This book is based on the contributions to a course, entitled Applied Magnetism, which was the 25th Course of the International School of Materials Science and Technology. The Course was held as a NATO Advanced Study Institute at the Ettore Majorana Centre in Erice, Sicily, Italy between the 1st and 12th July 1992, and attracted almost 70 participants from 15 different countries. The book deals with the theory, experiments and applications of the main topical areas of applied magnetism. These selected areas include the physics of magnetic recording, magnetic and magneto-optic recording devices, systems and media, magnetic fine particles, magnetic separation, domains and domain walls in soft magnetic materials, permanent magnets, magnetoresistance, thin film magneto-optics, and finally, microwave, optical and computational magnetics. The material is organised into I 0 self-contained chapters which together provide a comprehensive coverage of the subject of applied magnetism. The aim is to emphasise the connection between the fundamental theoretical concepts, key experiments and the important technological developments which have been achieved in this field up to the present time. Moreover, when and where possible, pointers to future trends are indicated which hopefully, together with the background material, will promote further advancement of research. The organizing committee would like to acknowledge the sponsorship of the NATO Scientific Affairs Division, the National Science Foundation of the USA, the Science and Engineering Research Council of the UK, the Italian Ministry of Education, the Italian Ministry of University and Scientific Research and the Sicilian Regional Government.

Spring and All is a manifesto of the imagination - a hybrid of alternating sections of prose and free verse that coalesce in dramatic, energetic, and beautifully cryptic statements of how language re-creates the world. Spring and All contains some of Williams's best-known poetry, including Section I, which opens, "By the road to the contagious hospital," and Section XXII, where Williams penned his most famous poem, "The Red Wheelbarrow." Now, almost 90 years since its first publiction, New Directions publishes this facsimile of the original 1923 Contact Press edition, featuring a new introduction by C. D. Wright.

This book is based on the contributions to a course, entitled Applied Magnetism, which was the 25th Course of the International School of Materials Science and Technology. The Course was held as a NATO Advanced Study Institute at the Ettore Majorana Centre in Erice, Sicily, Italy between the 1st and 12th July 1992, and attracted almost 70 participants from 15 different countries. The book deals with the theory, experiments and applications of the main topical areas of applied magnetism. These selected areas include the physics of magnetic recording, magnetic and magneto-optic recording devices, systems and media, magnetic fine particles, magnetic separation, domains and domain walls in soft magnetic materials, permanent magnets, magnetoresistance, thin film magneto-optics, and finally, microwave, optical and computational magnetics. The material is organised into I 0 self-contained chapters which together provide a comprehensive coverage of the subject of applied magnetism. The aim is to emphasise the connection between the fundamental theoretical concepts, key experiments and the important technological developments which have been achieved in this field up to the present time. Moreover, when and where possible, pointers to future trends are indicated which hopefully, together with the background material, will promote further advancement of research. The organizing committee would like to acknowledge the sponsorship of the NATO Scientific Affairs Division, the National Science Foundation of the USA, the Science and Engineering Research Council of the UK, the Italian Ministry of Education, the Italian Ministry of University and Scientific Research and the Sicilian Regional Government.

Raul Zurita's "Purgatory", a landmark in contemporary Latin American poetry, records the physical, cultural, and spiritual violence perpetrated against the Chilean people under Pinochet's military dictatorship (1973-1990) in the fiercely inventive voice of a postmodern master. This beautiful en face edition, superbly translated by Anna Deeny, brings to English-language readers an indispensable volume written by one of the most important living poets writing in Spanish today. Zurita was a 24-year-old student in Valparaiso when, on the morning of the coup, he was arrested, detained, and tortured. Conceived as the first text of a "Dantean" trilogy that includes "Anteparaiso" ("Anteparadise") and "La Vida Nueva" ("The New Life"), "Purgatory" is his anguished response to Chile's violent recent history.

C. D. Wright takes her title from a line of legal defense, peculiar to Texas courts, in which it is held that if a man kills before having had time "to cool" after receiving an injury or an insult he is not guilty of murder.

"Cooling Time" is a new type of book, an unruly vigil that is an interconnected memoir-poem-essay about contemporary American poetry. Ever focused on "possibilities," Wright demonstrates that "the search for models becomes a search for alternatives," and thereby defines the terms by which poets can chart their own course.

"These are some of the things I have touched in my life that are forbidden: paintings behind velvet ropes, electric fencing, a vault in an office, gun in a drawer, my brother's folding money, the poet's anus, the black holes in his heart-where his life went out of him."

"Tell me, what is the long stretch of road for if not to sort out the reasons why we are here and why we do what we do, from why we are not in the other lane doing what others do."

"Poetry is like food remarked one of my first teachers, freeing me to dislike Rocky Mountain Oysters and Robert Lowell. The menu is vast, the list of things I don't want in my mouth relatively short."

C.D. Wright, author of nine books of poetry, teaches at Brown University. She lives in Providence, Rhode Island, with poet Forrest Gander.

"Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence."-The New Yorker

Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a "factotum" for a portrait photographer-One Big Self bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and "counts" of things-from baby's teeth to chigger bites:

Count your folding money Count the times you said you wouldn't go back Count your debts Count the roaches when the light comes on Count your kids after the housefire

One Big Self-originally published as a large-format limited edition that featured photographs and text-was selected by The New York Times and The Village Voice as a notable book of the year. This edition features the poem exclusively.

C.D. Wright is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.

Honored in "Best Books of the Year" listings from "The New Yorker," National Public Radio, "Library Journal," and The Huffington Post.

""One With Others" represents Wright's most audacious experiment yet."--"The New Yorker"

" A] book . . . that defies description and discovers a powerful mode of its own."-- National Public Radio

" A] searing dissection of hate crimes and their malignant legacy."--"Booklist"

"Today, Gentle Reader,
the sermon once again: "Segregation
After Death." Showers in the a.m.
The threat they say is moving from the east.
The sheriff's club says Not now. Not
nokindofhow. Not never. The children's
minds say Never waver. Air
fanned by a flock of hands in the old
funeral home where the meetings
were called because Mrs. Oliver
owned it free and clear], and
that selfsame air, sanctified
and doomed, rent with racism, and
it percolates up from the soil itself . . . "

In this National Book Award finalist and National Book Critics Circle Award finalist, C.D. Wright returns to her native Arkansas and examines explosive incidents grounded in the Civil Rights Movement. In her signature style, Wright interweaves oral histories, hymns, lists, interviews, newspaper accounts, and personal memories--especially those of her incandescent mentor, Mrs. Vittitow--with the voices of witnesses, neighbors, police, and activists. This history leaps howling off the page.

C.D. Wright has published over a dozen works of poetry and prose. Among her honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.

C.D. Wright's work is enormously varied: she was an experimental writer, a Southern writer, and a socially committed writer, yet she continuously reinvented herself with each new volume. Much of her poetry is rooted in the landscape and people of her childhood in the Ozark Mountains of Arkansas. Long admired for the honed ferocity of her vision, she wrote with a distinctive Southern accent and a cinematic eye, cut with a secular wit that only slightly tempers her exigency. The resulting poems are hypnotic documentaries that offer what she called 'a once-and-for-all thing, opaque and revelatory, ceaselessly burning'. Like Something Flying Backwards was the first UK edition of her work, and presents a wide range of her lyrics, narratives, prose poems and odes. Based on Steal Away: Selected and New Poems (2003), a finalist for the Griffin Poetry Prize, its selection was expanded to include more later work as well as new poems not then published in book form in the US, and the complete text of her book-length poem, Deepstep Come Shining.

Now in paperback, "Steal Away "presents C.D. Wright's best lyrics, narratives, prose poems, and odes with new "retablos" and a bracing vigil on incarceration. Long admired as a fearless poet writing authentically erotic verse, Wright--with her Southern accent and cinematic eye--couples strangeness with uncanny accuracy to create poems that "offer a once-and-for-all thing, opaque and revelatory, ceaselessly burning."

from "Our Dust"

You didn't know my weariness, error, incapacity,
I was the poet
of shadow work and towns with quarter-inch
phone books, of failed
roadside zoos. The poet of yard eggs and
sharpening shops,
jobs at the weapons plant and the Maybelline
factory on the penitentiary road.

"Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle."--"The New Yorker"

"Wright shrinks back from nothing."--"Voice Literary Supplement"

"C.D. Wright is a devastating visionary. She writes in light. She sets language on fire."--"American Letters"

C.D. Wright has published nine collections of poetry and earned many awards, including the Lannan Literary Award and a Guggenheim Fellowship. She teaches at Brown University and in 1994 was named State Poet of Rhode Island. With her husband, Forrest Gander, she edits Lost Roads Publishers.

In her tenth book, this critically acclaimed poet offers haunting, elegant poetry which merges the mysteries of formal and linguistic experiment with traditional narrative. Whether read as individual poems, or as a larger suite, "Deepstep Come Shining" is a sensuous, Southern Gothic road trip filled with vernacular speech and startling imagery.