Wieland, the story of religious delusions and horrific violence on the eve of the American Revolution, is the first gothic novel in America and a cornerstone of the Early American literary canon. A family living on an estate outside Philadelphia is visited first by a set of mysterious voices, seemingly coming out of thin air, followed soon after by an itinerant rustic named Carwin. Violence erupts when the family's young patriarch believes he hears God's voice demanding a human sacrifice as a sign of faith. Testing the limits of religious and literary authority in the new United States, Brown's novel has for more than two centuries kept readers debating questions of agency, accountability, and revolutionary politics as the story's moral chaos unfolds. The editor provides explanatory annotation throughout the volume. This Norton Critical Edition also reprints Memoirs of Carwin the Biloquist, Brown's fragmentary sequel to Wieland. "Sources and Contexts" presents inspirations for Brown's work, including an account of the real-life Yates family murders, an excerpt from Christoph Martin Wieland's The Trial of Abraham, as well as religious and medical accounts of delusion, spontaneous combustion, and ventriloquism. Brown's outline for Wieland and his letter to Thomas Jefferson are also reprinted. "Criticism" includes contemporary responses to the novel from both the United States and the United Kingdom along with fourteen essential modern critical approaches. Recent contributors include Shirley Samuels, Christopher Looby, Nancy Ruttenberg, Laura Korobkin, David Kazanjian, Bryan Waterman, and Stephen Shapiro, among others. A Chronology and a Selected Bibliography are also included.

New York holds a special place in America s national mythology as both the gateway to the USA and as a diverse, vibrant cultural center distinct from the rest of the nation. From the international atmosphere of the Dutch colony New Amsterdam, through the expansion of the city in the nineteenth century, to its unique appeal to artists and writers in the twentieth, New York has given its writers a unique perspective on American culture. This Companion explores the range of writing and performance in the city, celebrating Herman Melville, Walt Whitman, Edith Wharton, Eugene O Neill, and Allen Ginsberg among a host of authors who have contributed to the city s rich literary and cultural history. Illustrated and featuring a chronology and guide to further reading, this book is the ideal guide for students of American literature as well as for all who love New York and its writers.

New York holds a special place in America s national mythology as both the gateway to the USA and as a diverse, vibrant cultural center distinct from the rest of the nation. From the international atmosphere of the Dutch colony New Amsterdam, through the expansion of the city in the nineteenth century, to its unique appeal to artists and writers in the twentieth, New York has given its writers a unique perspective on American culture. This Companion explores the range of writing and performance in the city, celebrating Herman Melville, Walt Whitman, Edith Wharton, Eugene O Neill, and Allen Ginsberg among a host of authors who have contributed to the city s rich literary and cultural history. Illustrated and featuring a chronology and guide to further reading, this book is the ideal guide for students of American literature as well as for all who love New York and its writers.

This is a thoroughly researched study of the origins of the New York City punk scene, focusing on Television and their extraordinary debut record. Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs a sign with the new name for his venue. The place will be called CBGB which, he tells them, stands for 'Country Bluegrass and Blues'. That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the summer a scene has developed that includes Tom Verlaine's new love interest, a poet-turned-rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of the origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield. "33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 60 titles and is acclaimed and loved by fans, musicians and scholars alike. It was only a matter of time before a clever publisher realized that there is an audience for whom "Exile on Main Street" or "Electric Ladyland" are as significant and worthy of study as "The Catcher in the Rye" or "Middlemarch...The" series, which now comprises 29 titles with more in the works, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration - "The New York Times Book Review", 2006. This is a brilliant series...each one a word of real love - NME (UK). For more information on the series and on individual titles in the series, check out our blog.

Published anonymously in 1797, Hannah Webster Foster's The Coquette grabbed American interest with its ripped-from-the-headlines story of sex and scandal. A steady best seller for decades, the seduction novel was passed down through generations; indeed, its heroine became better known than the book's author. A year later, Foster's lesser-known follow-up, The Boarding School, provided an equally compelling portrait of women at the turn of the nineteenth century in the same epistolary form. Both novels can now be read in conversation with each other in this new Norton Critical Edition based on the respective first edition texts; the author's original spelling, punctuation, and usage are retained while obvious printer's errors are corrected. The texts are joined with a detailed introduction to Foster's legacy and Elizabeth Whitman's life along with explanatory annotations and a note on the text. "Sources and Contexts" unearths a wealth of original material about the environment the works were produced in and the real-life people who inspired them. The three sections, "On Coquetry," "The Life and Death of Elizabeth Whitman," and "The Nineteenth-Century Legacy," include new and corrected transcriptions of Whitman's letters to Ruth and Joel Barlow, an inventory of items found at Whitman's room at her death, popular representations of Elizabeth Whitman, and unauthorized sequels to The Coquette. Seven illustrations, including three of Eliza Wharton, are included to enrich the reading experience. "Criticism" brings together nine diverse contemporary interpretations. Contributors include Carroll Smith-Rosenberg, Claire C. Pettengill, Julia A. Stern, Gillian Brown, Jeffrey H. Richards, and Gwendolyn Audrey Foster, among others. Chronologies of the lives of Hannah Webster Foster and Elizabeth Whitman are included along with a Selected Bibliography.