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In Ulrike Flaig's art practice, the media of drawing, installation,
performance, and experimental music overlap. She describes her
works, among other things, as making images audible - and thus as
extensions of the art cosmos. Ulrike Flaig translates paintings
into installations set to music by making the structure of a
painting the basis for notations. The artist's analytical view and
reflection on art practices play a major role here. In her
research, she is as concerned with musical icons at the interface
of art and music as she is with literature and philosophy. The
publication conveys numerous cross-references and thoughts of the
artist and shows a further development of her statements.
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