From Aristotle to Darwin, from ancient teleology to contemporary genealogies, this book offers an overview of the birth and then persistence of Aristotle's framework into modernity, until its radical overthrow by the evolutionary revolution.

This book is concerned with the contexts, nature and quality of the participation of young people in European democratic life. The authors understand democracy broadly as both institutional politics and civic cultures, and a wide range of methods are used to analyse and assess youth participation and attitudes.

Timo sets off to catch a big fish to prove to his father and brothers that he is a real fisherman, but the adventure that he and his dog Pou have at sea is more than Timo was expecting. Timo's fishing trip starts to unravel when he doesn't follow the custom of throwing back the first fish caught.

How are siblings who were conceived using the same sperm or egg donor making connections in the absence of legal support? What is it like to discover you are part of a 50+ donor sibling group? How are donor conceived adults using new technologies to connect with genetic family and explore their identity? This edited collection considers the donor linking experiences of donor conceived adults and children, recipient parents, and donors in a global context. It includes contributions from legal academics, social workers, sociologists, psychologists, and policy makers who work in the assisted conception field. As a result, it will be of particular interest to scholars of reproductive law, sociology, and digital media and reproductive technologies. It will also engage those following the debate around donor linking and the use of do-it-yourself technologies, including direct-to-consumer genetic testing and social media.

From Aristotle to Darwin, from ancient teleology to contemporary genealogies, this book offers an overview of the birth and then persistence of Aristotle's framework into modernity, until its radical overthrow by the evolutionary revolution.

In the early sixties at the Royal College of Art in London, three extraordinary personalities collided to reshape contemporary art and literature. Barrie Bates (who would become Billy Apple in November 1962) was an ambitious young graphic designer from New Zealand, who transformed himself into one of pop art's pioneers. At the same time, his friend and fellow student David Hockney - young, Northern and openly gay - was making his own waves in the London art world. Bates and Hockney travelled together, bleached their hair together, and, despite being two of London's rising art stars, almost failed art school together. And in the middle of it all was the secretary of the Royal College's Painting School - an aspiring young novelist called Ann Quin. Quin ghost-wrote her lover Bates's dissertation and collaborated with him on a manifesto, all the while writing Berg: the experimental novel that would establish her as one of the British literary scene's most exciting new voices. Taking us back to London's art scene in the late fifties and early sixties, award-winning writer Anthony Byrt illuminates a key moment in cultural history and tackles big questions: Where did Pop and conceptual art come from? How did these three remarkable young outsiders change British culture? And what was the relationship between revolutions in personal and sexual identities and these major shifts in contemporary art? From the Royal College to Coney Island and Madison Avenue, encountering R. D. Laing and Norman Mailer, Shirley Clarke and Larry Rivers, The Mirror Steamed Over is a remarkable journey through a pivotal moment in contemporary culture.

Providing comprehensive coverage on biofuel crop production and the technological, environmental and resource issues associated with a sustainable biofuel industry, this book is ideal for researchers and industry personnel. Beginning with an introduction to biofuels and the challenges they face, the book then includes detailed coverage on crops of current importance or with high future prospects, including sections on algae, sugar crops and grass, oil and forestry species. The chapters focus on the genetics, breeding, cultivation, harvesting and handling of each crop.

In April 2011, Anthony Byrt was living in Berlin and building a career as a critic, writing about the world of contemporary art for magazines like frieze and Artforum International. Then one day his world turned upside down. A baby boy, two weeks in intensive care, and Byrt, his wife and new-born son suddenly found themselves booked on a one-way trip home to New Zealand. This Model World is a portrait of what Byrt found when he came back. Built around hundreds of hours spent in galleries, artists' studios and on the road from Brisbane to Detroit to Venice, this is a deeply personal journey into the contemporary New Zealand art world and the global world it inhabits. It's a book about major figures like Yvonne Todd, Shane Cotton, Billy Apple, Peter Robinson, Judy Millar and Simon Denny, and emerging artists such as Luke Willis Thompson, Shannon Te Ao and Ruth Buchanan. It's about severed heads and failed cities; about bright young stars and old men with a final point to prove; about looking for God and finding Edward Snowden; and about what it means to investigate the boundary where our bodies hit the world. This Model World - a riveting first-person account of one author's travels to the edge of contemporary art. This Model World is a riveting first-person account of travels to the edge of contemporary art. Byrt's writing is perceptive yet accessible and will appeal to a wide audience of those curious about contemporary art. Byrt was a contributor to the first book in AUP's successful series Tell You What: Great New Zealand Nonfiction. This new book will appeal both to the many of those readers and to those more deeply within the art world. Comparable title Seven Days in the Art World by Sarah Thornton was a runaway success.