Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Publisher description: The author examines the United States and European Union's use of anti-dumping laws to demonstrate that discriminatory treatment persists even a decade after the end of the Cold War. She argues that lingering Cold War beliefs about the trade threat posed by Communist countries continue to affect the method of implementing these trade remedy laws.

Frances Hodgson Burnett gained famed not only as an author of social fictions and romances but also for writing the immensely popular children's novel Little Lord Fauntleroy. She seemed an unlikely candidate to pen a quiet, realistic, and unsentimental paean to disagreeable children and the natural world, which has the power to heal them. But it is precisely these qualities that have garnered The Secret Garden both a continued audience and a central place in the canon of children's literature for a century. In Frances Hodgson Burnett's The Secret Garden: A Children's Classic at 100, some of the most respected scholars of children's literature consider Burnett's seminal work from modern critical perspectives. Contributors examine the works and authors that influenced Burnett, identify authors who have drawn on The Secret Garden in their writing, and situate the novel in historical and theoretical contexts. These essays push beyond the themes that have tended to occupy the majority of academic scholars who have written about The Secret Garden to date. In doing so, they approach the text from theoretical perspectives that allow new light to illuminate old debates. Scholars and students of children's literature, women's literature, transcontinental literature, and the Victorian/Edwardian period will find in this collection refreshing new looks at a children's classic.

In 1908, Kenneth Grahame's The Wind in the Willows was published to surprisingly little critical fanfare. But readers championed its cause, and Grahame's novel of a riverbank life soon proved both a commercial and ultimately critical success. One hundred years after its first publication, Grahame's book and its memorable characters continue their hold on the public imagination and have taken their place in the canon of children's literature. However, little academic criticism emerged in the wake of the book's initial publication. Only after the appearance of Peter Green's biocritical study did the academy begin to wrestle with Grahame's complex work, though many read it in terms of Grahame's often unhappy personal life. The essays in Kenneth Grahame's The Wind in the Willows: A Children's Classic at 100 focus on recent discussions of the book in regards to class, gender, and nationality but also examine issues previously not addressed by Grahame criticism, such as the construction of heteronormative masculinity, the appeal of this very English novel to Chinese readers, and the meaning of a text in which animals can be human-like, pets, servants, and even food. This volume also revisits some of the issues that have engaged critics from the start, including the book's dual-strand narrative structure, the function of home, and the psychological connections between Toad and Grahame. Scholars of fantasy and children's literature will find great value in this collection that sheds new light on this enduring classic."

How did the 'flat' characters of eighteenth-century children's literature become 'round' by the mid-nineteenth? While previous critics have pointed to literary Romanticism for an explanation, Jackie C. Horne argues that this shift can be better understood by looking to the discipline of history. Eighteenth-century humanism believed the purpose of history was to teach private and public virtue by creating idealized readers to emulate. Eighteenth-century children's literature, with its impossibly perfect protagonists (and its equally imperfect villains) echoes history's exemplar goals. Exemplar history, however, came under increasing pressure during the period, and the resulting changes in historiographical practice - an increased need for reader engagement and the widening of history's purview to include the morals, manners, and material lives of everyday people - find their mirror in changes in fiction for children. Horne situates hitherto neglected Robinsonades, historical novels, and fictionalized histories within the cultural, social, and political contexts of the period to trace the ways in which idealized characters gradually gave way to protagonists who fostered readers' sympathetic engagement. Horne's study will be of interest to specialists in children's literature, the history of education, and book history.

How did the 'flat' characters of eighteenth-century children's literature become 'round' by the mid-nineteenth? While previous critics have pointed to literary Romanticism for an explanation, Jackie C. Horne argues that this shift can be better understood by looking to the discipline of history. Eighteenth-century humanism believed the purpose of history was to teach private and public virtue by creating idealized readers to emulate. Eighteenth-century children's literature, with its impossibly perfect protagonists (and its equally imperfect villains) echoes history's exemplar goals. Exemplar history, however, came under increasing pressure during the period, and the resulting changes in historiographical practice - an increased need for reader engagement and the widening of history's purview to include the morals, manners, and material lives of everyday people - find their mirror in changes in fiction for children. Horne situates hitherto neglected Robinsonades, historical novels, and fictionalized histories within the cultural, social, and political contexts of the period to trace the ways in which idealized characters gradually gave way to protagonists who fostered readers' sympathetic engagement. Horne's study will be of interest to specialists in children's literature, the history of education, and book history.

The author examines the United States and European Union's use of anti-dumping laws to demonstrate that discriminatory treatment persists even a decade after the end of the Cold War. She argues that lingering Cold War beliefs about the trade threat posed by Communist countries continue to affect the method of implementing these trade remedy laws.

Conversations with Madeleine L'Engle is the first collection of interviews with the beloved children's book author best known for her 1962 Newbery Award-winning novel, A Wrinkle in Time. However, Madeleine L'Engle's accomplishments as a writer spread far beyond children's literature. Beginning her career as a literary novelist for adults, L'Engle (1918-2007) continued to write fiction for both young and old long after A Wrinkle in Time. In her sixties, she published personal memoirs and devotional texts that explored her relationship with religion. At the time of her death, L'Engle was mourned by fans of her children's books and the larger Christian community. L'Engle's books, as well as her life, were often marked by contradictions. A consummate storyteller, L'Engle carefully crafted and performed a public self-image via her interviews. Weaving through the documentable facts in these interviews are partial lies, misdirections, and wish-fulfillment fantasies. But, when read against her fictions, these ""truths"" can help us see L'Engle more deeply-what she wanted for herself and for her children, what she believed about good and evil, and what she thought was the right way and the wrong way to be a family-than if she had been able to articulate the truth more directly. The thirteen interviews collected here reveal an amazing feat of authorial self-fashioning, as L'Engle transformed from novelist to children's author to Christian writer and attempted to craft a public persona that would speak to each of these different audiences in meaningful, yet not painfully revealing, ways.

Few fields have advanced faster over the past quinquennium than separation and estimation of steroids by the technique of gas phase chromatography. A detailed and complete review of this topic would therefore be beyond the scope of the authors contributing to this monograph. It was, however, felt that a discussion of some of the highlights of this rapid advance might be of help for laboratories estimating steroids in biological samples. One of the difficulties in producing a monograph of this kind is that before it can appear in print it is likely that some of the methods it discusses will have been overtaken by better methods, so swiftly is progress now made. No editorial power has been exercised in trying to make a uni form account of technology in this field, and the idiosyncrasies of each individual author have been left intact. Through this approach we hope that what has been lost in scholarly appearance is regained in general appeal."

This Is A New Release Of The Original 1913 Edition.

Born to a German immigrant mother and a Cherokee Indian father, Violet Corntassel had always been a child of two worlds. When an urgent letter arrives from her fiance in San Angelo, Violet jumps at the opportunity to start afresh on the Texas frontier. Seven hundred miles later in a town called Mustang Ridge, Violet runs into trouble-big trouble-by the name of Jasper Smith. Aided by a friendly cowboy named Billy Colton she escapes, but only by the skin of her teeth. Now she and Billy are wanted by the powerful Smith clan. Billy insists on accompanying her to San Angelo, despite her best efforts to dissuade him, and he succeeds in gaining her hard-won trust.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

Conversations with Madeleine L'Engle is the first collection of interviews with the beloved children's book author best known for her 1962 Newbery Award-winning novel, A Wrinkle in Time. However, Madeleine L'Engle's accomplishments as a writer spread far beyond children's literature. Beginning her career as a literary novelist for adults, L'Engle (1918-2007) continued to write fiction for both young and old long after A Wrinkle in Time. In her sixties, she published personal memoirs and devotional texts that explored her relationship with religion. At the time of her death, L'Engle was mourned by fans of her children's books and the larger Christian community. L'Engle's books, as well as her life, were often marked by contradictions. A consummate storyteller, L'Engle carefully crafted and performed a public self-image via her interviews. Weaving through the documentable facts in these interviews are partial lies, misdirections, and wish-fulfillment fantasies. But, when read against her fictions, these ""truths"" can help us see L'Engle more deeply-what she wanted for herself and for her children, what she believed about good and evil, and what she thought was the right way and the wrong way to be a family-than if she had been able to articulate the truth more directly. The thirteen interviews collected here reveal an amazing feat of authorial self-fashioning, as L'Engle transformed from novelist to children's author to Christian writer and attempted to craft a public persona that would speak to each of these different audiences in meaningful, yet not painfully revealing, ways.

If there is a plateau that continuously unites Hans Dieter Schaals numerous artistic fields of activity, a kind of fundamental level, then it is surely that of landscape architecture. Landscape motifs are as convincingly present in his stage sets as they are in his installations, his exhibition architectures, his texts, and, naturally, also his park and garden designs. Schaal has been on the track of the fascination of landscapes since the 1960s. For him, encountering the parterre or 'carpet patterns' of the baroque Herrenhauser Garten in Hannover was a key experience. This was followed by an intensive study of the early landscape gardens of Great Britain, the park complexes of the Romantics and the Enlightenment in Weimar, Woerlitz, and Muskau, and by studies of the garden-art ideas and philosophical implications that underpinned each of them. As a twice-over 'artist-in-residence' at the Villa Massimo in Rome, Schaal was also able to absorb the whole cosmos of Italian garden and park planning, from the Renaissance to the present day. In 1978 Schaal published his first book, Wege und Wegraume (Paths and Passages), today considered a classic. Wege und Wegraume has become required reading and an artistic leitmotif for generations of landscape designers and architects. In 1994, a further key work appeared, entitled Neue Landschaftsarchitektur/New Landscape Architecture. It proved to be among the late-20th centurys most comprehensive studies of the topic of 'landscape' in the wider sense. Above all, it prompts an existential subjective excursus into all those spheres that are inscribed into landscape beyond the professional mainstream. Schaal was subsequently able to build a large number of spectacular 'follies' and installations in gardens and parks. From 1998 to 2014 he was finally able to actually realise a whole city park, complete with artistic installations: the Wielandpark in Biberach. The complex architectonic and artistic layout of this park embodies, as it were, the distilled essence of decades of working with the bridle paths at the boundaries of landscape. Frank R. Werner studied painting, architecture and architectural history in Mainz, Hanover and Stuttgart. From 1990 to 1994 he was professor of history and theory of architecture at the Staatliche Akademie der Bildenden Kunste Stuttgart, from 1994 until his retirement in 2011 he was director of the Institut fur Architekturgeschichte und Architekturtheorie at the Bergische Universitat in Wuppertal. Peter C. Horn studied architecture in Munich. After working for several years in his original profession in South America, he runs a studio for architectural photography in Stuttgart since 1985.

A trailblazing book that details the close historic ties between Black America and India over the decades

In the past fifty years, according to Christine So, the narratives of many popular Asian American books have been dominated by economic questions-what money can buy, how money is lost, how money is circulated, and what labor or objects are worth. Focusing on books that have achieved mainstream popularity, a"Economic Citizens"aunveils the logic of economic exchange that determined Asian AmericansOCO transnational migrations and national belonging.

With penetrating insight, So examines literary works that have been successful in the U.S. marketplace but have been read previously by critics largely as narratives of alienation or assimilation, includinga"Fifth Chinese Daughter, Flower Drum Song, Falling Leaves"aanda"Turning Japanese." In contrast to other studies that have focused on the marginalization of Asian Americans, a"Economic Citizens"aexamines how Asian Americans have entered into the public sphere.