Open a door and enter a magical world Four adventurers step through a wardrobe door and into the land of Narnia – a world enslaved by the power of the White Witch. When almost all hope is lost, the return of the Great Lion, Aslan, signals a great change . . . and a great sacrifice.

Compuestas como una colección de envíos ficticios a su amigo Malcolm, Si Dios no escuchase: Cartas a Malcolm acerca de la oración considera esta muestra básica de devoción en su forma, contenido y regularidad, y las maneras en que refleja nuestra fe y moldea nuestra forma de creer. En esta edición de la ficticia colección de cartas de C. S. Lewis, el venerado autor reflexiona sobre la naturaleza de la oración: qué es, cómo funciona y cómo debe practicarse. La oración es un don puro, un gran regalo de Dios. Así lo entiende también Lewis. Con su brillantez habitual, el autor utiliza su correspondencia con otro intelectual para arrojar luz sobre cuestiones como: ¿Cuál es el valor de la oración? ¿Es la oración un soliloquio que nadie escucha? ¿Qué ocurre realmente cuando oramos? ¿Tiene sentido orar por los difuntos? ¿Por qué es importante la liturgia? En sus argumentos, Lewis muestra una fuerte convicción y, al mismo tiempo, una gran sensibilidad y comprensión hacia las debilidades y temores del hombre. Aunque Lewis nunca pretendió que este fuera un libro de instrucciones sobre cómo orar, descubrió que el formato de correspondencia le permitía compartir sus reflexiones de forma dinámica y personal. Si Dios no escuchase: Cartas a Malcom acerca de la oración fue el último libro que terminó C. S. Lewis. Publicado póstumamente en enero de 1964, tres meses después de su muerte, es uno de los mejores libros de Lewis, aunque quizá no uno de los más conocidos.  Letters To Malcom: Chiefly on Prayer Composed as a collection of fictitious dispatches to his friend, Malcolm, Letters to Malcolm: Chiefly on Prayer considers this basic display of devotion in its form, content, and regularity, and the ways it both reflects our faith and shapes how we believe. In this edition of C. S. Lewis’s fictitious collection of letters, the revered author ruminates on the nature of prayer—what it is, how it works, and how it should be practiced. Prayer is a pure gift, a great gift from God. This is also how Lewis understands it. With his usual brilliance, the author uses his correspondence with another intellectual to shed light on questions such as: What is the value of prayer? Is prayer a soliloquy that no one listens to? What is happening when we pray? Does it make sense to pray for the deceased? Why is liturgy important? In his arguments, Lewis shows a strong conviction and, at the same time, a great sensitivity and understanding for the weaknesses and fears of man.While Lewis never intended this to be a book of instruction on how to pray, he found that the correspondence format enabled him to share his reflections in a dynamic and personal way. Letters to Malcolm: Chiefly on Prayer was the last book C. S. Lewis finished. Published posthumously in January 1964, three months after his death, it is one of Lewis’s best books though perhaps not one of his best known. 

The Adventure Begins. On a daring quest to save a life, two friends are hurled into another world, where an evil sorceress seeks to enslave them. But then the lion Aslan’s song weaves itself into the fabric of a new land, a land that will be known as Narnia. And in Narnia, all things are possible.

'The Narnia Chronicles, first published in 1950, have been and remain some of the most enduring popular ever published.The best known, the Lion, the Witch and the Wardrobe, has been translated into 29 languages! The illustrations in this book have been coloured by the original artist, Pauline Baynes.'

"To my side, all true Narnians! Would you wait till your new masters have killed you all, one by one?"

It is Narnia's darkest hour. A false Aslan is commanding all Narnians to work for the cruel Calormenes and striking terror into every heart. King Tiran's only hope is to call Eustace and Jill back to Narnia, in an attempt to find the true Aslan and restore peace to the land. But a mighty battle lies ahead.

'The Narnia Chronicles, first published in 1950, have been and remain some of the most enduring popular ever published.The best known, the Lion, the Witch and the Wardrobe, has been translated into 29 languages! The illustrations in this book have been coloured by the original artist, Pauline Baynes.'

"Quick!" said Eustace. "Hold hands! We mustn't get separated!" And before Jill quite knew what was happening, he had pulled her out of the door, out of the school grounds, out of England, out of our whole world into That Place.

Eustace and Jill are whisked to the land of Narnia where Aslan, the great Lion, needs their help to find the missing Prince Rilian. Teaming up with Puddleglum, the Marsh Wiggle, the search takes them through some of the most dangerous underland of Narnia. Even if they attain their goal, it can only be the start of further trouble.

'The Narnia Chronicles, first published in 1950, have been and remain some of the most enduring popular ever published.The best known, the Lion, the Witch and the Wardrobe, has been translated into 29 languages! The illustrations in this book have been coloured by the original artist, Pauline Baynes.'

"Stop it!" cried Eustace. "It's some silly trick you are playing! Ow!"

A great cold salt splash had broken right out of the frame and they were breathless from the smack of it, as well as being wet through.

Lucy and Edmund, stuck with their awful cousin Eustace, suddenly find themselves on board the Dawn Treader – and realise they have fallen into the magical land of Narnia. Reunited with old friends, the young King Caspian and Reepicheep the mouse, they gladly join the voyage to the World's End. Eustace, however, is not so happy…

Conocida como la primera novela de C. S. Lewis, esta elocuente, erudita y a menudo ingeniosa sátira de la filosofía contemporánea sigue siendo relevante más de 90 años después. Siguiendo el modelo del famoso Progreso del peregrino de John Bunyan, El regreso del peregrino de C. S. Lewis representa una serie de primicias para Lewis: el primer libro que escribió tras su conversión al cristianismo, su primer libro de ficción y el primer libro que publicó con su propio nombre. En cierto sentido, es el registro de la propia búsqueda de Lewis de sentido y satisfacción espiritual, una búsqueda que finalmente le condujo al cristianismo. Esta es la historia del peregrino Juan y su odisea hacia una isla encantadora que ha creado en él un intenso anhelo; un misterioso y dulce deseo. La persecución de este deseo por parte de Juan le lleva a través de aventuras con personas como el Sr. Ilustración, Media Media, el Sr. Mamón, el Sr. Sensato y el Sr. Humanista, y a través de lugares como el Valle de la Humillación. Aunque aquí los dragones y los gigantes son distintos de los de El progreso del peregrino de Bunyan, la alegoría de Lewis cumple la misma función de permitir al autor decir de forma sencilla y mediante la fantasía lo que de otro modo habría exigido una filosofía de la religión en toda regla. La alegoría de Lewis sigue siendo una ingeniosa sátira de las modas culturales, un vívido relato de los peligros espirituales y una historia iluminadora para generaciones de antiguos y nuevos peregrinos. The Pilgrim's Regress Known as C. S. Lewis’s first novel, this eloquent, erudite, and often wittysatire of contemporary philosophy is still relevant over 90 years later. Modeled after John Bunyan’s famous Pilgrim’s Progress, C. S. Lewis’s Pilgrim’s Regress represents several firsts for Lewis—the first book he wrote after his conversion to Christianity, his first book of fiction, and the first book he published under his own name. It is, in a sense, the record of Lewis’s own search for meaning and spiritual satisfaction—a search that eventually led him to Christianity. Here is the story of the pilgrim John and his odyssey to an enchanting island which has created in him an intense longing; a mysterious, sweet desire. John's pursuit of this desire takes him through adventures with such people as Mr. Enlightenment, Media Halfways, Mr. Mammon, Mother Kirk, Mr. Sensible, and Mr. Humanist and through such cities as Thrill and Eschropolis as well as the Valley of Humiliation. Though the dragons and giants here are different from those in Bunyan's Pilgrim's Progress, Lewis's allegory performs the same function of enabling the author to say simply and through fantasy what would otherwise have demanded a full-length philosophy of religion. Lewis’s allegory remains a witty satire on cultural fads, a vivid account of spiritual dangers, and an illuminating tale for generations of pilgrims old and new.

'The Narnia Chronicles, first published in 1950, have been and remain some of the most enduring popular ever published.The best known, the Lion, the Witch and the Wardrobe, has been translated into 29 languages! The illustrations in this book have been coloured by the original artist, Pauline Baynes.'

"How ever did you learn to talk?" asked Shasta in amazement.

"Where I come from, nearly all the animals talk," replied the Horse. "The happy land of Narnia." His whinny sounded very like a sigh.

Bree the horse has been kidnapped from Narnia and longs to return there. Shasta, on the verge of being sold into slavery, decides to run away with him in search of the home he's always dreamed of. But the journey is full of surprises and fraught with dangers, and when the companions uncover a treasonous plot, it also becomes a race against time…

'The Narnia Chronicles, first published in 1950, have been and remain some of the most enduring popular ever published.The best known, the Lion, the Witch and the Wardrobe, has been translated into 29 languages! The illustrations in this book have been coloured by the original artist, Pauline Baynes.'

"Look sharp!" shouted Edmund. "All catch hands and keep together. This is magic – I can tell by the feeling. Quick!"

The evil king Miraz and his army can only mean trouble for Narnia, and Prince Caspian, rightful heir to the throne, fears for the future of his country. He blows the Great Horn in desperation, summoning Peter, Susan, Edmund and :Lucy to help with his difficult task – that of saving Narnia before its freedom is lost forever.

A milestone in the history of popular theology, 'The Screwtape Letters' is an iconic classic on spiritual warfare and the power of the devil. This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on earth trying to secure the damnation of a young man who has just become a Christian. Although the young man initially looks to be a willing victim, he changes his ways and is 'lost' to the young devil. Dedicated to Lewis's friend and colleague J.R.R. Tolkien, 'The Screwtape Letters' is a timeless classic on spiritual conflict and the invisible realities which are part of our religious experience.

'The Narnia Chronicles, first published in 1950, have been and remain some of the most enduring popular ever published.The best known, the Lion, the Witch and the Wardrobe, has been translated into 29 languages! The illustrations in this book have been coloured by the original artist, Pauline Baynes.'

"This is the land of Narnia," said the Faun, "where we are now. And you – you have come from the wild woods of the west!"

"I – I got in through the wardrobe in the spare room," said Lucy.

Lucy steps into the Professor's wardrobe – but steps out again into a snowy forest. She's stumbled upon the magical world of Narnia, a land of unicorns, centaurs, fauns… and the wicked White Witch, who terrorises all. Lucy soon realises that Narnia, and in particular Aslan, the great Lion, needs her help if the county's creatures are ever going to be free again…

A prince imprisoned – a country in peril Through dangers untold and caverns deep and dark, a noble band of friends are sent to rescue a prince held captive. But their mission to Underland brings them face-to-face with an evil more beautiful and more deadly than they ever expected.

'The Chronicles of Narnia' have enchanted millions of readers over the last fifty years and the magical events described in C.S. Lewis's immortal prose have left many a lasting memory. For here is a world where a witch decrees eternal winter; where there are more talking animals than people; and where battles are fought by Centaurs, Giants and Fauns.

One of the most popular and beloved introductions to the concept of faith ever written, 'Mere Christianity' has sold millions of copies worldwide. The book brings together C.S. Lewis's legendary radio broadcasts during the war years, in which he set out simply to 'explain and defend the belief that has been common to nearly all Christians at all times'. Rejecting the boundaries that divide Christianity's many denominations, 'Mere Christianity' provides an unequalled opportunity for believers and nonbelievers alike to absorb a powerful, rational case for the Christian faith.

A gentle retelling of C. S. Lewis’s classic bestseller, The Lion, the Witch and the Wardrobe, perfect for storytime with the youngest readers! Now available for the first time ever as a board book, a whole new generation of readers will fall in love with The Chronicles of Narnia in this abridged retelling of C. S. Lewis’s most beloved classic. With simple text paired with bright illustrations by Joey Chou, this is a must-have board book for a young child’s first library – a perfect introduction to the world of Narnia for very young readers. Since its original publication over seventy years ago, this story about four children who step through a wardrobe door and find the magical land of Narnia has delighted readers of all ages. The Lion, the Witch and the Wardrobe has been made into a blockbuster movie and an acclaimed play and has been read by over 100 million people around the world.

C. S. Lewis here offers wisdom and lessons that illuminate our private dialogue with God―prayer―in this collection drawn from the breadth of his writings.

The revered teacher and bestselling author of such classic Christian works as Mere Christianity and The Screwtape Letters, C. S. Lewis here offers wisdom and lessons that illuminate our private dialogue with God―prayer―in this collection drawn from the breadth of his writings.

C. S. Lewis’s insights on Christianity and his reflections on Christian life continue to guide us more than fifty years after his death. How to Pray showcases Lewis’s enduring wisdom on prayer and its place in our daily lives.

Cultivated from his many essays, articles, and letters, as well as his classic works, How to Pray provides practical wisdom and instruction to help readers nurture their spiritual beliefs and embrace prayer in all its forms. While many people would like to speak to God, they often don’t know how to begin. Lewis guides them through the practice, illuminating the significance of prayer and why it is central to faith.

A welcome addition to the C. S. Lewis canon, How to Pray offers a deeper understanding of our personal tradition of prayer, our faith, and what is means to be a Christian.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.