Poet Jane Miller collaborates with artist Beverly Pepper on a highly personal journey through the debris of the poet's crumbling relationship, and her mother's descent into illness. Beautifully rendered poems and short chapters of poetic prose combine with Pepper's chalk and oil drawings to form an intimate and unique meditation on the nature of love, of heartache, of the many midnights we, each and every one of us, live through and carry with us through our lives. "The goal is not to make sense of, but art of this story," writes poet C.D. Wright in her introduction. "The goal is not to make a story but to experience the whole mess. There are mental sufferings and physical sufferings to go through; to apprehend if one can. There are the spent casings of history to sift through, pick up and examine. Calm-like, hysterical, forensic. This life not just a worn passage." In the end, the light shines through Miller's midnights and the rewards of passing through the darkness with her are countless.

Spring and All is a manifesto of the imagination - a hybrid of alternating sections of prose and free verse that coalesce in dramatic, energetic, and beautifully cryptic statements of how language re-creates the world. Spring and All contains some of Williams's best-known poetry, including Section I, which opens, "By the road to the contagious hospital," and Section XXII, where Williams penned his most famous poem, "The Red Wheelbarrow." Now, almost 90 years since its first publiction, New Directions publishes this facsimile of the original 1923 Contact Press edition, featuring a new introduction by C. D. Wright.

This book is based on the contributions to a course, entitled Applied Magnetism, which was the 25th Course of the International School of Materials Science and Technology. The Course was held as a NATO Advanced Study Institute at the Ettore Majorana Centre in Erice, Sicily, Italy between the 1st and 12th July 1992, and attracted almost 70 participants from 15 different countries. The book deals with the theory, experiments and applications of the main topical areas of applied magnetism. These selected areas include the physics of magnetic recording, magnetic and magneto-optic recording devices, systems and media, magnetic fine particles, magnetic separation, domains and domain walls in soft magnetic materials, permanent magnets, magnetoresistance, thin film magneto-optics, and finally, microwave, optical and computational magnetics. The material is organised into I 0 self-contained chapters which together provide a comprehensive coverage of the subject of applied magnetism. The aim is to emphasise the connection between the fundamental theoretical concepts, key experiments and the important technological developments which have been achieved in this field up to the present time. Moreover, when and where possible, pointers to future trends are indicated which hopefully, together with the background material, will promote further advancement of research. The organizing committee would like to acknowledge the sponsorship of the NATO Scientific Affairs Division, the National Science Foundation of the USA, the Science and Engineering Research Council of the UK, the Italian Ministry of Education, the Italian Ministry of University and Scientific Research and the Sicilian Regional Government.

This book is based on the contributions to a course, entitled Applied Magnetism, which was the 25th Course of the International School of Materials Science and Technology. The Course was held as a NATO Advanced Study Institute at the Ettore Majorana Centre in Erice, Sicily, Italy between the 1st and 12th July 1992, and attracted almost 70 participants from 15 different countries. The book deals with the theory, experiments and applications of the main topical areas of applied magnetism. These selected areas include the physics of magnetic recording, magnetic and magneto-optic recording devices, systems and media, magnetic fine particles, magnetic separation, domains and domain walls in soft magnetic materials, permanent magnets, magnetoresistance, thin film magneto-optics, and finally, microwave, optical and computational magnetics. The material is organised into I 0 self-contained chapters which together provide a comprehensive coverage of the subject of applied magnetism. The aim is to emphasise the connection between the fundamental theoretical concepts, key experiments and the important technological developments which have been achieved in this field up to the present time. Moreover, when and where possible, pointers to future trends are indicated which hopefully, together with the background material, will promote further advancement of research. The organizing committee would like to acknowledge the sponsorship of the NATO Scientific Affairs Division, the National Science Foundation of the USA, the Science and Engineering Research Council of the UK, the Italian Ministry of Education, the Italian Ministry of University and Scientific Research and the Sicilian Regional Government.

C.D. Wright's work is enormously varied: she was an experimental writer, a Southern writer, and a socially committed writer, yet she continuously reinvented herself with each new volume. Much of her poetry is rooted in the landscape and people of her childhood in the Ozark Mountains of Arkansas. Long admired for the honed ferocity of her vision, she wrote with a distinctive Southern accent and a cinematic eye, cut with a secular wit that only slightly tempers her exigency. The resulting poems are hypnotic documentaries that offer what she called 'a once-and-for-all thing, opaque and revelatory, ceaselessly burning'. Bloodaxe published her first UK retrospective Like Something Flying Backwards: New & Selected Poems in 2007. In One with Others, Wright returned to her native Arkansas and examines an explosive incident grounded in the Civil Rights Movement. In her signature style, she interweaves oral histories, hymns, lists, interviews, newspaper accounts, and personal memories - especially those of her incandescent mentor, V (Mrs Vittitow) - with the voices of witnesses, neighbours, police, activists and a group of black students who were rounded up and detained in an empty public swimming pool. This is a history told by many voices, and it leaps howling off the page. Both a book-length poem and a probing work of investigative journalism, One with Others won the National Book Circle Critics Award.

C.D. Wright's work is enormously varied: she was an experimental writer, a Southern writer, and a socially committed writer, yet she continuously reinvented herself with each new volume. Much of her poetry is rooted in the landscape and people of her childhood in the Ozark Mountains of Arkansas. Long admired for the honed ferocity of her vision, she wrote with a distinctive Southern accent and a cinematic eye, cut with a secular wit that only slightly tempers her exigency. The resulting poems are hypnotic documentaries that offer what she called 'a once-and-for-all thing, opaque and revelatory, ceaselessly burning'. Like Something Flying Backwards was the first UK edition of her work, and presents a wide range of her lyrics, narratives, prose poems and odes. Based on Steal Away: Selected and New Poems (2003), a finalist for the Griffin Poetry Prize, its selection was expanded to include more later work as well as new poems not then published in book form in the US, and the complete text of her book-length poem, Deepstep Come Shining.

Raul Zurita's "Purgatory", a landmark in contemporary Latin American poetry, records the physical, cultural, and spiritual violence perpetrated against the Chilean people under Pinochet's military dictatorship (1973-1990) in the fiercely inventive voice of a postmodern master. This beautiful en face edition, superbly translated by Anna Deeny, brings to English-language readers an indispensable volume written by one of the most important living poets writing in Spanish today. Zurita was a 24-year-old student in Valparaiso when, on the morning of the coup, he was arrested, detained, and tortured. Conceived as the first text of a "Dantean" trilogy that includes "Anteparaiso" ("Anteparadise") and "La Vida Nueva" ("The New Life"), "Purgatory" is his anguished response to Chile's violent recent history.

"Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence."-The New Yorker

Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a "factotum" for a portrait photographer-One Big Self bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and "counts" of things-from baby's teeth to chigger bites:

Count your folding money Count the times you said you wouldn't go back Count your debts Count the roaches when the light comes on Count your kids after the housefire

One Big Self-originally published as a large-format limited edition that featured photographs and text-was selected by The New York Times and The Village Voice as a notable book of the year. This edition features the poem exclusively.

C.D. Wright is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.

Honored in "Best Books of the Year" listings from "The New Yorker," National Public Radio, "Library Journal," and The Huffington Post.

""One With Others" represents Wright's most audacious experiment yet."--"The New Yorker"

" A] book . . . that defies description and discovers a powerful mode of its own."-- National Public Radio

" A] searing dissection of hate crimes and their malignant legacy."--"Booklist"

"Today, Gentle Reader,
the sermon once again: "Segregation
After Death." Showers in the a.m.
The threat they say is moving from the east.
The sheriff's club says Not now. Not
nokindofhow. Not never. The children's
minds say Never waver. Air
fanned by a flock of hands in the old
funeral home where the meetings
were called because Mrs. Oliver
owned it free and clear], and
that selfsame air, sanctified
and doomed, rent with racism, and
it percolates up from the soil itself . . . "

In this National Book Award finalist and National Book Critics Circle Award finalist, C.D. Wright returns to her native Arkansas and examines explosive incidents grounded in the Civil Rights Movement. In her signature style, Wright interweaves oral histories, hymns, lists, interviews, newspaper accounts, and personal memories--especially those of her incandescent mentor, Mrs. Vittitow--with the voices of witnesses, neighbors, police, and activists. This history leaps howling off the page.

C.D. Wright has published over a dozen works of poetry and prose. Among her honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.