The modern notion of tolerance—the welcoming of diversity as a force for the common good—emerged in the Enlightenment in the wake of centuries of religious wars. First elaborated by philosophers such as John Locke and Voltaire, religious tolerance gradually gained ground in Europe and North America. But with the resurgence of fanaticism and terrorism, religious tolerance is increasingly being challenged by frightened publics. In this book, Denis Lacorne traces the emergence of the modern notion of religious tolerance in order to rethink how we should respond to its contemporary tensions. In a wide-ranging argument that spans the Ottoman Empire, the Venetian republic, and recent controversies such as France’s burqa ban and the white-supremacist rally in Charlottesville, The Limits of Tolerance probes crucial questions: Should we impose limits on freedom of expression in the name of human dignity or decency? Should we accept religious symbols in the public square? Can we tolerate the intolerant? While acknowledging that tolerance can never be entirely without limits, Lacorne defends the Enlightenment concept against recent attempts to circumscribe it, arguing that without it a pluralistic society cannot survive. Awarded the Prix Montyon by the Académie Française, The Limits of Tolerance is a powerful reflection on twenty-first-century democracy’s most fundamental challenges.

Islam: An American Religion demonstrates how Islam as formed in the United States has become an American religion in a double sense-first through the strategies of recognition adopted by Muslims and second through the performance of Islam as a faith. Nadia Marzouki investigates how Islam has become so contentious in American politics. Focusing on the period from 2008 to 2013, she revisits the uproar over the construction of mosques, legal disputes around the prohibition of Islamic law, and the overseas promotion of religious freedom. She argues that public controversies over Islam in the United States primarily reflect the American public's profound divisions and ambivalence toward freedom of speech and the legitimacy of liberal secular democracy.

Olivier Roy is one of the world's leading experts on political Islam. But he is not only a scholar-he is also a traveler. Roy's keen and iconoclastic insights emerge from a lifetime of study combined with intrepid exploration through Afghanistan and Central Asia. In this book-length interview, Roy tells the lively and colorful story of his many adventures and discoveries in a variety of social and political settings and how they have come to shape his understanding of the Islamic world and its complex recent history. In Search of the Lost Orient is a candid, personal account of the experiences that led Roy to challenge his youthful ideas of an untouched, romanticized East and build a new intellectual framework to better understand and cohabit with the religions, politics, and cultures of the East, West, North, and South. In conversation with Jean-Louis Schlegel of the magazine Esprit, Roy offers insight into the key themes of his career. Roy's immersion in the complexities of many Central Asian territories started him on his critique of the idea of an essentialized Islam. Alongside tales of backpacking from Paris to Kabul, his Afghan decade during the Soviet invasion, and official travel to post-Soviet Central Asia in the 1990s, Roy reflects on the nature of political and humanitarian engagement in this part of the world. He recounts his formative years, education, and developing political commitments and speaks to his evolving place within France's shifting intellectual and religious cultures. This book outlines Roy's lifelong practice-a combination of deliberate research goals and chance encounters-that examines Islam, immigration, and, more broadly, the future of cultures, religions, and secularism in the face of globalization. Both a significant intellectual autobiography and a compelling travelogue through some of the world's pivotal places, In Search of the Lost Orient offers a striking testimony to the many facets of an exceptional thinker.

The modern notion of tolerance-the welcoming of diversity as a force for the common good-emerged in the Enlightenment in the wake of centuries of religious wars. First elaborated by philosophers such as John Locke and Voltaire, religious tolerance gradually gained ground in Europe and North America. But with the resurgence of fanaticism and terrorism, religious tolerance is increasingly being challenged by frightened publics. In this book, Denis Lacorne traces the emergence of the modern notion of religious tolerance in order to rethink how we should respond to its contemporary tensions. In a wide-ranging argument that spans the Ottoman Empire, the Venetian republic, and recent controversies such as France's burqa ban and the white-supremacist rally in Charlottesville, The Limits of Tolerance probes crucial questions: Should we impose limits on freedom of expression in the name of human dignity or decency? Should we accept religious symbols in the public square? Can we tolerate the intolerant? While acknowledging that tolerance can never be entirely without limits, Lacorne defends the Enlightenment concept against recent attempts to circumscribe it, arguing that without it a pluralistic society cannot survive. Awarded the Prix Montyon by the Academie Francaise, The Limits of Tolerance is a powerful reflection on twenty-first-century democracy's most fundamental challenges.

Georges Vigarello maps the evolution of Western ideas about fat and fat people from the Middle Ages to the present, paying particular attention to the role of science, fashion, fitness crazes, and public health campaigns in shaping these views. While hefty bodies were once a sign of power, today those who struggle to lose weight are considered poor in character and weak in mind. Vigarello traces the eventual equation of fatness with infirmity and the way we have come to define ourselves and others in terms of body type. Vigarello begins with the medieval artists and intellectuals who treated heavy bodies as symbols of force and prosperity. He then follows the shift during the Renaissance and early modern period to courtly, medical, and religious codes that increasingly favored moderation and discouraged excess. Scientific advances in the eighteenth century also brought greater knowledge of food and the body's processes, recasting fatness as the "relaxed" antithesis of health. The body-as-mechanism metaphor intensified in the early nineteenth century, with the chemistry revolution and heightened attention to food-as-fuel, which turned the body into a kind of furnace or engine. During this period, social attitudes toward fat became conflicted, with the bourgeois male belly operating as a sign of prestige but also as a symbol of greed and exploitation, while the overweight female was admired only if she was working class. Vigarello concludes with the fitness and body-conscious movements of the twentieth century and the proliferation of personal confessions about obesity, which tied fat more closely to notions of personality, politics, taste, and class.

Widely reviewed and critically praised, Emmanuel Todd's "After the Empire" predicts that the United States is forfeiting its superpower status as it moves away from traditional democratic values of egalitarianism and universalism, lives far beyond its means economically, and continues to anger foreign allies and enemies alike with its military and ideological policies. As America's global dominance evaporates, Todd foresees the emergence of a Eurasian alliance bringing together Europe, Russia, Japan, and the Arab-Islamic world.

Todd calmly and straightforwardly takes stock of many negative trends, including America's weakened commitment to the socio-economic integration of African Americans, a bulimic economy that increasingly relies on smoke and mirrors and the goodwill of foreign investors, and a foreign policy that squanders the country's reserves of "soft power" while its militaristic arsonist-fireman behavior is met with increasing resistance. Written by a demographer and historian who foresaw the collapse of the Soviet Union, this original and daring book cannot be ignored.

One of the world's top historians of the body, Georges Vigarello maps the evolution of Western ideas about fat and fat people from the Middle Ages to today, paying particular attention to the role of science, fashion, fitness crazes, and public health campaigns in shaping these views. While hefty bodies were once a sign of power, today those who struggle to lose weight are considered poor in character and weak in mind. Vigarello traces the eventual equation of fatness with infirmity and the way we have come to define ourselves and others in terms of body type. Vigarello begins with the medieval artists and intellectuals who treated heavy bodies as symbols of force and prosperity. He then follows the shift during the Renaissance and early modern period to courtly, medical, and religious codes that increasingly favored moderation and discouraged excess. Scientific advances in the eighteenth century also brought greater knowledge of food and the body's processes, recasting fatness as the relaxed antithesis of health.The body-as-mechanism metaphor intensified in the early-nineteenth century, with the chemistry revolution and heightened attention to food-as-fuel, which turned the body into a kind of furnace or engine. During this period, social attitudes toward fat became conflicted, with the bourgeois male belly operating as a sign of prestige but also as a symbol of greed and exploitation, while the overweight female was admired only if she was working class. Vigarello concludes with the fitness and body conscious movements of the twentieth century and the proliferation of personal confessions about obesity, which cemented the social implications of personal behavior and tied fat more closely to notions of personality, politics, taste, and class.

We often look to the theater for spectacle and wonder, but in opera, we find pure enchantment. What is it about the marriage of music and the stage that fills us with such bewilderment and passion? How does the sensual space of opera transport us into the realm of dream?

Jean Starobinski considers the allure of several seducers and seductresses from nineteenth-century opera-Monteverdi's "Poppea," Handel's "Alcina," and Massenet's "Manon," among others-and how their stories are woven into the fabric of Western culture. A talented storyteller and renowned critic of literature and music, Starobinski moves from musical analysis and textual exegesis to an investigation of the political, social, and aesthetic scene of Europe at the time. He traces the elements of theater, poetry, painting, sculpture, dance, and music as they occur in operatic performance, and shows how opera's use of narrative genres, especially the fairy tale, in turn influenced many important short stories, novels, and other works.

Nineteenth-century romantics were drawn to opera because of their desire to revive a religious vision of the world that the Enlightenment suppressed. Starobinski revisits the experiences of Rousseau, Stendhal, Hoffmann, Balzac, and Nietzsche, major writers who fell for opera's portrayal of "heaven," the loss of one's love, and the task of the artist, whether composer or performer. Starobinski's critical breadth and depth, as well as his eclectic taste and keen observation, echo such great comparative critics as Erich Auerbach, RenA(c) Wellek, George Steiner, Harold Bloom, and Angus Fletcher. This spellbinding book will enchant not only fans of the opera, but also those who wish tounderstand the form's enduring heritage in Western culture.

In this absorbing, suspenseful novel Julia Kristeva combines social satire, medieval history, philosophy, psychoanalytic theory, and autobiography within a gruesome murder mystery. Murder in Byzantium deftly moves from eleventh-century Europe, wracked by the turbulence of the First Crusade, to the sun-dappled, cultural wasteland of present-day Santa Varvara, threatened by religious cults, gangs, and a serial killer on the loose. This killer is murdering members of a dubious religious sect, the New Pantheon, and leaving a mysterious figure eight drawn on their corpses. Meanwhile, Sebastian Chrest-Jones, a noted professor of human migrations, clandestinely writing a novel about the Byzantine princess-historian Anna Comnena, disappears on a quest to learn more about an ancestor who roamed across Europe to Byzantium during the First Crusade. Kristeva's recurring characters, detective Northrop Rilsky and the French journalist Stephanie Delacour, step in and desperately try to piece together the two-part mystery in the midst of their unexpected love affair. In the tradition of Umberto Eco, Susan Sontag, and Ian McEwan, Kristeva skillfully weaves philosophical and critical ideas into her fiction. Peering into the mores, obsessions, and excesses of contemporary society, Kristeva offers an engrossing portrait of Santa Varvara, a paradoxical place of sunshine and pollution where skeletons lurk in the closets of politicians and oil company executives. Her descriptions of the First Crusade and the Byzantine Empire vividly evoke a distant past while speaking to such contemporary concerns as immigration, fundamentalism, terrorism, and the East-West divide. Murder in Byzantium is also the only work in which Kristeva explores her Bulgarian roots. In the midst of this rich, multilayered historical novel, Kristeva also presents three stunning, closely observed, and interlocking portraits of characters struggling with loss and emptiness in their personal histories and day-to-day lives.

Covering the whole of the nineteenth century, Wanted! A Nation! reveals how Haiti remained a focus of attention for white as well as Black Americans before, during, and even after the Civil War. Before the Civil War, Claire Bourhis-Mariotti argues, the Black republic was considered by free Black Americans as a place where full citizenship was at hand. Haiti was essentially viewed and concretely experienced as a refuge during moments when free Black Americans lost hope of obtaining rights in the United States. Haiti is also at the heart of this book, as Haitian leaders supported the American emigration to Haiti (in the 1820s and early 1860s), opposed the American geostrategic and diplomatic diktats in the 1870s and 1880s, and finally offered an international platform to Frederick Douglass at the 1893 Columbian World’s Fair, thus helping Black people who faced discrimination at home to fight first against slavery and the slave trade, and then for equal rights. By spanning the entire nineteenth century, Wanted! A Nation! presents a complex panorama of the emergence of African American identity and argues that Haiti should be considered as an essential prism to understand how African Americans forged their identity in the nineteenth century. Drawing on a variety of sources, Wanted! A Nation! goes far beyond the usual framework of national American history and contributes to the writing of an Atlantic and global history of the struggle for equal rights. By spanning the entire nineteenth century, Wanted! A Nation! presents a complex panorama of the emergence of African American identity and argues that Haiti should be considered as an essential prism to understand how African Americans forged their identity in the nineteenth century. Drawing on a variety of sources, Wanted! A Nation! goes far beyond the usual framework of national American history and contributes to the writing of an Atlantic and global history of the struggle for equal rights.

In this absorbing, suspenseful novel Julia Kristeva combines social satire, medieval history, philosophy, psychoanalytic theory, and autobiography within a gruesome murder mystery. "Murder in Byzantium" deftly moves from eleventh-century Europe, wracked by the turbulence of the First Crusade, to the sun-dappled, cultural wasteland of present-day Santa Varvara, threatened by religious cults, gangs, and a serial killer on the loose.

This killer is murdering members of a dubious religious sect, the New Pantheon, and leaving a mysterious figure eight drawn on their corpses. Meanwhile, Sebastian Chrest-Jones, a noted professor of human migrations, clandestinely writing a novel about the Byzantine princess-historian Anna Comnena, disappears on a quest to learn more about an ancestor who roamed across Europe to Byzantium during the First Crusade. Kristeva's recurring characters, detective Northrop Rilsky and the French journalist Stephanie Delacour, step in and desperately try to piece together the two-part mystery in the midst of their unexpected love affair.

In the tradition of Umberto Eco, Susan Sontag, and Ian McEwan, Kristeva skillfully weaves philosophical and critical ideas into her fiction. Peering into the mores, obsessions, and excesses of contemporary society, Kristeva offers an engrossing portrait of Santa Varvara, a paradoxical place of sunshine and pollution where skeletons lurk in the closets of politicians and oil company executives. Her descriptions of the First Crusade and the Byzantine Empire vividly evoke a distant past while speaking to such contemporary concerns as immigration, fundamentalism, terrorism, and the East-West divide. Murder in Byzantium is also the only work in which Kristeva explores her Bulgarian roots. In the midst of this rich, multilayered historical novel, Kristeva also presents three stunning, closely observed, and interlocking portraits of characters struggling with loss and emptiness in their personal histories and day-to-day lives.

Covering the whole of the nineteenth century, Wanted! A Nation! reveals how Haiti remained a focus of attention for white as well as Black Americans before, during, and even after the Civil War. Before the Civil War, Claire Bourhis-Mariotti argues, the Black republic was considered by free Black Americans as a place where full citizenship was at hand. Haiti was essentially viewed and concretely experienced as a refuge during moments when free Black Americans lost hope of obtaining rights in the United States. Haiti is also at the heart of this book, as Haitian leaders supported the American emigration to Haiti (in the 1820s and early 1860s), opposed the American geostrategic and diplomatic diktats in the 1870s and 1880s, and finally offered an international platform to Frederick Douglass at the 1893 Columbian World’s Fair, thus helping Black people who faced discrimination at home to fight first against slavery and the slave trade, and then for equal rights. By spanning the entire nineteenth century, Wanted! A Nation! presents a complex panorama of the emergence of African American identity and argues that Haiti should be considered as an essential prism to understand how African Americans forged their identity in the nineteenth century. Drawing on a variety of sources, Wanted! A Nation! goes far beyond the usual framework of national American history and contributes to the writing of an Atlantic and global history of the struggle for equal rights. By spanning the entire nineteenth century, Wanted! A Nation! presents a complex panorama of the emergence of African American identity and argues that Haiti should be considered as an essential prism to understand how African Americans forged their identity in the nineteenth century. Drawing on a variety of sources, Wanted! A Nation! goes far beyond the usual framework of national American history and contributes to the writing of an Atlantic and global history of the struggle for equal rights.