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This text explores through theory and in-depth textual criticism
how novelists from formerly colonized societies have exploited
indigenous codes and conventions of aesthetic representation to
transform the novel into an effective medium for cultural and
political resistance to (neo)colonialism. Concentrating on novels
written between the late 1940s and early 1990s in Africa,
Polynesia, and the West Indies, it offers a fresh mode of
postcolonial critique which takes account of the ideological
impulses behind the novelists' interpretation of the colonial
experience.
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