The first book-length examination of the clay models and creative process of the preeminent neoclassical sculptor Antonio Canova The most celebrated sculptor of the neoclassical age, Antonio Canova (1757–1822) established himself as the preeminent artist of his time with his funerary monuments and meticulously carved marbles on classical themes. Although his idealized and sensual sculptures are widely known, this is the first book devoted entirely to the brilliantly expressive clay models that he made in preparation for his marble sculptures. Only sixty-five of his terracotta models survive today. Extraordinarily modern in their boldness, the models retain the touch of the artist’s hand and yield a revelatory glimpse into Canova’s imaginative and technical process. The authors, with expertise in art history and conservation, examine Canova’s techniques for making terracotta models, including how he used clay to develop full-scale models that his assistants copied in marble, and his practice of gifting his models to friends. Distributed for the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington, DC (June 11–October 9, 2023) Art Institute of Chicago (November 19, 2023–March 18, 2024)  

A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here-ranging from historical subjects to portraits and still lifes-offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media-from paintings to prints-the fascinating stories of early modern Italian women artists are revealed. Distributed for the Detroit Institute of Arts Exhibition Schedule: Wadsworth Atheneum, Hartford, CT (September 30, 2021-January 9, 2022) Detroit Institute of Arts (February 6-May 29, 2022)

A compelling examination of French sculptor Auguste Rodin from the perspective of his enthusiastic American audience This exhibition catalogue explores the American reception of French artist Auguste Rodin (1840-1917), from 1893, when his first work entered a US museum, to the present. Its trajectory reaches from the collecting frenzy of the early twentieth century-promoted by philanthropist Katherine Seney Simpson and performer Loie Fuller-to important museum acquisitions of the 1920s and 1930s. From there, it traverses the 1950s, when Rodin's reputation flagged, through to the artist's revival and recognition in the 1980s. Rodin's promoters include a dynamic cast of characters, each of whom played a crucial role in cementing his status. The book traces this story through approximately 50 sculptures and 20 drawings that cover Rodin's most iconic subjects and themes. They demonstrate his dexterity across media-his virtuosity in plaster, terracotta, bronze, and marble-as well as his expressive, colorful drawings, some of them relatively unknown, sparking new appreciation for his work and delight for readers. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (June 18-September 18, 2022) High Museum of Art, Atlanta (October 21, 2022-January 15, 2023)

The first comprehensive account in English of Renaissance Spain's preeminent sculptor Alonso Berruguete (c. 1488-1561) revolutionized the arts of Renaissance Spain with a dramatic style of sculpture that reflected the decade or more he had spent in Italy while young. Trained as a painter, he traveled to Italy around 1506, where he interacted with Michelangelo and other leading artists. In 1518, he returned to Spain and was appointed court painter to the new king, Charles I. Eventually, he made his way to Valladolid, where he shifted his focus to sculpture, opening a large workshop that produced breathtaking multistory altarpieces (retablos) decorated with sculptures in painted wood. This handsomely illustrated catalogue is the first in English to treat Berruguete's art and career comprehensively. It follows his career from his beginnings in Castile to his final years in Toledo, where he produced his last great work, the marble tomb of Cardinal Juan de Tavera. Enriching the chronological narrative are discussions of important aspects of Berruguete's life and practice: his complicated relationship with social status and wealth; his activity as a draftsman and use of prints; how he worked with his many assistants to create his wood sculptures; and his legacy as an artist. Published in association with the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington (October 13, 2019-February 17, 2020) Meadows Museum, SMU, Dallas (March 29-July 26, 2020)

A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects. Featuring more than sixty paintings highlighting the artists' full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: Kimbell Art Museum (05/22/16-09/11/16) de Young Museum, San Francisco (10/08/16-01/29/17) Musee du Louvre-Lens (03/22/2017-06/26/2017)

The Lone Star State is home to a dazzling array of world-class artworks, many in private collections and rarely exhibited. Reflecting the Kimbell Art Museum's own collecting strengths, this book focuses on the art of Europe and the ancient Mediterranean from about 700 B.C. to around 1950. Over 40 prominent collections are featured along with works that have been given to museums in Texas or have left the state through gift or sale. Among the artists included are Thomas Gainsborough, Paul Gauguin, Guercino, Henri Matisse, Piet Mondrian, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, and Vincent van Gogh. The distinguished scholar Richard R. Brettell contributes a comprehensive essay on the importance of private collecting in Texas. Distributed for the Kimbell Art Museum Exhibition Schedule: Kimbell Art Museum (11/22/09 - 3/21/10)