This volume is the proceedings of the International Conference on Inhibin, Activin: Recent Advances and Future Views held in Tokushima, Japan from November 9-10, 1996. The Internationally recognized faculty present the latest research in the exploration of inhibin, activin and follistatin mechanisms of action.

A unique view of Victoria's reign through the eyes of the neglected figures of the age - the assassins, anarchists, terrorists
and revolutionaries.
Victoria's Madmen is about those marginal voices, which the nineteenth-century heard only as a distant undifferentiated murmur, but through the Edwardian twilight and beyond became the cacophony of the twentieth century, the unmistakable noise of revolutions shaking both the stability of society and the meaning of self. The book tells the stories of a host of figures who came to exemplify a contrary and contradictory history of the Victorian Age: not one of Dickensian London and smoking factories, but one of little known messiahs like Richard Brothers and Octavia 'Daughter of God'; writers such as Oscar Wilde, Arthur Conan Doyle, and Edward Bulwer-Lytton; revolutionaries and radicals like Karl Marx, Beatrice Webb, George Bernard Shaw and Oswald Mosley; madmen like Richard Dadd and Jack the Ripper; orientalists and guerrilla fighters such as T. E. Lawrence; worshippers of Pan such as Arthur Machen, Kenneth Graham and J. M. Barrie, as well as the Latvian anarchists who killed three policeman in the East End of London and the striking schoolchildren of 1911. It is the story of those who were outcasts by temperament and choice; the non-conformists of the Victorian Age. Clive Bloom's readable account of the dark underbelly of Victoria's Britain captures the unrest bubbling under the surface of strait-laced Victorian society.

In 1997, 30 years after the demise of "Swinging London," Britain again seemed to be the center of the cultural universe, with a thriving arts scene, a new Labour Government and a young and enterprising prime minister. "Cool Britannia" seemed to sum up the new spirit of the 1990s in the hip language of the 1960s. In this book, Clive Bloom offers a radical and controversial guide to the possibilities for intellectual life, popular culture, literary production, and political authority in multicultural Britain in 2000 and beyond.

Here is an exploration of pulp literature and pulp mentalities: an investigation into the nature and theory of the contemporary mind in art and in life. Here too, the violent, the sensational and the erotic signify different facets of the modern experience played out in the gaudy pages of kitsch literature. Clive Bloom offers the reader a chance to investigate the underworld of literary production and from it find a new set of co-ordinates for questions regarding publishing and reading practices in America and Britain, ideas of genre, problems related to commercial production, concerns regarding high and low culture, the canon and censorship, as well as a discussion of the rhetoric of current critical debate.;Concentrating on remembered authors as well as many long disregarded or forgotten, Cult Fiction provides a theory of kitsch art that radically alters our perceptions of literature and literary values whilst providing a panorama of an almost forgotten history: the history of pulp.

The Russian Military Air Fleet in World War I two volume set is a prodigious scholarly endeavor, offering for the first time in the English language a close up view of Air Fleet operations and personnel. Vol.1 is a chronology of the development of aeronautics and aviation in Russia beginning in the earliest days and the eventual emergence of the Air Fleet, which is carried through to its dissolution by the Bolsheviks and the beginning of the Red Air Fleet in March 1918. There are also chapters on manufacturers, airmen badges, aviation uniforms, flight helmets, markings, flags and pennants, organizational charts, maps of the Russian and Romanian Fronts, and bibliography.

The Russian Military Air Fleet in World War I two volume set is a prodigious scholarly endeavor, offering for the first time in the English language a close up view of Air Fleet operations and personnel. Vol.1 is a chronology of the development of aeronautics and aviation in Russia beginning in the earliest days and the eventual emergence of the Air Fleet, which is carried through to its dissolution by the Bolsheviks and the beginning of the Red Air Fleet in March 1918. There are also chapters on manufacturers, airmen badges, aviation uniforms, flight helmets, markings, flags and pennants, organizational charts, maps of the Russian and Romanian Fronts, and bibliography.

Victoria's Madmen is the story of those who were outcasts by temperament and choice; the non-conformists of the Victorian Age. Clive Bloom's readable account of the dark underbelly of Victoria's Britain captures the unrest bubbling under the surface of strait-laced Victorian society.

Almost as soon as it was built, London suffered the first of many acts of violent protest, when Boudica and her followers set fire to the city in AD 60. Ever since, the capital's streets have been a forum for popular insurrection. Covering nearly 2,000 years of political protest, this is a riveting alternative history of past and present conflict.

In 1997, thirty years after the demise of 'Swinging London', Britain again seemed to be the centre of the cultural universe, with a thriving arts scene, a new Labour government and a young and enterprising prime minister. 'Cool Britannia' seemed to sum up the new spirit of the 1990s in the hip language of the 1960s. In this book, Bloom offers a radical and controversial guide to the possibilities for intellectual life, popular culture, literary production and political authority in multi-cultural Britain in 2000 and beyond.

Here is an exploration of pulp literature and pulp mentalities: an investigation into the nature and theory of the contemporary mind in art and in life. Here too, the violent, the sensational and the erotic signify different facets of the modern experience played out in the gaudy pages of kitsch literature. Clive Bloom offers the reader a chance to investigate the underworld of literary production and from it find a new set of co-ordinates for questions regarding publishing and reading practices in America and Britain, ideas of genre, problems related to commercial production, concerns regarding high and low culture, the canon and censorship, as well as a discussion of the rhetoric of current critical debate.;Concentrating on remembered authors as well as many long disregarded or forgotten, Cult Fiction provides a theory of kitsch art that radically alters our perceptions of literature and literary values whilst providing a panorama of an almost forgotten history: the history of pulp.

Everybody loves cookies -- eating them and making them! Featuring 100 easy-to-follow, delicious recipes such as Chocolate Chip Cookies, Raspberry-Hazelnut Thumbprints, Mocha-Walnut Coins, and Gingersnaps, this cookbook is perfect for the holidays -- or for anytime at all. It includes cookies to make with kids and cookies for the health conscious, plus scrumptious color photos.

The Oxford Mid-Century Studies series publishes monographs in several disciplinary and creative areas in order to create a thick description of culture in the thirty-year period around the Second World War. With a focus on the 1930s through the 1960s, the series concentrates on fiction, poetry, film, photography, theatre, as well as art, architecture, design, and other media. The mid-century is an age of shifting groups and movements, from existentialism through abstract expressionism to confessional, serial, electronic, and pop art styles. The series charts such intellectual movements, even as it aids and abets the very best scholarly thinking about the power of art in a world under new techno-political compulsions, whether nuclear-apocalyptic, Cold War-propagandized, transnational, neo-imperial, super-powered, or postcolonial. The Wireless Past chronicles the emergence of the British Broadcasting Corporation (BBC) as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. This is the first book-length study of Irish literary broadcasting on the BBC and situates the works of W. B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works. Drawing upon unpublished radio archives, this book shows that radio broadcasting, rather than prompting a break with literary history and traditional literary forms, in fact served as an important means for reinterpreting the legacies of oral and print traditions. In the years surrounding World War II, radio came to be seen as a catalyst for literary revivals and, simultaneously, a force for experimentation. This double valence of radio-the conjoining of revivalism and experimentation-create a distinctive radiogenic aesthetics in mid-century modernism.