the American novel. It also shows how those political phenomena were shaped in turn by long-form prose fiction. The book is made up of three major sections. The first section considers philosophical ideologies and broad political movements that were both politically and literarily significant in the twentieth-century United States, including progressive liberalism, conservatism, socialism and communism, feminism, and Black liberation movements. The second section analyzes the evolving political valences of key popular genres and literary forms in the twentieth-century American novel, focusing on crime fiction, science fiction, postmodern metafiction and immigrant fiction. The third section examines ten diverse politically-minded novels that serve as exemplary case studies across the century. Combining detailed literary analysis with innovative political theory, this Companion provides a groundbreaking study of the politics of twentieth-century American fiction.

Surveying the relationship between American politics and the twentieth-century novel, this volume analyzes how political movements, ideas, and events shaped the American novel. It also shows how those political phenomena were shaped in turn by long-form prose fiction. The book is made up of three major sections. The first section considers philosophical ideologies and broad political movements that were both politically and literarily significant in the twentieth-century United States, including progressive liberalism, conservatism, socialism and communism, feminism, and Black liberation movements. The second section analyzes the evolving political valences of key popular genres and literary forms in the twentieth-century American novel, focusing on crime fiction, science fiction, postmodern metafiction and immigrant fiction. The third section examines ten diverse politically-minded novels that serve as exemplary case studies across the century. Combining detailed literary analysis with innovative political theory, this Companion provides a groundbreaking study of the politics of twentieth-century American fiction.

Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.

Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.