This book seeks to examine the mutual interplay between existentialism and Christian belief as seen through the work of three existentialist thinkers who were also committed Christians - a Spaniard (Miguel de Unamuno), a Russian (Nikolai Berdyaev), and a Frenchman (Gabriel Marcel). They are compared with each other and with leading non-religious existentialists. The major themes studied include reason, freedom, the self, belief, hope, love, suffering, and immortality.

This book explains Miguel de Unamuno's cultivation of the novel genre from the point of view of the ideas he brought to bear on his practice. It shows that behind Unamuno's fictional experiments there lies a coherent and quasi-philosophical concept of the novelesque genre, indeed of writing itself.

The Christian religion figures prominently in the vast output, both discursive and imaginative, of Miguel de Unamuno. Unamuno studied nineteenth-century biblical scholarship closely, especially that of the Liberal Protestant school, but its influence did not dictate his direction. Without fully accepting the traditional Roman Catholic interpretation of the New Testament, what position vis-a-vis Jesus of Nazareth did Unamuno occupy himself? How did he see this figure from the Palestine of two thousand years ago, which has been so influential in western culture? What role does the Nazarene play in Unamuno’s work? What does the presence of Jesus tell us about the Basque writer’s idiosyncratic and combative religious views that drew the opprobrium of the Spanish Church hierarchy? This study focuses on the figure of Jesus of Nazareth as he appears in Unamuno’s writings – including The Tragic Sense of Life, The Christ of Velázquez, The Agony of Christianity, and San Manuel Bueno, mártir.

This book seeks to examine the mutual interplay between existentialism and Christian belief as seen through the work of three existentialist thinkers who were also committed Christians - a Spaniard (Miguel de Unamuno), a Russian (Nikolai Berdyaev), and a Frenchman (Gabriel Marcel). They are compared with each other and with leading non-religious existentialists. The major themes studied include reason, freedom, the self, belief, hope, love, suffering, and immortality.

This book explains Miguel de Unamuno's cultivation of the novel genre from the point of view of the ideas he brought to bear on his practice. It shows that behind Unamuno's fictional experiments there lies a coherent and quasi-philosophical concept of the novelesque genre, indeed of writing itself.