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Kevin Korsyn is a renowned music theorist, musicologist, and
pedagogue who has taught at the University of Michigan since 1992.
He has published widely and influentially in areas as diverse as
Beethoven and Brahms studies, chromatic tonality, disciplinarity
and metatheory, history of theory, musical meaning and
hermeneutics, poststructuralism (deconstruction, intertextuality,
etc.), and Schenkerian theory and analysis. Because of the scope
and caliber of his published work, and also his legacy as a
pedagogue, Korsyn has had a profound impact on the field of music
theory, along with the related fields of historical musicology and
aesthetics. This book, a festschrift for Korsyn, comprises essays
that constellate around his numerous scholarly foci. Represented in
the volume are not only familiar music-theoretical topics such as
chromaticism, form, Schenker, and text-music relations, but also
various interdisciplinary topics such as deconstruction, disability
studies, German Idealism, posthumanism, and psychoanalysis. The
book thus reflects the increasingly multifaceted intellectual
landscape of contemporary music theory.
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