Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the 'statue habit' across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions-including North Africa, Asia Minor, and the Near East-as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.

Essays examining the Langobards, with important conclusions for early medieval Italy. The Langobards or Lombards were the last Germanic group to invade the Roman Mediterranean, crossing the Alps into Italy in 568-9. They were nonetheless one of the longest-lasting, for their state survived Charlemagne's conquest in774, and was the core of the medieval kingdom of Italy. The incompleteness of their conquest of Italy was also one of the root causes of Italian division for over 1300 years after their arrival. But they present a challenge to the historian, for most of the evidence for them dates to the last half-century of their independence, up to 774, a period in which Langobard Italy was a coherent and apparently tightly-governed state by early medieval standards. How they reached this from the incoherent and disorganised situation visible in late sixth-century Italy is still a matter of debate. The historians and archaeologists who contribute to this volume discuss Langobard archaeologyand material culture both before and after their invasion, Langobard language, political organisation, the church, social structures, family structures, and urban economy. It is thus an important and up to date starting point forfuture research on early medieval Italy. Contributors: G. AUSENDA, S. BARNISH, S. BRATHER, T.S. BROWN, N. CHRISTIE, M. COSTAMBEYS, P. DELOGU, D. GREEN, W. HAUBRICHS, J. HENNING, B. WARD-PERKINS, C. WICKHAM.

Was the fall of Rome a great catastrophe that cast the West into darkness for centuries to come? Or, as scholars argue today, was there no crisis at all, but simply a peaceful blending of barbarians into Roman culture, an essentially positive transformation?
In The Fall of Rome, eminent historian Bryan Ward-Perkins argues that the "peaceful" theory of Rome's "transformation" is badly in error. Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans, who were caught in a world of marauding barbarians, and economic collapse. The book recaptures the drama and violence of the last days of the Roman world, and reminds us of the very real terrors of barbarian occupation. Equally important, Ward-Perkins contends that a key problem with the new way of looking at the end of the ancient world is that all difficulty and awkwardness is smoothed out into a steady and positive transformation of society. Nothing ever goes badly wrong in this vision of the past. The evidence shows otherwise.
Up-to-date and brilliantly written, combining a lively narrative with the latest research and thirty illustrations, this superb volume reclaims the drama, the violence, and the tragedy of the fall of Rome.