Journeys to the end of the world, fantastic creatures, and epic battles between good and evil—what more could any reader ask for in one book? The book that has it all is The Lion, the Witch and the Wardrobe, written in 1949 by Clive Staples Lewis. But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia.

For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a land where magic meets reality, and the result is a fictional world whose scope has fascinated generations.

This edition presents all seven books in one impressive volume. The books are presented here in chronlogical order, each chapter graced with an illustration by the original artist, Pauline Baynes. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to readers of all ages, even fifty years after they were first published.

A wonderful insight into the faith of C. S. Lewis – the leading writer on Christianity and author of the Narnia books – offering encouragement for everyone struggling with intellectual questions, personal conflicts, or ethical dilemmas.

C. S. Lewis shared his thinking on his faith through his brilliant books, notably Mere Christianity, and his extraordinary number of letters to his friends and the general public. Originally published in three volumes, Letters on Living the Faith recasts selected letters into a brilliant themed guide to Lewis' thoughts.

With chapters On Prayer, Meditations on Love, Spiritual Seekers, Christian Formation, Putting Faith into Practice, Theology & Morality, The Bible, Psychology & Spirituality, Catholicism, His own struggles and on Sorrow & Death, Consolation & Courage, plus insight into his views on Narnia.

This is a fabulous meditation on Faith and its role in C. S. Lewis' life. It reconfirms Lewis as a profound voice for Christianity today.

Open a door and enter a magical world.

A beautiful paperback edition of The Lion, the Witch and the Wardrobe, book two in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator, Pauline Baynes.

Four adventurous siblings – Peter, Susan, Edmund, and Lucy Pevensie – step through a wardrobe door and into the land of Narnia, a land frozen in eternal winter and enslaved by the power of the White Witch. But when almost all hope is lost, the return of the Great Lion, Aslan, signals a great change . . . and a great sacrifice.

The Lion, the Witch and the Wardrobe is the second book in C. S. Lewis's classic fantasy series, which has been drawing readers of all ages into a magical land with unforgettable characters for over sixty years. This is a stand-alone read, but if you would like to explore more of the Narnian realm, pick up The Horse and His Boy, the third book in The Chronicles of Narnia.

A milestone in the history of popular theology, 'The Screwtape Letters' is an iconic classic on spiritual warfare and the power of the devil. This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on earth trying to secure the damnation of a young man who has just become a Christian. Although the young man initially looks to be a willing victim, he changes his ways and is 'lost' to the young devil. Dedicated to Lewis's friend and colleague J.R.R. Tolkien, 'The Screwtape Letters' is a timeless classic on spiritual conflict and the invisible realities which are part of our religious experience.

Conocida como la primera novela de C. S. Lewis, esta elocuente, erudita y a menudo ingeniosa sátira de la filosofía contemporánea sigue siendo relevante más de 90 años después. Siguiendo el modelo del famoso Progreso del peregrino de John Bunyan, El regreso del peregrino de C. S. Lewis representa una serie de primicias para Lewis: el primer libro que escribió tras su conversión al cristianismo, su primer libro de ficción y el primer libro que publicó con su propio nombre. En cierto sentido, es el registro de la propia búsqueda de Lewis de sentido y satisfacción espiritual, una búsqueda que finalmente le condujo al cristianismo. Esta es la historia del peregrino Juan y su odisea hacia una isla encantadora que ha creado en él un intenso anhelo; un misterioso y dulce deseo. La persecución de este deseo por parte de Juan le lleva a través de aventuras con personas como el Sr. Ilustración, Media Media, el Sr. Mamón, el Sr. Sensato y el Sr. Humanista, y a través de lugares como el Valle de la Humillación. Aunque aquí los dragones y los gigantes son distintos de los de El progreso del peregrino de Bunyan, la alegoría de Lewis cumple la misma función de permitir al autor decir de forma sencilla y mediante la fantasía lo que de otro modo habría exigido una filosofía de la religión en toda regla. La alegoría de Lewis sigue siendo una ingeniosa sátira de las modas culturales, un vívido relato de los peligros espirituales y una historia iluminadora para generaciones de antiguos y nuevos peregrinos. The Pilgrim's Regress Known as C. S. Lewis’s first novel, this eloquent, erudite, and often wittysatire of contemporary philosophy is still relevant over 90 years later. Modeled after John Bunyan’s famous Pilgrim’s Progress, C. S. Lewis’s Pilgrim’s Regress represents several firsts for Lewis—the first book he wrote after his conversion to Christianity, his first book of fiction, and the first book he published under his own name. It is, in a sense, the record of Lewis’s own search for meaning and spiritual satisfaction—a search that eventually led him to Christianity. Here is the story of the pilgrim John and his odyssey to an enchanting island which has created in him an intense longing; a mysterious, sweet desire. John's pursuit of this desire takes him through adventures with such people as Mr. Enlightenment, Media Halfways, Mr. Mammon, Mother Kirk, Mr. Sensible, and Mr. Humanist and through such cities as Thrill and Eschropolis as well as the Valley of Humiliation. Though the dragons and giants here are different from those in Bunyan's Pilgrim's Progress, Lewis's allegory performs the same function of enabling the author to say simply and through fantasy what would otherwise have demanded a full-length philosophy of religion. Lewis’s allegory remains a witty satire on cultural fads, a vivid account of spiritual dangers, and an illuminating tale for generations of pilgrims old and new.

Compuestas como una colección de envíos ficticios a su amigo Malcolm, Si Dios no escuchase: Cartas a Malcolm acerca de la oración considera esta muestra básica de devoción en su forma, contenido y regularidad, y las maneras en que refleja nuestra fe y moldea nuestra forma de creer. En esta edición de la ficticia colección de cartas de C. S. Lewis, el venerado autor reflexiona sobre la naturaleza de la oración: qué es, cómo funciona y cómo debe practicarse. La oración es un don puro, un gran regalo de Dios. Así lo entiende también Lewis. Con su brillantez habitual, el autor utiliza su correspondencia con otro intelectual para arrojar luz sobre cuestiones como: ¿Cuál es el valor de la oración? ¿Es la oración un soliloquio que nadie escucha? ¿Qué ocurre realmente cuando oramos? ¿Tiene sentido orar por los difuntos? ¿Por qué es importante la liturgia? En sus argumentos, Lewis muestra una fuerte convicción y, al mismo tiempo, una gran sensibilidad y comprensión hacia las debilidades y temores del hombre. Aunque Lewis nunca pretendió que este fuera un libro de instrucciones sobre cómo orar, descubrió que el formato de correspondencia le permitía compartir sus reflexiones de forma dinámica y personal. Si Dios no escuchase: Cartas a Malcom acerca de la oración fue el último libro que terminó C. S. Lewis. Publicado póstumamente en enero de 1964, tres meses después de su muerte, es uno de los mejores libros de Lewis, aunque quizá no uno de los más conocidos.  Letters To Malcom: Chiefly on Prayer Composed as a collection of fictitious dispatches to his friend, Malcolm, Letters to Malcolm: Chiefly on Prayer considers this basic display of devotion in its form, content, and regularity, and the ways it both reflects our faith and shapes how we believe. In this edition of C. S. Lewis’s fictitious collection of letters, the revered author ruminates on the nature of prayer—what it is, how it works, and how it should be practiced. Prayer is a pure gift, a great gift from God. This is also how Lewis understands it. With his usual brilliance, the author uses his correspondence with another intellectual to shed light on questions such as: What is the value of prayer? Is prayer a soliloquy that no one listens to? What is happening when we pray? Does it make sense to pray for the deceased? Why is liturgy important? In his arguments, Lewis shows a strong conviction and, at the same time, a great sensitivity and understanding for the weaknesses and fears of man.While Lewis never intended this to be a book of instruction on how to pray, he found that the correspondence format enabled him to share his reflections in a dynamic and personal way. Letters to Malcolm: Chiefly on Prayer was the last book C. S. Lewis finished. Published posthumously in January 1964, three months after his death, it is one of Lewis’s best books though perhaps not one of his best known. 

'The Chronicles of Narnia' have enchanted millions of readers over the last fifty years and the magical events described in C.S. Lewis's immortal prose have left many a lasting memory. For here is a world where a witch decrees eternal winter; where there are more talking animals than people; and where battles are fought by Centaurs, Giants and Fauns.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

For many years an atheist, C. S. Lewis vividly describes the spiritual quest that convinced him of the truth and reality of Christianity, in his famous autobiography. "In the Trinity Term of 1929 I gave in, and admitted that God was God ... perhaps the most dejected and reluctant convert in all England." Thus Lewis describes memorably the crisis of his conversion. 'Surprised by Joy' reveals both that crisis and its momentous conclusion that would determine the shape of Lewis's entire life.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Fascinated by the myth of Cupid and Psyche throughout his life, C. S. Lewis reimagines their story from the perspective of Psyche's sister, Orual. 'I saw well why the gods do not speak to us openly, nor let us answer . . . Why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?' Till We Have Faces is a brilliant examination of envy, betrayal, loss, blame, grief, guilt, and conversion. In this, his final - and most mature and masterful - novel, Lewis reminds us of our own fallibility and the role of a higher power in our lives.